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  • £21.50

    Wedding Music (Selections For A Wedding) - Various - Gavin Somerset

    With more and more brass bands performing at weddings, having the correct music is essential for the couple's perfect day. With most of the traditional wedding music coming from large overtures & operas etc, this unique pack of music has been specially designed to minimise fuss (all 4 pieces are printed on just one sheet per part) and have just the "famous" bits included. Specially arranged by Gavin Somerset so that the pieces included can be performed from anything ranging from a full brass band to a brass quintet group and with repeats that can be cut or performed to tailor to each event. The pieces are???BRIDAL CHORUS (from Lohengrin) By Richard Wagner"Here comes the bride"??? is the standard march played for the bride's entrance at many formal weddings. The wedding between Elsa and Lohengrin however was almost an immidiate failure!PACHELBEL'S CANON By Johann PachelbelFormally known as the Canon & Gigue in D and originally composed for a string quartet, the Canon part of the composition has become a favorite at weddings, either as an alternative to the Bridal Chorus (above) or used during the signing of the register. The convention in the Baroque era would have been to play a piece of this type in the moderate to fast tempo, however at weddings it has become fashionable to play the work at a slow tempo.WEDDING MARCH (from "A Midsummer Night's Dream") By Felix MendelsshonPopularized by Princess Victoria's wedding to Prince Frederick William of Prussia and coupled with the Bridal Chorus for the entry of the bride, this Wedding March is often for the recessional at the end. Prelude to "Te Deum" By Charpentier Another item now popular in its use during weddings for its bright fanfares. Many composers have written music to the "Te Deum" text (Te Deum being an early Christian hymn of praise, used still regularly in the R.C Church). The prelude by Charpentier is by far one of the most famous

    In stock: Estimated delivery 1-2 days
  • £60.00

    Danceries

    In Danceries , by Kenneth Hesketh, the melodies themselves are a mixture of old and new. Where the old occurs it has been adapted in mood and composition and is often interspersed with completely new material. The contemporary harmonies and rhythms bring a breath of new into these themes and add drama to the suite. The first movement, Lull Me Beyond Thee , is gentle and lilting, almost a barcarole, this movement is very much a reverie. The original tune had the name ‘Poor Robin’s Maggot’, a rather disconcerting title; maggot, however, in seventeenth-century parlance meant whim or fancy. The second, Catching of Quails , is a colourful, buoyant scherzo on an original melody. The thematic material is shuttled around the band to contrast with full-blooded tuttis. The last few bars fade to almost nothing, before a final surprise! My Lady’s Rest is a tender pavane, also on an original melody, with Moorish leanings. Beautiful solo passages, expressive contrapuntal writing and warm tuttis provide an opportunity to show off the most lyrical of playing. The final movement, Quodling’s Delight is a clever combination of the 17th century melody, 'Goddesses', with an original contrasting melody, creating a rousing and exuberant finale to the work. A sound clip of the last movement, Quodling's Delight , can be found here Item Code: 0-571-56512-3 Duration: c.15'40"

    Estimated delivery 5-7 days
  • £40.00

    A Repton Fantasy - C. Hubert Parry - Philip Sparke

    Sir Hubert Parry (1848-1918) is mostly remembered for the marvellous melodies of his hymn tunes, such as Jerusalem and Repton. The latter first appeared in Parry's oratorio Judith and was adapted as a hymn tune after the composer's death. This fantastic cornet solo will give your section leader a real chance to shine.

    Estimated delivery 10-14 days

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  • £23.50

    Brass Monkey's Ensemble Workout - David White

    This selection of music is the perfect all-in-one workout for your training band. Each piece contained within the selection serves a definite purpose (all of which are given below and are printed in the score). The "Ensemble Workout" balances musical exercises and pieces of music to ensure that the end result is a better ensemble performance over all. The pieces keep the players entertained whilst ensuring they listen and work with the other players around them. Drum Kit and Percussion parts are also included. The pieces (and their objectives) included are??? UNISON WARM UP & HYMN TUNEA MINOR TUNE - no key or time signature, no dynamics, accidentals for some (sharp)PLODDING ON - time signature but no key signature, no dynamics, accidentals for some (sharp, flat natural) staccato / legato playingLITTLE WALTZ - time signature & key signature, accidentals & dotted minims & ties D.S. al Fine & repeats with 1st & 2nd time bars no dynamicsLAZY LATIN - time & key signature, dynamics & accidentals, staccato / legato playing styles, sectional repeats with 1st & 2nd time barsTHE AIKIN DRUM - 6/8 compound time, March style playing, D.C. al Coda

