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  • £39.95

    Judd: Music of Thanksgiving

    This is an extensive work consisting of a theme, five variations and a finale. The theme is the hymn tune 'Whitechapel' whose former title 'Death is coming' did little to encourage its use! A wide range of moods are covered, from the delicate and tender to the robust and jubilant. The music was originally written for the London Citadel Band (Ontario, Canada).

    Estimated dispatch 7-14 working days
  • £44.95

    Deus Invictus - God Unconquered (Brass Band - Score and Parts)

    Deus Invictus draws its inspiration from well-known words from Romans 8: 38-39; 'For I am convinced that neither death nor life, neither angels nor demons, neither the present nor the future, nor any owers, neither height nor depth, nor anything else in all creation, can separate us from the love of God'. The music reflects the confidence and certainty of the scripture text while, as in everyday life, trials and tests come along which are reflected in a sequence of musical skirmishes. The work introduces the 19th century hymn 'St Albinus' to a wider audience and also includes references to the tunes 'St Margaret' and 'Rachie'. A setting of the Easter Hymn, 'Christ the Lord is risen today!', is heard followed by a final reprise of 'St Albinus'.

    Estimated dispatch 7-14 working days
  • £64.95

    A Day in the Life of a Knight (Brass Band - Score and Parts)

    Here we have a most descriptive piece of writing - a story through music. A fantastic 1st section test piece and championship concert work:The opening scene would depict standing on the battlements of a castle hearing the thundering hoofs of our brave Knight's horse miles in the distance. His arrival is expected, and his reputation is known across many lands. Today, he is to joust amongst mere mortal knights and compete for the hand of the fair (and local) Princess.He vanquishes all competitors and wins the day. The scene moves to evening and court where reception and dance is to be held for our winning knight. Both Knight and Princess become centre of attention during the dance. Their eyes only for each other.At last, the Knight has a chance to be a lone with his Princess as they steal away from the celebrations to a star lit rampart above the castle gardens, where the Knight declares his ever-lasting love and pledges his life and of honour to her. He asks her hand, meanwhile monks pray in the below chapel hoping for union. She say's yes. It is announced in court, then blown from the battlements.Day breaks; he is brought word of evil doings back in his own land. He leaves word to the Princess that he will be back soon to take her hand. The trouble back home was a rouse to get him away from the Princes so one of the vanquished, a dark knight in yesterdays joust, has summoned a dragon to kidnap the princess for his own.As the truth of the deception reaches our Knight he quickly returns to face the varlet that has taken his Lady. This time tis no joust, but a fight to the death with the dark knight and dragon. Our champion proves his best once again and wins the day and the hand of his Princess forever!- Phil LawrenceSuitable for 1st Section Bands and aboveDuration: 11.15

    Estimated dispatch 7-14 working days
  • £32.00

    Blaenwern (Brass Band - Score and Parts)

    This arrangement is dedicated to the memory of a much-loved friend and wonderful cornet player, Stephen Howard. Stephen played with the Clacton-on-Sea Band, conducted by his father Robert, and was a frequent guest with the G.U.S. Band directed by Dr. Keith M Wilkinson. Indeed, only a few weeks before his untimely death in 1984, Stephen had played principal cornet with the G.U.S. Band on a tour of Switzerland, performing outstandingly at each concert.The arrangement was first performed at Stephen's Memorial Service in October, 1984."Changed from glory into glory,Till in Heaven we take our place,Till we cast our crowns before Thee,Lost in wonder, love and praise." Charles Wesley

    Estimated dispatch 7-14 working days
  • £44.99

    Harry Potter and the Goblet of Fire (Brass Band - Score and Parts)

    Harry Potter and The Goblet of Fire is the pivotal fourth novel in the seven-part tale of Harry Potters training as a wizard and his coming of age. This suite for brass band includes the themes Harry In Winter, The Quidditch World Cup, Hogwarts Hymn, Hogwarts March and The Death Of Cedric. Suitable for Advanced Youth/3rd Section Bands and above. Duration: 7.00

    Estimated dispatch 7-14 working days
  • £109.99

    The Four Noble Truths (Brass Band - Score and Parts)

