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£40.00
Berlioz - Berlioz, H - Rimmer, W
Includes a full band set (no score)
In stock: Estimated dispatch 1-3 days
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£35.00The Witches' Sabbath - Berlioz
An effective arrangement of the exciting finale from Berlioz's greatest masterpiece 'Symphonie Fantastique'.This new 'finisher' is all about an opium induced fantasy Berlioz had about rescuing a woman he was madly in love with from a group of evil witches and other assorted ghouls.After many brilliant musical descriptions of the eerie scenes, Berlioz triumphantly rescues his beloved narrowly saving her from being sacrificed by the witches!First performed by Whitburn Band at Spennymoor 24 and recorded by them on the 'Live from Spennymoor 24' CD.
Estimated dispatch 7-14 working days
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£40.50
March to the Scaffold - Berlioz, H.
The journey to the scaffold of a man who has murdered his lover is the image behind the 4th movement from the Symphonie Fantastique (subtitled An Episode in the Life of an Artist). Berlioz' imagination, widely regarded as near insane during his lifetime, operated on the edge of musical possibility : his scoring for the orchestra, and particularly his use of harmony in non-standard ways was regarded as ignorant and primitive by non other than Mendelssohn. These factors are very clearly heard at work in this movement. Berlioz first made his reputation in England where his use of very large orchestral and choral forces gained an enthusiastic audience. The modern revival of interest in his music recommenced in England during the 1960s.
Estimated dispatch 5-7 working days
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£61.00
Ungarsk marsj - Hector Berlioz - Bjorn Morten Kjaernes
The "Rakoczi March" (Hungarian March) was the unofficial state anthem of Hungary before Ferenc Kolcsey wrote the Himnusz which is today the official national anthem of Hungary.The first version of this march-song was probably created around 1730 by one or more anonymous composers, although tradition says that it was the favorite march of Francis Rakoczi II. That early version called back Francis Rakoczi II to save his people. It was very popular in the 18th century but in the 19th century the more refined Rakoczi March became prevalent.Hector Berlioz included the music in his composition "La Damnation de Faust" in 1846, and Franz Liszt wrote a number of arrangements, including his Hungarian Rhapsody No. 15, based on the theme. The march gave its name to a 1933 Austrian-Hungarian feature film - Rakoczy-Marsch This arrangement is based on Berlioz instrumentation and phrasing from his Hungarian March, but in the form of the 19th century Rakoczi March
Estimated dispatch 12-14 working days
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£82.30Ungarsk marsj - Hector Berlioz
The "Rakoczi March" (Hungarian March) was the unofficial state anthem of Hungary before Ferenc Kolcsey wrote the Himnusz which is today the official national anthem of Hungary. The first version of this march-song was probably created around 1730 by one or more anonymous composers, although tradition says that it was the favorite march of Francis Rakoczi II. That early version called back Francis Rakoczi II to save his people. It was very popular in the 18th century but in the 19th century the more refined Rakoczi March became prevalent. Hector Berlioz included the music in his composition "La Damnation de Faust" in 1846, and Franz Liszt wrote a number of arrangements, includinghis Hungarian Rhapsody No. 15, based on the theme. The march gave its name to a 1933 Austrian-Hungarian feature film - Rakoczy-Marsch This arrangement is based on Berlioz instrumentation and phrasing from his Hungarian March, but in the form of the 19th century Rakoczi March
Estimated dispatch 5-14 working days
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£37.95Benvenuto Cellini (Brass Band - Score only) - Berlioz, Hector - Wright, Frank
Berlioz's opera Benvenuto Cellini was first produced in Paris in 1838 but was withdrawn as a failure, and it was not until the production in Dresden in 1888 that it was finally acclaimed by the Germans as a triumph. Adapted from certain episodes recorded in the memoirs of Benvenuto Cellini, Tuscan sculptor and goldsmith, the story, laid in Rome during the mid-sixteenth century, is not strictly historical. The short opening Allegro, marked deciso con impeto, is conceived in the most brilliant Berlioz manner, utilising full instrumentation. In the Larghetto we meet at once the first of the opera themes - the Cardinal's aria (from the last act) introduced in the bass, quasi pizzicato. A second melody leads to a resumption of the Allegro, the contrasting second subject in the tenor horns being an adaptation of Teresa's aria (Act I). Towards the end the Cardinal theme is re-introduced by trombones, fortissimo against an energetic cornet and euphonium passage (senza stringendo - without hurry, says the score). After a unison passage storming skywards, there is a sudden, dramatic three-bar silent pause broken by Eb basses alone, again stating the Cardinal theme. A simple molto crescendo on the dominant, begun piano, leads to the long, resounding chord.
Estimated dispatch 7-14 working days
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£82.95Benvenuto Cellini (Brass Band - Score and Parts) - Berlioz, Hector - Wright, Frank
Berlioz's opera Benvenuto Cellini was first produced in Paris in 1838 but was withdrawn as a failure, and it was not until the production in Dresden in 1888 that it was finally acclaimed by the Germans as a triumph. Adapted from certain episodes recorded in the memoirs of Benvenuto Cellini, Tuscan sculptor and goldsmith, the story, laid in Rome during the mid-sixteenth century, is not strictly historical. The short opening Allegro, marked deciso con impeto, is conceived in the most brilliant Berlioz manner, utilising full instrumentation. In the Larghetto we meet at once the first of the opera themes - the Cardinal's aria (from the last act) introduced in the bass, quasi pizzicato. A second melody leads to a resumption of the Allegro, the contrasting second subject in the tenor horns being an adaptation of Teresa's aria (Act I). Towards the end the Cardinal theme is re-introduced by trombones, fortissimo against an energetic cornet and euphonium passage (senza stringendo - without hurry, says the score). After a unison passage storming skywards, there is a sudden, dramatic three-bar silent pause broken by Eb basses alone, again stating the Cardinal theme. A simple molto crescendo on the dominant, begun piano, leads to the long, resounding chord.
Estimated dispatch 7-14 working days
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£34.50
Hungarian March (from The Damnation of Faust) - Berlioz, H.
Included at the last minute in a performance of Faust conducted by the composer in Budapest, The Hungarian March caused a sensation in the politically charged atmosphere of the Hungary of the time. It was encored time and time again. The clever build-up to a stunning climax shows the professional composer scoring a bull's-eye. In fact the opera has nothing whatsoever to do with Hungary : Berlioz' placing the scene 'on a plain in Hungary' was the merest cover up for trying to be sure of a triumph in his concert-tour in that country. Success on the cheap ! In the right circumstances artistic integrity is (a little) negotiable.
Estimated dispatch 5-7 working days
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£64.95Benvenuto Cellini Overture - Hector Berlioz - Christian Jenkins
This overture opens Berlioz's two-act opera about the life of the 16th-century Florentine sculptor and goldsmith. Set in Rome, the opera explores certain episodes of Cellini's life, as recorded in his own memoirs. The first performance took place in Paris...
Estimated dispatch 4-7 working days
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£34.95March to the Scaffold - Hector Berlioz - Robert Childs
The Symphonie Fantastique, the first of Berlioz's major works, was composed in 1830 when he was 26. 'March to the Scaffold', the fourth movement in this major work is music borrowed from Les Francs Juges, an abandoned opera started in...
Estimated dispatch 4-7 working days
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