Results
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£25.00Meditation - John Stainer
Based on "God So Loved The World" from John Stainer's "Crucifixion".In the 19th century, the English composer John Stainer wrote an oratorio named "The Crucifixion". It contains a beautiful a capella setting of the Biblical text from John chapter 3 verses 16 & 17. Although I have added a few obligati and counter subjects, and a short fugal link, for the most part, I have not tried to add too much to a beautiful piece of traditional harmony. What I have done, is to try to emphasise the subtle changes of tone colour in the unique sound of the brass band. "Meditation" is on the latest CD from Weston Brass. Order from [email protected] price �6.95."..a beautiful concert item that reflects the title of the work perfectly." Robert Childs
In Stock: Estimated dispatch 3-5 working days
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£30.00
Pioneers (Brass Band) - Steve Robson
The 19th Century was a time of great pioneering spirit, where developments in industry, and transport were to begin a process, which was to transform societies around the world beyond recognition.In the vast, so-called "New World" of America these changes were exemplified as the railways spread out to reach hitherto remote and largely unexplored expanses.Steve Robson has composed Pioneers as a three movement piece for brass band, written in the spirit of John Philip Sousa (1854 - 1932), Stephen Foster (1826 - 1864) and Scott Joplin (1868 - 1917).The three movements consist of:March - The US Marine Band (1880)Spiritual - I'm Lookin' Up To HeavenRagtime - Canonball RagAlso available for brass and percussion ensemble.
In Stock: Estimated dispatch 3-5 working days
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£20.00Pioneers (Ensemble) - Steve Robson
The 19th Century was a time of great pioneering spirit, where developments in industry, and transport were to begin a process, which was to transform societies around the world beyond recognition.In the vast, so-called "New World" of America these changes were exemplified as the railways spread out to reach hitherto remote and largely unexplored expanses.Steve Robson has written Pioneers as a three movement piece for brass and percussion ensemble (and also now available as a full brass band version), written in the spirit of John Philip Sousa (1854 - 1932), Stephen Foster (1826 - 1864) and Scott Joplin (1868 - 1917).The three movements have been written for the following instrumentation:2 x Bb cornet1 x flugelhorn1 x Eb Tenor Horn1 x tenor trombone1 x euphonium1 x Eb Bassdrumkit and percussionand consist of:March - The US Marine Band (1880)Spiritual - I'm Lookin' Up To HeavenRagtime - Canonball RagAlso available for brass band.
In Stock: Estimated dispatch 3-5 working days
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In Dreams - Roy Orbison - Len Jenkins
"In Dreams" is a song composed and sung by rock and roll performer Roy Orbison, and was released as a single on Monument Records in February 1963. Orbison later claimed that the origin for "In Dreams" came to him while he was sleeping, as many of his songs did. When he woke up the next morning, the entire composition was written in 20 minutes. Like many of Orbison's songs, but unlike the majority of rock and roll ballads, in under 3 minutes it goes through seven movements with distinct melodies and chord progressions without repeating itself. It was for that reason that I have always believed it was a suitable piece for brass where one does not have lyrics to distinguish changes between verses to avoid monotony. Graham Cooper
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£49.95Brillante - Peter Graham
Brillante was commissioned by Peter Wilson for the British Bandsman Centenary Concert in 1987 and was first performed as a duet by Robert and Nicholas Childs. Later reworked as a solo with brass band accompaniment, it has become popular the world over - an accessible mix of sentiment and virtuosity! This new edition (2018) includes the original duet parts, the solo version, and incorporates a few small changes in phrasing to align with the concert band version also published by Winwood Music.
Estimated dispatch 7-9 working days
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£29.95The Strong Tower (Brass Band - Score and Parts)
Following the popularity of Turris Fortissima, I decided, albeit many years later, to revisit some of the material it contains and create a shorter piece, expanding on some of the ideas and motifs, allowing myself to follow those in different directions altogether. The result is this piece which I hope will also excite players and listeners alike.The music is marked at a quick tempo from the start, but despite several changes in meter, the tempo doesn't change until the small accelerando leads us into the presto section. In order to maintain the excitement and drama, it's important to set the pace and keep it consistent throughout.Section A introduces a few of the motifs that will be developed during the piece, including the main Turris Fortissima theme from bar 13 to 18.At section B, ensure the quavers are tight across the whole band with a strong attack, making an obvious difference in dynamic when fff is marked, in bars 23, 25 and 27. A more lyrical approach will be effective from the Horns in section C, with vigorous interruptions from the rest of the band breaking up their melody.Section D features long notes from muted 1st and 2nd Cornets and Trombones, with crescendos each time. These should be significant and sound as though they emerge from nowhere, completely cutting through the overall texture.Section D features long notes from muted 1st and 2nd Cornets and Trombones, with crescendos each time. These should be significant and sound as though they emerge from nowhere, completely cutting through the overall texture.Sections E and F are both passages of building intensity. Various contrasting motifs are layered, including a subtle reference to the hymn tune Ein' feste Burg (A mighty fortress is our God) from the Euphonium. The music becomes more busy and muddled, before reaching its climax at section G where the lyrical melody is heard again, this time from the Solo Cornets and Euphonium.In bars 141 to 145, there is a reference to Dean Goffin's My strength, my tower in the Basses, as used in Turris Fortissima. Allow this motif to dominate, keeping the notes full and grand-sounding. In bars 149 to 151 there is further use of the line from Ein' feste Burg in the Baritones, Trombones, Euphoniums and Basses leading into the final section.- Steven Ponsford
