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£183.20Pulsar - The Metamorphosis of a Star - John Brakstad
4th July in 1054 AD one of the most spectacular events was witnessed in the Cosmos. A massive star blew out; a supernova explosion.From the Earth it appeared as a new, bright star; the most brilliant in the sky. It was visible for three weeks, also in daylight, before it then faded away.But what was left of it is spectacular. Today we call it the "Crab Nebula".And in the very centre of the Nebula lies the remnant of the star; the core crushed by the force of gravity.This is a rotating neutron star, a pulsar, just 20 kilometres across, but so dense that it weighs more than our sun.As the neutron star spins, ejected particles stream out from its poles at almost the speed of light.These jets create powerful beams that sweep around as the star rotates.When the beams sweep across the Earth, they can be heard as regular pulses. We call them pulsars.In this piece there are three percussion parts. In addition there is an "optional part" to replace the marimba and vibraphone written in the three original percussion parts if desired. This fourth part is shown in the full score.
Estimated dispatch 5-14 working days
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£228.70Fanfare and Chorale - Egil Hovland - Ray Farr
This arrangement (or edition) for brass band will give the possibility for more performances of this fine work by Hovland. The composer, before his death, examined my work and made no suggestions for changes, and his approving comments were complimentary and encouraging. The work was originally written for Concert Band in 1966 as Op. 54a to St. Olaf College Band in the US. It was transcribed in 1967 for symphony orchestra as Op. 54b by the composer himself. The challenges in arranging the piece for brass band were mostly concerned with satisfactorily covering the upper register used by piccolo, flutes and clarinets, and while there are wonderful brass players around who have amazing high registers, I have aimed this edition at a level achievable by reasonably good brass band players who are willing to give time and effort into the proper preparation and delivery of the music. Having worked on this new edition with a top-class brass band, I think it sounds wonderful and interestingly different to the original. Besides the obvious differences of tone-colour and absent high notes, I have used in my scoring, the option for using a vibraphone in place of a celeste. Vaughan Williams, in his Variations for brass band writes for celeste, but because the instrument is quite rare, performances have been mostly given using a glockenspiel- but this, of course sounds two octaves higher than it was intended. I think that vibraphone and brass is an excellent combination and recommend it without hesitation in this piece. Every detail of articulation and dynamic has been considered, so in order to keep the integrity of the music, please do not change anything in the name of "interpretation". As Ravel says- "What is there to interpret?" Ray Farr
Estimated dispatch 5-14 working days
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£119.50Me and Mrs. Jones - Kenneth Gamble - David Hveem
Me and Mrs. Jones was written by Kenny Gamble, Leon Huff and Cary Gilbert in 1972, and was first recorded by Billy Paul on the album 360 Degrees of Billy Paul. The song is about a man who has an affair with Mrs. Jones, and how the two secretly meet every day in the same cafe, even though they may know it's not quite right: "We got a thing going on/we both know that it's wrong/but it's much too strong/to let it go now." Paul has stated that he was sure the song was going to be a hit even before it was released, as "it's a song everyone can relate to", but already from the start the lyrics were considered somewhat controversial and the song were banned from several radio stations. Nevertheless, it became one of the best-selling singles of 1972 and Paul received a Grammy for Best Male R&B Vocal Performance.Well known is also Michael Buble's version of the song, released on the album Call Me Irresponsible in 2007. It is his version that has been the inspiration for this arrangement, which brings out even more of the jazz elements Buble has found in the song. The arrangement is quite demanding for the ensemble, and requires great rhythmic precision in particular.
Estimated dispatch 5-14 working days
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£60.99Klezmeriana - Jan de Haan
The instrumental music of the Yiddish-speaking Jews, especially those of Eastern Europe, is known as klezmer. This terminology was originally used in Jewish cultural life as the name of a musician who played at weddings. At Jewish weddings, which usually last several days, klezmer musicians played not only dance music but also ceremonial music - for example during the wedding ceremony, and also music that was listened to during the wedding feast. Originally, there was no special term for this style of music. It was simply referred to as 'Jewish wedding music'. In the 1970s, the music - which is actually a fusion of different influences - enjoyed a resurgence in popularity and came to be known as klezmer. This music contains not only the sounds of the Balkans, but also influences of oriental and gypsy music too. Jan de Haan used no original klezmer melodies for Klezmeriana, but composed a series of sound-alike in an instrumentation for brass band.
