Results
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£35.00The Very Best Time of Year (Euphonium Solo with Brass Band - Score and Parts) - Rutter, John - Griffiths, David
This arrangement for Solo Euphonium & brass band by David Griffiths, truly evokes that feeling of nostalgia and longing anticipation of the joyous season and is a true celebration of all that we love about Christmas time! Suitable for 4th Section Bands and above
Estimated dispatch 7-14 working days
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£59.95Skydance (Brass Band - Score and Parts) - Cordner, Martin
Built around Sidney Carter's song 'The Lord of the dance' and largely Celtic in style, Skydance seeks to describe the celebration, energy and exuberance that life in eternity will represent.?
Estimated dispatch 7-14 working days
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£29.95
Skydance (Brass Band - Score only) - Cordner, Martin
Built around Sidney Carter's song 'The Lord of the dance' and largely Celtic in style, Skydance seeks to describe the celebration, energy and exuberance that life in eternity will represent.?
Estimated dispatch 7-14 working days
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£29.95
Christ the Lord (Brass Band - Score and Parts) - Venables, Marcus
This festival prelude was written for the North York Temple Band to open the 2011 'Glory of Easter' concert. The piece is based on the Welsh tune of Llanfair (T.B. 271), associated with the words 'Christ the Lord is risen today'. The music is meant to be a celebration and awakening of our spirits to rejoice in the awesome wonder that is the Easter story; Christ thre Lord came to die for the worlds sins, but has risen, today!
Estimated dispatch 7-14 working days
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£14.95
Christ the Lord (Brass Band - Score only) - Venables, Marcus
This festival prelude was written for the North York Temple Band to open the 2011 'Glory of Easter' concert. The piece is based on the Welsh tune of Llanfair (T.B. 271), associated with the words 'Christ the Lord is risen today'. The music is meant to be a celebration and awakening of our spirits to rejoice in the awesome wonder that is the Easter story; Christ thre Lord came to die for the worlds sins, but has risen, today!
Estimated dispatch 7-14 working days
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£44.95
Fantasia on 'Glory to his Name' (Brass Band - Score and Parts) - Bright, Dudley
This Fantasia is a celebration of the work of Ray Steadman-Allen. Through most of his 92 years, his music has had a profound and wide-ranging impact on Salvation Army music. Always innovative, rather than stylistically stereotypical, his music has led the way forward for Salvationist composers. As the title suggests, his light-hearted 1960's vocal solo provides thematic material and highlights his motivation. There are also references to and quotations from several more of his pieces. Yet, although much of his music can be challenging, he has also given us music that speaks directly to the heart. His much-loved songs 'He giveth more grace' ('Blacklands') and 'Remember Me' are heard in humble and sincere tribute to a life dedicated to giving the glory to God through his music.
Estimated dispatch 7-14 working days
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£22.50
Fantasia on 'Glory to his Name' (Brass Band - Score only) - Bright, Dudley
This Fantasia is a celebration of the work of Ray Steadman-Allen. Through most of his 92 years, his music has had a profound and wide-ranging impact on Salvation Army music. Always innovative, rather than stylistically stereotypical, his music has led the way forward for Salvationist composers. As the title suggests, his light-hearted 1960's vocal solo provides thematic material and highlights his motivation. There are also references to and quotations from several more of his pieces. Yet, although much of his music can be challenging, he has also given us music that speaks directly to the heart. His much-loved songs 'He giveth more grace' ('Blacklands') and 'Remember Me' are heard in humble and sincere tribute to a life dedicated to giving the glory to God through his music.
Estimated dispatch 7-14 working days
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£44.95
Fusion (Brass Band - Score and Parts) - Cordner, Martin
Fusion seeks to capture the sense of celebration that arises when a believer arrives in Heaven and is finally joined in eternal fellowship with God. In depicting this event, the work links the tune, 'Brantwood' (I know thee who thou art') with Chris Rice's contemporary hymn, 'Come to Jesus'.
Estimated dispatch 7-14 working days
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£22.50
Fusion (Brass Band - Score only) - Cordner, Martin
Fusion seeks to capture the sense of celebration that arises when a believer arrives in Heaven and is finally joined in eternal fellowship with God. In depicting this event, the work links the tune, 'Brantwood' (I know thee who thou art') with Chris Rice's contemporary hymn, 'Come to Jesus'.
Estimated dispatch 7-14 working days
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£95.00Variations on a Theme of Michael Tippett (Brass Band - Score and Parts) - Hindmarsh, Paul
A Centenary Tribute by Michael Ball, Edward Gregson, Elgar Howarth, Bramwell Tovey and Philip WilbyThis unique 'pice d'occasion' arose out of a telephone conversation in 2004 with Alan Wycherley, who was the soprano cornet player of the Foden's Richardson Band at the time. He indicated that the band would like to include an original birthday tribute for Edward Gregson (60) and Elgar Howarth (70) in its concert at the 2005 RNCM Festival of Brass in Manchester. I have been Artistic Director of Manchester's Festival of Brass since it was established in 1990 as a BBC Radio 3 series, As the centenary of the birth of Sir Michael Tippett fell on 5 January 2005, I devised this collective work as a way of embracing all three anniversaries in a novel way.The idea of joint compositions is not a new one in the classical music world. In the 1860s, Verdi was joined by a number of his contemporaries in a Requiem Mass for Rossini. In this country there have been a number of orchestral examples over the past fifty years, but never before for the brass band. Although Tippett composed only one work for brass band, Festal Brass with Blues, his orchestral works and operas are full of idiomatic brass writing. The theme I chose for this celebration is one of Tippet's most memorable miniatures featuring wind and brass. In the opera Midsummer Marriage it marks the entry of the Ancients. It is also included in the orchestral Suite in D (1948), for the Birthday of Prince Charles.I invited five of the leading contemporary voices in brass band music to add their own creative perspectives to the little Tippett theme, with it's characteristic rhythms, embellishments and modality - the Lydian mode. Each contribution was designed to fit into a tonal and formal template to give the whole work a flow and continuity. In Danse des Amis, Bramwell Tovey has composed a jazzy, humorous variation. Inspiration came from Tippett's love of jazz and, more personally, from the characteristically syncopated gait of the distinguished music critic John Amis, who Tovey once observed leaving a performance of Tippett's opera King Priam before the end. Incidentally, that performance was conducted by Elgar Howarth.We hear Edward Gregson in lyrical mode. His Midsummer Song is redolent of the sound world of Tippett's opera A Midsummer Marriage and it ends with a brief reference to a favourite of Gregson's, Tippett's Concerto for Orchestra. Michael Ball provides a brief moment of light, airy activity bringing to mind perhaps Tippett's love of Shakespearian fantasy, especially The Tempest. Elgar Howarth juxtaposes a slowed down version of the processional theme with distant recollections of fanfares from King Priam. Philip Wilby has rounded the tribute off with a spectacular fugue. During its inexorable progress Wilby ingeniously introduces the two other birthday references - the three-note musical signature that Elgar Howarth includes in much of his music and the characteristic theme which begins Edward Gregson's substantial work for brass an organ The Trumpets of the Angels. An elaborated reprise of Tippett's little theme is followed by a dynamic coda.- Paul HindmarshDuration: 13.00
Estimated dispatch 7-14 working days
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