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  • £29.95

    Rondo Alla Turk - Wolfgang Amadeus Mozart

    Rondo Alla Turk has been a popular concert piece for many performers the world over. This is an arrangement I have done for solo xylophone that shows off the technical dexterity of both the piece and the instrument. Starting in a brisk tempo, the soloist performs the main themes of the piece with the major key fanfare-like interludes introducing each new section.The main melody from the opening returns with an even brighter tempo that takes the soloist into a flamboyant cadenza section. The cadenza section is scored out for the xylophone but the ad-lib marking allows the soloist in true Mozart fashion to improvise (if they wish) the cadenza section which leads into the finale.The finale brings back the major key motifs from the opening to a coda section that concludes in a breathless flurry from the soloist.Paul Lovatt-Cooper Suitable for 3rd section bands and above, soloist grade 8

    Estimated delivery 12-14 days
  • £11.63

    REGIONALS 2015 (Brass Band CD)

    Includes: Championship Section: The Torchbearer (Peter Graham)/Black Dyke Band; 1st Section: A London Overture (Philip Sparke)/Britannia Building Society Band; 2nd Section: Variations on Maccabeus (Kevin Norbury)/The International Staff Band; 3rd Section: Evolution: Five States of Change (Philip Sparke)/Cory Band; 4th Section: An English Pastorale (Dean Jones)/Brass Band de Waldsang.

    Estimated delivery 12-14 days
  • £34.95

    When Thunder Calls - Paul Lovatt-Cooper

    When Thunder Calls was commissioned by Dr Nicholas Childs and the Black Dyke Band for their performance at the Gala Concert of the Swiss Open Championships in September 2011. When composing this piece, I decided to focus on both the music and the stage presentation. The way the piece has been composed and designed makes it a very effective way of starting a concert or a second half of a concert.At the start of the piece, the percussion enter the stage and take their positions in their usual place behind the band. They begin playing the piece without a conductor. They keep repeating the opening section while the Basses, Horns, Baritones and Euphoniums march onto the stage.This group of musicians take their seats with the Horns, Baritones and Euphoniums sitting where they usually sit in the band but the Basses sit where the solo cornets usually sit, forming an inner semi-circle of lower brass. When seated and when the music gets to the end of bar 4 the piece continues onto section A. All performers keep repeating this next 4-bar phrase until the trombones march onto stage and stand at the front of the stage with the Bass Trombone standing in between the other two trombones.All performers then play from figure B to C with the trombones taking the lead at the front. When the performers get to rehearsal figure C they repeat this section (the same as section A) while the trombones move from the front of the stage and take their positions where the Basses would normally sit (between the horns and the percussion) and remain standing. Meanwhile, the flugel enters the stage and stands at the front of the stage (standing where the trombones did). When in position the flugel soloist picks up into rehearsal figure D.When the flugel soloist finishes playing, just before rehearsal figure F they then move to their normal seat in the band. At figure F the cornets march onto the stage from either side, they turn and stand side by side each other facing outward towards the audience forming two ‘fanfare’ lines either side of the lower brass. The conductor follows the cornets on stage and on cue they lift their instruments at the same time and perform when the piece gets to figure G.There is no more moving around from this point on other than the solo cornet to move forward with the solo euphonium and perform their duet at letter H. Also the horns are required to stand and play at letter I and then sit just before J.When performed with all the choreography, this piece makes for an exciting addition to any concert repertoire both for the performer and the audience.Suitable for 3rd Section Bands and Above

    Estimated delivery 12-14 days
  • £40.00 £40.00
    Buy from Superbrass

    Fugatango

    Composer and Internationally reknown jazz trumpeter Steve Waterman writes… “When Roger Argente approached me to write a composition for his Spanish flavoured brass project he made the suggestion that a Tango, although more Argentinian than Spanish, would fit in well with the overall concept. I have always been a very big fan of the music of Argentinian composer Astor Piazzolla and particularly the way that the Tango could be combined with jazz. A favourite recording of mine is of Piazzolla himself performing (on the bandoneon) with the jazz saxophonist Gerry Mulligan. As the composing progressed, a fugato also emerged hence the title Fugatango." Originally “Fugatango” featured a french horn improvised introduction section. This new brass band version allows the flugelhorn to enjoy the moment with a wonderful 8 bar solo section, now notated. Later in the work the solo trombone is given a solo section.Duration: 5:30 minutes.Percussion: 2 players playing drum kit and castanets. Grade 2: Moderately Easy 2nd and 3rd Section Bands

  • £30.00 £30.00
    Buy from Superbrass

    Los Canarios

    Originally written by "The Master of the Spanish Baroque Guitar" Gaspar Sanz in the late 17th century, David Powell’s brilliant updated arrangement regularly features on Superbrass programmes as an encore item. It’s got a really great catchy tune that completely permeates the brain cells. It also has an open middle section that allows for the drummer and/or perc section to let their hair down and go ape…. Guaranteed to get your audience’s feet tapping and hands clapping.Duration: 3 minutesPercussion: 3 players playing drum kit, tambourine and castanets.Grade 2: Moderately Easy 2nd and 3rd Section Bands

  • £14.99

    Fanfares And Love Songs (Score) (Brass Band/Score)

    was commissioned by the for performance on 25th July 2009. Its three movements contrast the extrovert and lyrical qualities of the traditional brass band. The fanfare with which the work opens involves the whole cornet section. The second movement is reflective in mood, beginning somewhat pensively on muted brass, and building to an emotional climax before subsiding back to a distant pianissimo chord. The finale is a fast dance, which with a final recapitulation of the opening fanfare drives on to a breathless close.Brass Band Grade 4: Advanced Youth and 3rd Section

    In stock: Estimated delivery 1-2 days
  • £54.95

    HENRY V (Overture) (Brass Band - Score and Parts) - Vaughan Williams, Ralph

    Henry the Fifth. Butlins 2018 3rd Section Set Work. 2011 National Championships Finals Test Piece - 4th Section.

    Estimated delivery 12-14 days
  • £24.95

    HENRY V (Overture) (Brass Band - Score only) - Vaughan Williams, Ralph

    Henry the Fifth. Butline 2018 3rd Section Set Work. 2011 National Championships Finals Test Piece - 4th Section.

    Estimated delivery 12-14 days
  • £33.00

    Jurassic Park - Williams, J - Catherall, A

    The two main themes from the film. Thesame music has been used in the sequel TheLost World.  Parts of the score are quite difficult, butthere is a cut to overcome many of thetechnical difficulties in the middle section.Six minutes of pure magic. This edition hasremained a popular seller over the years. 3rd section +

    In stock: Estimated delivery 1-2 days

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  • £59.95

    Triptych - Score and Parts - Philip Sparke

    Commissioned for the 1990 Swiss Brass Band Suitable for Championship section bandss and set for the 1991 3rd Section Regionals. A three movement work played without a break between movements: Pageant; Fantasy on One Note - taking a compositional idea f

    Estimated delivery 12-14 days