Estimated dispatch 7-14 working days
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£79.95Corineus (Brass Band - Score and Parts)
Premiered by Cory Band at the 2018 Festival of Brass, Manchester. Selected as the set-work for the Championship Section at the 2019 National Youth Championships of Great Britain.Corineus, in medieval British legend, was a prodigious warrior, a fighter of giants, and the eponymous founder of Cornwall. The first of the legendary rulers of Cornwall, he is described as a character of strength and power. It is on the medieval ruler that this new work, Corineus, is based, presented in three contrasting sections. The work opens with heraldic fanfares and a sense of jubilance before presenting musical material which changes and develops organically, portraying the journey taken by Corineus, Brutus, and the Trojans from modern-day mainland Europe to Britain. The central section of the work is slower, creating a feeling of longing. Brutus' son, Locrinus, had agreed to marry Corineus' daughter, Gwendolen, but instead fell in love with a German princess. In writing this part of the work, the composer portrays the longing of Gwendolen for her husband, knowing he is in love with somebody else. After Corineus died, Locrinus divorced Gwendolen, who responded by raising an army in Cornwall and making war against her ex-husband. Locrinus was killed in battle, and legend suggests that Gwendolen threw Locrinus' lover into the River Severn. This dramatic battle provides the inspiration for the final part of the work. In writing this work, the composer hopes to flare the imagination of young brass players around the country, in an engaging new take on a firm fixture in British folklore.Duration: 11.00
Estimated dispatch 7-14 working days
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£39.95On the Castle Green (Brass Band - Score and Parts)
I was contacted by conductor and friend Desmond Graham who wanted to have a traditional concert march composed to celebrate the Golden Jubilee of his band; The Third Carrickfergus Band.Immediately my mind started wandering as I thought about all the great marches that I have enjoyed playing and listening to over the years. So when I put pen to paper I had already planned out the structure of the march and which instruments to feature.The march itself is split into two halves, the first in a minor key the second in a major key. The opening section starting loudly in F minor features stereotypical passages one would come to recognise in a traditional concert march: a cornet solo, a melodic bridging section and a robust bass solo led by the basses and trombones.The second half of the march changes pace and mood as it lifts into a major key giving it a more lighter feel. We hear a second cornet solo which plays the second theme of the march. After a second bridge section the theme is played by the front row cornets to allow the soprano to play an obligato melody similar to that heard in marches like "Army of the Nile" and "Stars and Stripes Forever". It all builds to a grandioso ending where the tempo drops and the final theme is played with a quick accel to the end.As for the title? In Carrickfergus lies an old castle that faces the town which is situated on a small plot of luscious green grass - "On The Castle Green".Paul Lovatt-Cooper
Estimated dispatch 7-14 working days
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£34.95Island Whirl (Brass Band - Score and Parts)
Island Whirl was commissioned by Margaret Milligan who wanted a brand new piece of music composed as a present for Ian, her husband for his 70th birthday. Ian Milligan is a keen and dedicated musician and he is the musical director of Callendar Brass, based in Callendar near Stirling in Scotland.Margaret contacted me about the possibility of composing a short lively piece which had a Scottish theme that would be ideal for Callendar Brass Band and any other ensemble to get their teeth into. This piece takes its inspiration from the traditional Scottish folk song 'An Eriskay Love Lilt' which is a particular favourite of both Margaret and Ian.With thunderous Celtic drums the piece opens in a whirlwind of sound with fanfare brass and an off-stage soloist that can perform using either the cornet or trumpet. After the exciting opening, the brass and drums die away to allow the off-stage soloist to air the traditional tune 'An Eriskay Love Lilt'.The beautiful haunting melody, keeping its originality throughout undergoes a series of changes in the accompanying harmonic material before dying away to allow the Celtic drums to return. The percussion whip the band into a frenzy as the piece gets faster and faster. Just prior to the final notes the band diminuendo to allow one last closing statement from the Eriskay Love Lilt lead by the off-stage soloist before the ensemble charge to a dramatic close.When performing this piece I would recommend the off-stage soloist taking a position somewhere in the audience, so they can almost feel part of the performance. In addition, with the two tom-tom parts that represent the Celtic drums, bands should make the most of showcasing them by getting the two drummers out to the front of the band to perform. The ideal stage position would be with the players set up in stereo with one player in front of the soprano cornet and the other in front of the solo trombone.With the various choreographed movements from both the off-stage soloist and the percussionists. This piece is a great addition to any concert repertoire and is an ideal showcase for bands who want to try something a little different.I wish Ian at 70 years young, all the very best with his music making in the many years to come and I hope this piece, composed especially for him and Callender Brass brings them many years of musical enjoyment.Paul Lovatt-Cooper
Estimated dispatch 7-14 working days
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£24.95Cwm Rhondda (Brass Band - Score and Parts)
Using syncopation, irregular meters and several style changes, the arranger has transformed this well-known tune into a unique and original setting.
Estimated dispatch 7-14 working days