Results
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£45.00I SEE THE LIGHT (from Tangled) (Brass Band) - Barry, Darrol
This beautiful song is taken from Pixar's animated feature?Tangled. The opening section features the solo horn against a light accompaniment. The music builds to a change of key where the melody moves over to the euphoniums and baritones. This is a useful concert item and playable by all levels of bands. Grade: 4th section +. Duration: 3:44
Estimated dispatch 7-14 working days
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£60.99My Heart Will Go On (Brass Band - Score and Parts)
With the first notes of this arrangement, everyone who has seen the film Titanic will remember seeing the pictures of this moving love story against those of the dreadful disaster. 02:44
Estimated dispatch 7-14 working days
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£119.95
SWIFT SEVERN'S FLOOD (Brass Band - Score and Parts) - Clarke, Nigel - Vertommen, Luc
Swift Severn's Flood is in one movement and is both heroic and brooding in nature. The work requires great virtuosity with fast, furious running passages juxtaposed against extreme dynamic contrasts. Duration: 13:30
Estimated dispatch 7-14 working days
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£49.95
SWIFT SEVERN'S FLOOD (Brass Band - Score only) - Clarke, Nigel - Vertommen, Luc
Swift Severn's Flood is in one movement and is both heroic and brooding in nature. The work requires great virtuosity with fast, furious running passages juxtaposed against extreme dynamic contrasts. Duration: 13:30
Estimated dispatch 7-14 working days
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£44.95The Great Race (Euphonium Solo with Brass Band - Score and Parts) - Graham, Peter
Finale from In League with Extraordinary GentlemenThe Great Race, for solo euphonium and band, follows Phileas Fogg on the last stage of his epic journey "Around the World in Eighty Days" (from the novel by Jules Verne). The moto perpetuo nature of the music gives full rein to the soloist's technical virtuosity. As the work draws to a conclusion, the frantic scramble by Fogg to meet his deadline at the Reform Club in Pall Mall, London, is echoed by the soloist's increasingly demanding ascending figuration, set against the background of Big Ben clock chimes.
Estimated dispatch 7-14 working days
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£37.95Benvenuto Cellini (Brass Band - Score only) - Berlioz, Hector - Wright, Frank
Berlioz's opera Benvenuto Cellini was first produced in Paris in 1838 but was withdrawn as a failure, and it was not until the production in Dresden in 1888 that it was finally acclaimed by the Germans as a triumph. Adapted from certain episodes recorded in the memoirs of Benvenuto Cellini, Tuscan sculptor and goldsmith, the story, laid in Rome during the mid-sixteenth century, is not strictly historical. The short opening Allegro, marked deciso con impeto, is conceived in the most brilliant Berlioz manner, utilising full instrumentation. In the Larghetto we meet at once the first of the opera themes - the Cardinal's aria (from the last act) introduced in the bass, quasi pizzicato. A second melody leads to a resumption of the Allegro, the contrasting second subject in the tenor horns being an adaptation of Teresa's aria (Act I). Towards the end the Cardinal theme is re-introduced by trombones, fortissimo against an energetic cornet and euphonium passage (senza stringendo - without hurry, says the score). After a unison passage storming skywards, there is a sudden, dramatic three-bar silent pause broken by Eb basses alone, again stating the Cardinal theme. A simple molto crescendo on the dominant, begun piano, leads to the long, resounding chord.
Estimated dispatch 7-14 working days
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£82.95Benvenuto Cellini (Brass Band - Score and Parts) - Berlioz, Hector - Wright, Frank
Berlioz's opera Benvenuto Cellini was first produced in Paris in 1838 but was withdrawn as a failure, and it was not until the production in Dresden in 1888 that it was finally acclaimed by the Germans as a triumph. Adapted from certain episodes recorded in the memoirs of Benvenuto Cellini, Tuscan sculptor and goldsmith, the story, laid in Rome during the mid-sixteenth century, is not strictly historical. The short opening Allegro, marked deciso con impeto, is conceived in the most brilliant Berlioz manner, utilising full instrumentation. In the Larghetto we meet at once the first of the opera themes - the Cardinal's aria (from the last act) introduced in the bass, quasi pizzicato. A second melody leads to a resumption of the Allegro, the contrasting second subject in the tenor horns being an adaptation of Teresa's aria (Act I). Towards the end the Cardinal theme is re-introduced by trombones, fortissimo against an energetic cornet and euphonium passage (senza stringendo - without hurry, says the score). After a unison passage storming skywards, there is a sudden, dramatic three-bar silent pause broken by Eb basses alone, again stating the Cardinal theme. A simple molto crescendo on the dominant, begun piano, leads to the long, resounding chord.
Estimated dispatch 7-14 working days
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£42.95
SATIRE AGAINST MANKIND (Brass Band) - Nyman, Michael - Parkinson, John
from the movie Libertine. Please note: Percussion tacet.
Estimated dispatch 7-14 working days
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£42.95
SATIRE AGAINST REASON (Brass Band) - Nyman, Michael - Parkinson, John
from the movie Libertine. Please note: Percussion tacet.
Estimated dispatch 7-14 working days
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£34.95The Fire and the Phoenix (Trombone Solo)
Trombone Solo with Brass BandThe Fire & the Phoenix (2015) was commissioned by Brett Baker in early 2015 as the opening track to his solo CD 'Myths & Legends'. Whilst structurally a single-movement work, it is presented so that it can link directly into the next work on the CD, adding to a continuous theme comprising a number of pieces from a number of composers.Opening with huge strident chords in the full band, the representation of the phoenix is instantly reflected; bold, powerful and a bird of great intensity. This makes way for a more mystical section marked 'distant' which reflect the beauty of the Phoenix and it's mythical nature where the trombone soars up into its higher register with a sweeping melody.Soon after, the music takes a sharp turn, becoming dramatic and instantly moving away from the mystical mood created previously. Here, we imagine the Phoenix catching fire, burning intensely with huge flames as it gradually turns into ash. We reach a tonic pedal point in the music, over which chord progressions subtly weave in and out of the texture. Here, we imagine the Phoenix rising from the ashes, with the dynamics gradually increasing to reflect this, slowly taking shape as it is born again.A return to earlier material follows, this time manipulated to reflect the Phoenix in its new form - the same bird; the same animal; but at the same time different. A beautiful chorale-like passage is heard before the music transports us back into a magical land, where delicate rhythmic ideas are juxtaposed against bolder lower chords; both ideas together transporting the listener forward into the next piece.
Estimated dispatch 7-14 working days
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