    The Four Noble Truths are the most basic expression of the teaching of Buddha and therefore still form the guidelines for Buddhists to this day. The four truths are Dukkha, which describes times of major stress in our lives - birth, ageing, desire and death; Samudaya which describes those parts of our life that induce stress, feeling, craving, desire; Nirodha which tells us how to eliminate those aspects of our lives which induce stress and Magga which describes the eight disciplines which can help us eliminate the origins of stress from our lives. It can be seen from these over-simplified definitions, that the Four Noble Truths fall into two pairs, the first two describing the origins of stress and the second two describing how we can reduce stress. To reflect this, the four movements of this work are also combined into two pairs - two quick movements and two slow movements. A fascinating work from this great English composer.Duration: 14:00

    Estimated dispatch 7-14 working days
  • £59.99

    Four Sketches (Brass Band - Score and Parts)

    Simon Dobson wrote his Four Sketches at the request of Peter Bossano, Head of Brass at the Royal College of Music, in recognition of the 25th anniversary of Benjamin Brittens death. It was the winning entry in the European Brass Band Composer Competition in 2002. Suitable for 1st Section Bands and above. Duration: 10.00

    Estimated dispatch 7-14 working days
  • £55.00

    Purcell Variations (Brass Band - Score and Parts)

    Purcell Variations, composed in 1995, the year of the tercentenary of the death of the great English composer, was a watershed work in that it was Downie's first extended composition to be published independently of The Salvation Army and intended for wider use.For his theme, Downie has chosen what has come down to us as the hymn tune Westminster Abbey, which is in fact an adaptation made in 1842 by Ernest Hawkins, who was a Canon of Westminster Abbey where Purcell himself had been organist. Purcell's original is actually the closing section of an anthem, O God, Thou art my God, where it provides the final paean of praise, sung to repeated 'Hallelujahs'. Purcell's tune, particularly the opening triadic gesture, is used as a source of thematic and harmonic material - a quarry for ideas if you like: "I was obsessed with the intervals of thirds in Purcell's tune, rather like Brahms in his Third Symphony", the composer says.There are five variations, preceded by an extended introduction and theme. In the first variation, Purcell's lilting dance pulse has been transformed into a bright, playful sequence, in which each phrase of the melody is given its own transformation. In the second, Purcell's opening gambit is extended into a graceful, flowing waltz, featuring solo and first horn at the top of the register. The composer offers a range of metronome speeds in this movement, in which he is emulating the wistful elegance of Erik Satie's famous Gymnopedie. We enter the world of big band jazz in variation three, where Purcell's tune strides along with added syncopation and bluesy major/minor thirds to the fore. After the breathless energy and blazing brass of the big band, Downie moves into his 'home territory' for a beautifully worked lyrical variation. There is an enhanced urgency about the final variation, which opens with an extended reprise of the work's introduction. Purcell's second and third phrases provide the preparation for the exuberant return, in customary triumph of Purcell's 'Hallelujah'.

    Estimated dispatch 7-14 working days
  • £34.95

    Of Wind and Weeping (Flugel Horn Solo)

    Flugel Horn Solo with Brass BandThe relationship between Achilles and Patroclus is a key element of the myths associated with the Trojan war.. Its exact nature has been a subject of dispute in both the classical period and modern times. In the Iliad, the two heroes have a deep and meaningful friendship. Achilles is tender towards Patroclus, while he is callous and arrogant towards others.Of Wind & Weeping (2015) is a flugel solo, with the soloist representing Greek warrior Achilles and the pain he faces following the death of Patroclus. For a brief moment, Achilles' character shifts from a strong and unbreakable warrior to an emotional and vulnerable character. The solo should be played with expression and feeling, a character who is mourning a loved one with mixed feelings of sadness, shock and vengeance.The work was written in early 2015 for flugel soloist David James and Tongwynlais Temperance Band, with whom he is a member.

    Estimated dispatch 7-14 working days
  • £42.95

    Dunlaps Creek (Brass Band - Score and Parts)

    Robert Bernat was commissioned in 1976by Elgar Howarth to write his first brassband composition, Dunlaps Creek, forGrimethorpe Colliery Band. He chose to usean old hymn tune of the same name usuallyassociated with the words We walk by faithand not by sight. Composing Dunlaps Creekinspired Bernat to learn more about brassbands and in 1978 he moved to Sheffieldfor about a year. He was so impressed bywhat he saw in terms of musical virtuosityand accessibility that he made his mind upto establish a brass band movement in theUS and in 1981 the River City Brass Bandgave its debut performance. Bernat servedas the bands conductor, artistic director andpresident until his death in 1994.

    Estimated dispatch 7-14 working days