Estimated dispatch 5-14 working days
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£50.00Firefly - Simon Dobson
Firefly was composed by award-winning composer Simon Dobson (b.1981) to provide an entertaining up-tempoconcert work for community and youth bands. Composed in funk-rock style, and is based on the groove beat with which it opens. Dobson says, "Firefly was written as a break from my more serious music and as a 'hat tip' to the various types of beat orientated music I listen to." It was first performed by Oslofjord Brass in Norway and in its wind version by Harmonie Shostakovich, Switzerland. Duration: 5-6 minutes. INSTRUMENTATION:1 EflatSop. Cornet, Solo Cornets (4), Bflat Rep. Cornet (1), 2nd Bflat, Cornets (2), 3rd Bflat Cornets (2);Flugel horn, Solo Eflat Horn, 1st Eflat Horn, 2nd Eflat Horn; 1st Bflat Bar., 1 2nd Bflat Bar., 1st Trombone, 2ndTrombone, Bass Trombone; Bflat Euphoniums (2); Eflat Tubas (2); Bflat Tubas (2); 2 percussion
Estimated dispatch 5-14 working days
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£54.99Jamaica - Timothy Travis
Jamaica is an island in the Caribbean. In 1494 it was discovered by Christopher Columbus, who used it as private property until 1509. After some skirmishes it fell under British rule and the sugar trade on the island flourished. After the abolition of slavery in 1834 it was only granted Home Rule in 1944, but it remained a member of the British Commonwealth of Nations. Whereas the export of cane sugar used to be Jamaica's main export product for many years, nowadays music has taken over this role. At first American music used to be very popular on the island. Later, however, Jamaican musicians started to experiment and thus in the end created their ownmusical style called Reggae. Well-known Reggae musicians are Bob Marley and Peter Tosh. The most important instruments used in Reggae are the bass and the drums. Together they form the base for the style: the riddim. A bass drum accent on the second and fourth beat are characteristic of a typically reggae drum beat. To this syncopic patterns are often added. The rhythm guitarist plays chords in a characteristic Reggae rhythm, not on, but between the beats.
Estimated dispatch 5-14 working days
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£119.50La Muerte del Angel - Astor Piazzolla - Svein H. Giske
La muerte del angel was composed by Astor Piazzolla as incidental music for the 1962 play Tango del angel by Alberto Rodriguez Munoz.In the play an angel heals the spirits of the residents of a shabby Buenos Aires neighborhood, but is ultimately killed in a knife fight.This is one of the distinctive pieces with which Piazzolla shook the conservative world of tango. With it's harsh dissonances, mood swings and high energy level, it was in sharp contrast to the traditional tangoes.La muerte del angel was frequently played by Piazzolla in concerts, and he recorded it on at least fourteen different occasions.This arrangement was written to Eikanger-Bjorsvik Musikklag for their performance at Siddis Brass 2007.-Svein H. Giske-
Estimated dispatch 5-14 working days
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£122.10Den store dagen - Benny Borg - Bjørn Morten Kjærnes
This beautiful song contains a huge contrast between the hopeful and the disappointing. A mother has her birthday and is waiting her children to celebrate it. Each verse starts optimistically, but the short chorus is characterized by the disappointment, that everyone calls, and cannot come. This has been tried recreated musically, mostly in the last two choruses, as it dawns on her that she will not receive a visit. It's a beautiful tune, but with a serious message that it's easy to take someone for granted.One of the elements Hjorring Brass Band (DK) came up with after rehearsal, was that they really liked the change between the ballad parts with even eights and the swing parts. This also gives the piece a sense of "parlando" character, which tells a story, and is therefore important to focus. It is not quite simple, as the melody also in those parts with even eights has some triplet rhythms. Therefore, this is a topic you can work on very consciously.If you have heard the Wind Band version, you can notice that both keys and modulation are different in the Brass Band arrangement to sound better for this instrumentation.Regarding instrumentation, Flugelhorn, Solo Horn and Euphonium have important roles, in addition to Solo Cornet.It is also possible to use a vocal soloist, but then you have to soften the melody voices, especially, where small variations in the melody have been made for the wind instruments.
Estimated dispatch 5-14 working days
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£115.60S.O.S. - Björn Ulvaeus - Bjørn Morten Kjærnes
When the publisher asked me to make an arrangement of an ABBA tune, S.O.S. was the first song I thought of. Its introduction and melody are well suited to play for Wind Band. Admittedly, the key had to be shifted to make it sound good for this instrumentation. To me, this is nostalgia, while for others, the Mamma Mia movie/show will be what they associate with this wonderful song. Apart from a few medleys, few of ABBA's songs are available to Wind Band. So, it was very fun to work on this classic.The arrangement is made quite simply to fit many sizes of Bands. Technically, it is also relatively simple both in range and rhythm. As you can see, there are many ways to adjust this arrangement to your own ensemble. Bring out melody lines and the bassline, and a lot is done. If needed, simplify to make it sound nice.Bjorn Morten Kjaernes
Estimated dispatch 5-14 working days
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£54.99
God rest ye merry Gentlemen - Andrew R. Mackereth
'God rest ye merry, Gentlemen' is an ancient English carol. It was first published in 1833, but it can be traced as far back as the 15th century, which makes it one of the oldest carols known. 'God rest ye merry' is a Middle English salutation. In this manner, people wished one another greatness and might. In modern English, the first line of this carol would read 'May God keep you mighty, gentlemen'. Andrew R. Mackereth has not kept to the original words in his up-tempo arrangement of the carol. It is still clearly recognizable, but the arranger has taken a good many liberties. Sometimes a particular note is held longer, at times motifs follow oneanother in various parts. If you listen carefully, you may even be able to detect a motif from another well-known song.
Estimated dispatch 5-14 working days
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