    In stock: Estimated delivery 1-2 days
  • £34.95

    232.778C - Paul McGhee

    ‘232.778?C’ was written during October 2016 and is a musical homage and reaction to Ray Bradbury’s ‘Farenheit 451’ and the illustrations of the novel by Ralph Steadman. It received its premiere on Sunday 20th November at the 40th Brass in Concert Championships at the Sage, Gateshead.‘232.778?C’ is the temperature at which paper will burn without the use of an accelerant. As the music begins with a spark the flames begin to grow, adding all that they encounter to their flame. Fire engine sirens can be heard through the mayhem and the dynamic and dissonance intensifies as the calls and screams of ‘London’s Burning’ begin to shriek from all directions. The music continues to grow in intensity until the flames have consumed everything, and all that remains are the crumbled ruins of all that was once there.

    Estimated delivery 12-14 days
  • £58.00

    St. Louis Blues - William C. Handy - Oystein S. Heimdal

    This song was composed by W. C. Handy and published in 1914.The style is typical blues and it has been a standard for jazz-musicians for decades.Many famous musicians and singers has recorded- and performed it. Louis Armstrong, Bessie Smith, Count Basie and Glenn Miller are among the greatest ones.This arrangement switch between 6/8 and 2/4 time signature bur the tempo is the same throughout the piece. The arrangement is suitable for both marching and concert purpose. When performed at a concert, the drum kit can be used instead of separate snare drum, bass drum and cymbals.

    Estimated delivery 12-14 days
  • £30.00

    A Thames Journey - Phillip Littlemore

    The journey begins at the source of the River Thames at Kemble in Wiltshire - a horn solo introduces the main theme, Through the Groves , an eighteenth-century Wiltshire melody. A cornet fanfare announces the start proper, and the journey moves into Oxfordshire for morros dancing and then to Oxford itself, with, its dreaming spires and steeple bells. Trombones and basses pay tribute to the World Poohsticks Championships befor we reach Henley, and hints of a well-known boating song. We then travel through Windsor to Runneymede, where the Magna Carta was signed in 1215, and on to Hampton Court to hear henry VIII's Greensleeves . The Lass of Richmond Hill is heard through Barnes, where Gustav Holst lived, and hints of Jupiter sound and a tip of the hat to Lambeth as Big ben comes into view. Nostalgically London Bridge is remembered before arriving at Greenwich - starting point of many a heroic voyage. Smelling the sea salt in the air as the journey reaches its end, the Wiltshire melody proudly annouces our arrival at the ocean - the 'Thames Journey' is complete. This arrangement has been recorded by the Leyland Band, conducted by Michael Fowles, and appears on the CD The Alchymist’s Journal .?A sound clip of the piece can be found here Item Code: 0-571-56785-1 Duration: c.9'30"

    Estimated delivery 5-7 days
  • £49.95

    Blaze - Phil Lawrence

    Cornet/trumpet sounds have been changing for some years; they are becoming heavier, more robust, slower vibratos. The dynamic level now pushed out by your average solo cornet is 30% more than it was some 35/40 years ago. This, is mainly due to the bore size of instruments and mouthpiece sizes (as in bigger), and, demands of modern day works for band on the player/soloist, and of course a greater demand of styles on the player, and progressive teaching methods. The technical styles in Blaze are about these changes.In Blaze I have clearly blended symphonic blowing styles of the trumpet plus the virtuosic attributes of today's modern cornet player. Many solo cornets parts (more past than present) in band are often clearly defined between low A and top C above the stave. Orchestral trumpet players need a working range of another fourth at either end of this defined range; I have incorporated this range into the concerto. The low register is much explored, and the average tessitura throughout is constantly varied below and above the stave from pedal Eb to super F# opt. The ideology of this blend of course makes sense as the original dedication is to Rod Franks, LSO, and of course blending with that is Rod's history at Black Dyke Mills Band.The concerto is ten minutes long and in one movement comprising of four sections and one solo cadenza, with one section only appearing once, an episode. This singular section was a revised addition and dedicated to Richard Marshall who gave the first premier in New Zealand in June 2003. For the purists the form is thus, A, B, A (vari), C (episode). D (slow movement), E (3/8 episode 1), D (vari), E, (episode 2). A (last move), B, A (developed) = (coda finale).The compositional style? Well, I hope quintessentially, 21st C English with an element of nostalgia (modal/old English). There are some hints at jazz playing styles and rhumba, but romantic English I would say, and especially the slow movement.Blaze is also very bold; the title itself reflects this, full of bravura and constant amazement, offering little respite for the soloist and sapping much stamina. The opening statement from the soloist is without accompaniment; just as a matador stands alone in the ring for the first few seconds, and looks at the mass crowd in defiance, he thinks, "you are here to see me die", so the soloist stares the audience back in the face, and opens with the richest, largest sound (not loudest) one can muster, thus throwing the gauntlet down to the ears of all who might disbelieve what they are about to encounter, a gladiatorial cornet, a Blaze from the stage.For the soloist, it is a non-stop Blaze of sound, electrifying technique, sage-like musicianship, super-human stamina and sheer matador-like bravura with 10th Dan mastery of over-all control, a test beyond the reasonable. And for the audience? Of course, a BLAZE never to be forgotten. Phil LawrenceThis work can be heard performed by cornet soloist Richard Marshall & the Grimethorpe Colliery Band on their award winning album entitled 'BLAZE'

