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  • £83.00

    A Bournemouth Suite - Benjamin Tubb

    Bournemouth Suite was written by Benjamin Tubb in 2005, when the composer was just 17 years of age. After spending many school holiday weeks with his grandparents in the coastal town of Bournmouth, it was obvious that these experiences would make a great basis for a composition.This testpiece is split into three separate movements: Balloon Ride, The Pier at Night and The BIC. Each movement has its own unique character, although there are ideas shared by all three throughout, one of which is the opening syncopation.Balloon RideThe First movement, Balloon Ride, describes a journey on "The Bournemouth Eye", a tethered hot air balloon that takes you up 500 feet. It's located in the middle of the town centre, which enables you to see surrounding countryside for up to 20 miles! The movement begins rather ominously as the balloon raises from the ground which leads into a more lively section caharacteresed by the repeating quavers in the lower brass and woodblock. The movement ends in much the same way as it started - signalling the return to terra firma.The Pier At NightDuring the summer there are several large firework displays in the town centre. The second movement, The Pier At Night descirbes an evening spent on the beach in deckchairs watching the montage of colours in the night-time sky. With demanding solos for horn and cornet, as well as exposed playing spread throughout the band, this slow movement will really test a band's expressive and lyrical playing.The 'BIC'The Bournemouth INternational Centre, also known as "The BIC" is one of Bournemouth's most visited attractions, and regularly hosts shows such as 'Riverdance' and pantomimes. Inside is a world of entertainment and the centre itself is just a stone's throw from both "The Bournemouth Eye" and the Pier. The 3rd movement has been written to describe the buzz of activity surrounding the BIC, and the entire works ends with the same syncopated motif from the beginning.A Bournemouth Suite was set as the 'set-test' at the Pontins Brass Band Championships 2009.

    Estimated delivery 12-14 days
  • £34.95

    Behold the Power of God - Christopher Bnod

    Behold the Power of God (2010) was written for and premiered by the Cornwall Youth Brass Band in dedication to their Musical Advisor at the time; the late Cornish composer Goff Richards who later described the work as 'a remarkable piece of writing'. The work's title, while implying a religious meaning, actually references Goff's name, with his full name Godfrey translating as 'God-peace' and Richards meaning 'Power'. Two energetic outer sections fall either side of a more lyrical middle section featuring the solo cornet. The perfect opening item at any concert.

    Estimated delivery 12-14 days
  • £29.95

    Black and White Rag - Paul Lovatt-Cooper

    I have taken this tune and arranged it as a xylophone solo with brass band accompaniment.When performing the piece it is relatively straight forward. However, the soloist needs to be aware that the split part at rehearsal figure B in the first four bars is a melody and accompanying figure.The ‘stride like’ quavers that start on notes C and G are to be played with the left stick, while the syncopated solo melody line is to be played with the right stick. At the fifth bar of figure B the soloist can play the semiquavers as they see fit and then return to their ‘stride’ style at bar 46 and so on when it appears.This is a great Rag and it works really well as a solo showcase for xylophone.Paul Lovatt-Cooper

    Estimated delivery 12-14 days
  • £44.95

    Music of a Legacy - Contest Version - Steven Ponsford

    This piece pays tribute to the vast heritage of Salvation Army brass band music. Written in one movement, it is rhapsodic in nature and quotes references from just a few of the many iconic pieces from the past, progressing naturally through the different styles of music; firstly marches, followed by meditations, major works and then solos. The underpinning theme that binds the work together is the much-loved hymn, by Timothy Dudley-Smith, drawing particular attention to the last line of the first verse; 'Lord for the years, we bring our thanks today'. This is music of thanksgiving to the rich inheritance that inspires writers today to continue the mission of the gospel through this very special and unique genre.

    Estimated delivery 12-14 days
  • £40.00

    Things to Come - Phillip Littlemore

    The 1936 science fiction film Things to Come was written by H G Wells and starred Raymond Massey and Ralph Richardson. It was based on the author’s 1933 novel The Shape of Things To Come , an elaborate prophecy of world war, disease, dictatorship and, finally, a utopia. ? It was Wells himself that approached Bliss to write the music for the film, although Bliss had no experience of writing for this medium. Wells believed that the music was integral and not to be added later, and so several sections of the score were completed before shooting and some of it was used intact. Whether the producer, Alexander Korda, had agreed to this is unclear but, inevitably, some of the music was edited under the watchful eye of Muir Mathieson, who was involved in the project as music director and also working on his first major film. ? Some six months before the release of the film Bliss created an extensive Suite for the BBC, and conducted two-thirds of the special recording sessions himself. Some of the original manuscripts and material from those sessions subsequently disappeared and are now lost. The later concert suite, from 1940 and dedicated to H G Wells, includes six movements of which four have been arranged in this brass band transcription. ? Sir Arthur Bliss (1891–1975) Bliss was one of the most important figures in British musical life from the early 1920s through to his later years when he was Master of the Queen’s Music. He wrote over 140 works for every combination of voice and instrument including large scale orchestral works, operas, ballets, film scores, chamber works, songs and music for brass band. He was composing right up to his death at the age of 83. ? H G Wells (1866–1946) Wells was a writer of science-fiction which also explored social topics of class conflict to evolution. He became a literary sensation almost overnight when his first novel, The Time Machine , was published in 1895. This was followed in quick succession by The Island of Doctor Moreau , The Invisible Man and The War of the Worlds . As an internationally recognised author he travelled extensively gaining notoriety for his radical social and political views. Today he is often referred to as the ‘Father of Science Fiction’. ? Item Code: TPBB-070 Duration: 10’55” ?