    Estimated delivery 5-7 days
  • £29.95

    Rise of the Firebird - Steven Reineke

    Originally written for concert band, this dynamic piece contrasts energetic fanfares with more lyrical sections to produce a bold concert opener.A native of Ohio, composer Steven Reineke is one of America's most sought-after pops conductors, composers and arrangers. He is Music Director and Conductor of The New York Pops at Carnegie Hall, the newly appointed Principal Pops Conductor of the Toronto Symphony Orchestra and Principal Pops Conductor of the National Symphony Orchestra at the John F. Kennedy Center for the Performing Arts in Washington D.C. and is a frequent guest conductor with numerous other orchestras.As the creator of more than one hundred orchestral arrangements for the Cincinnati Pops Orchestra, Mr. Reineke's work has been performed worldwide, and can be heard on numerous Cincinnati Pops Orchestra recordings on the Telarc label. His symphonic works Celebration Fanfare, Legend of Sleepy Hollow and Casey at the Bat are performed frequently in North America. His Sun Valley Festival Fanfare was used to commemorate the Sun Valley Summer Symphony's pavilion, and his Festival Te Deum and Swan's Island Sojourn were debuted by the Cincinnati Symphony and Cincinnati Pops Orchestras. His numerous wind ensemble compositions are published by the C.L. Barnhouse Company and are performed by concert bands around the world.

    Estimated delivery 5-7 days
  • £74.95

    The Torchbearer - Peter Graham

    The Torchbearer was commissioned by Kapitol Promotions and the Federation of Australasian Brass Bands as the test piece for the 2009 National Brass Band Championships of Great Britain and the FABB Open Contest respectively. The commission was initiated by the Federation's Music Advisor, Professor David King, whose support and encouragement for the idea of a piece commemorating the 20th anniversary of Eric Ball's death is greatly appreciated.The variations are based upon the first phrase of the trio from Eric Ball's Salvation Army march, Torchbearers. After opening statements of the theme, variation 1 (an energetic allegro brillante utilising fragment A) commences at bar 35. Cadenza passages for Eb Bass and Euphonium lead to variation 2 (an andante appassionato based upon fragment B) at 104. Variation 3 (142 - a vivace featuring C as an ostinato) is followed at 205 by variation 4, the central andante e sciolto molto for solo cornet (utilising D1 as a counterpoint and D2 as a 2nd phrase).The work culminates at bar 291 in a reprise of the cornet solo, now fully metamorphosised and mirroring in music a concept at the centre of Ball's broader philosophy, that of transformation.I have endeavoured to retain the main compositional characteristics and harmonic flavour of Eric Ball's Salvation Army and contest music. His scoring techniques are a model for any student of the medium and whilst I have aimed for similar colours and clarity of line in texture, concessions have been made in the instrumentation of the 21st century brass band. A slightly more developed percussion section is utilised employing timpani and xylophone in dominant roles.Eric Ball will be remembered as a composer whose classic works for brass shine through with integrity and sincerity. I have been no less sincere in my efforts to pay musical tribute to the 20th century's most influential composer of brass band music.

    Estimated delivery 12-14 days