    Estimated delivery 5-7 days
  • £35.00

    Legends of Cyfarthfa - Matthew Hall

    Legends of CyfarthfaCombining the music of Joseph Parry and the legendary Cyfarthfa Band, Legends of Cyfarthfa is a technically challenging but musically rewarding concert work. Robert Crawshay owned the Cyfarthfa Ironworks in South Wales creating a business empire second to none.Cyfarthfa Castle was built by Crawshay as the family home from the income made via the ironworks. He wanted his own private band to play under the name of the ironworks with the best players in the world, playing on the highest quality instruments at the time. Employing the band members under the guise of iron workers, the Cyfarthfa Band was made up of virtuoso players, performing for the pleasure of the Crawshay dynasty.This virtuosity can be heard in some of the more technically challenging sections of Legends of Cyfarthfa. Joseph Parry was born in Cyfarthfa.He composed the first piece of music specifically written for brass band called Tydfil Overture for the Cyfarthfa Band, alongside many other memorable works for other instrumentation.Legends of Cyfarthfa incorporates many of Parry’s works including his opera Blodwen, hymn tune Aberystwyth, folk melody Myfanwy and the Tydfil Overture, alongside many other melodies from Wales. Sospanfach, Men of Harlech, Lisa Lan and Calon Lan are just a number of the melodies that are used in this composition.The premiere performance was given by Tredegar Town Band under the direction of Ian Porthouse at the 2010 Brass in Concert Championships where it was awarded the Cyril Beere Memorial Trophy for Best New Composition or Arrangement.Legends of Cyfarthfa

  • £45.00 £45.00
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    Arthur Bliss - Greetings to a City

    Sir Arthur Bliss (1891 - 1975) was a significant composer and pillar of the British musical establishment. Although Born in London, his father was from the United States and both countries were important in his life and career. In 1953 Sir Arthur was appointed Master of the Queen’s Musick, after which he added a steady stream of fanfares and ceremonial works to his list of works. In 1960 he was commissioned by the American Wind Symphony of Pittsburgh, which requested for festive work to feature on an extensive European tour, including a performance in London.Bliss scored Greetings to a City for two brass choirs each of 2 trumpets, 2 horns and three trombones, with tuba and percussion. This adaptation for brass band instruments retains an element of antiphony by emphasing the contrast between the fanfare instruments (cornets and trombones) and the horns and tubas. Greetings to a City is cast in three connected sections, with extended fanfare episodes separated by a short lyrical interlude.? 1969 Robert King Music. Rights transferred to Alphonse Leduc Editions Musicales.This arrangement ? 2018 Robert King Music. All Rights Reserved. International Copyright Secured.Duration: 6 mins 30 secsPHM09 Score and Parts ?45.00; score only ?10.00

  • £44.00

    Largo from Winter - Antonio Vivaldi - Philip Sparke

    Antonio Vivaldi (1678-1741) stands, with Handel and J.S. Bach, as one of the titanic figures of late Baroque composition. Not only was he lauded as a composer of vocal and instrumental works both sacred and secular, he was without doubt, the most prolific composer of his age. In addition to hundreds of vocal works, including forty-nine operas, he composed five hundred concertos. The Four Seasons are probably the best known of his concerti with the second movement, Largo, portraying time spent by a roaring fire listening to the rain pounding against the window. This new arrangement for brass band retains all the warmth of the original.

    Estimated delivery 10-14 days

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  • £20.00

    Sonata Piana??e Forte

    DescriptionSonata Pian'e Forte means an instrumental piece using soft and loud dynamics. A "Sonata" (at this time) meant a piece for instruments (as opposed to voices). It was probably written to be played as part of a service at St Mark's, Venice. This is the earliest known piece to specify both the instruments to be played AND the dynamics in the written music.Gabrieli was born in Venice sometime between 1554 and 1557 and studied with the renowned Dutch composer Orlando di Lassus. He also studied with his uncle, Andrea Gabrieli, and eventually succeeded him as the organist and composer at St Mark's Basilica in Venice. Already renowned as a musical centre, Venice became a magnet for composers wishing to study with Gabrieli after 'Symphoniae Sacrae' was published.Like many of his works, Sonata Pian'e Forte was written to take advantage of the unique layout of St Mark's, which had galleries on three sides where the musicians could be placed to create novel spatial effects – utterly new and exciting for sixteenth century listeners. Sonata Pian'e Forte has two different antiphonal 'choirs' and in this arrangement the band is split into two groups to reflect Gabrieli's innovative idea. Ideally the two groups should be clearly separated so the the antiphonal effect comes across clearly, although this will of course depend on the performance space. On no account should the band remain in its normal seated formation!As Gabrieli didn't have any percussionists (and percussion was widely thought inappropriate for music performed in church anyway) there are no percussion parts in this music.This arrangement is available for full brass band or 8-piece brass ensemble andwas first performed by the Blackley Band conducted by Andrew Baker in 2004. To view a sample PDF preview of the score click here.Duration approximately 4'20".

    Estimated delivery 5-7 days

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  • £55.00

    Newton Wood Suite - Dan Price

    Brass Band Concert Series - Grade 3 Extended concert work or own-choice test-piece (4th Section) by Dan Price Newton Wood Suite is a set of three musical sketches which take inspiration from geographical locations and historical periods in the life of English engineer Daniel Adamson. This work was originally written as a concert band item in 2013 to help celebrate the 125th Anniversary year of the Adamson Military Band. The work is in three movements; I - The Foundry, II - Dewsnap Lane, III - Work Begins on the Manchester Ship Canal, each of which paints an evocative musical scene. Each of the movements also works independently and is available separately. Two percussion parts with percussion I playable as a drum kit part. Duration: 00:09:30 (complete) Grade 3

    Estimated delivery 5-7 days