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  • £76.99

    Bread and Games - William Vean

    'Panem et Circenses', Bread and Games were essential for keeping the citizens of ancient Rome in check. While the bread was meant for the poorest among the Romans, the Games were Popular Pastime Number One for everybody.There were different kinds of games, such as chariot races (especially popular with female spectators), or wild-beast fights, where lions, tigers, bulls or bears were set on one another or even on human beings. Most popular, however, were the Gladiator fights. In 'Bread and Games' William Vean depicts one of the many fights in the antique Colosseum. 1. Entrance of the Gladiators: By powerful bugle-calls the attention of the peoplewas asked for, after which the Gladiators entered the Arena at the sound of heroic marching-music.2.Swordfight: We can hear that the fights were not mere child's play in this part.On the contrary, they were a matter of life and death and were fought accordingly.3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate, depending on the mercy of the audience. Waving one's handkerchief meant mercy, a turned-down thumb meant no pardon. The Emperor had the right to take the final decision, but he usually complied with the wish of the majority of the public. 4.Lap of Honour: Gladiators were mainly selected among slaves, convicted criminals, or prisoners of war. Consequently, winning was very important, as it would mean fame, honour and sometimes even wealth. A lap of honour, therefore, was the winner's due reward.

    Estimated dispatch 5-14 working days

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  • £76.99

    Variations on Shalom Chaverim - Andreas Ludwig Schulte

    Shalom Chaverim is an ancient Hebrew (farewell)song, which was originally sung at the end of a celebration or meeting. It was and is mostly sung as a round. Freely translated the words mean "Goodbye, friends, goodbye and see you again!". The varying moods at a parting have been captured very well by Andreas Schulte in his arrangement 'Variations on Shalom Chaverim'. The composer himself says about the song, 'Although the melody is in a minor key, the overall atmosphere in the song is positive. one wishes each other all the best. Saying goodbye, however, also hurts. When you slow down the pace of the melody and add 'blue notes' in the harmonies, this can be sensed immediately.'Schulte refers here to the first variation. The second variation is very intense with possibly even deeper-felt emotions. 'Variations on Shalom Chaverim' ends on a cheerful and positive note, in fast tempo, and with oriental elements in the melody: 'L'hitra'ot, Shalom' (See you again, and farewell!).

    Estimated dispatch 5-14 working days

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  • £76.99

    Hellender - Egbert van Groningen

    Composer of Groningen Egbert composed the march "Hellender" in response to the opening of the bandroom of the "Hellendoornse Harmonie" (NL). The joyfull sounds of the march let you hear how well the total refurbished building now looks again: fresh, bright and spacious! The name Hellender was chosen from historical awareness. The village Hellendoorn is an ancient village as shown by archaeological finds. In 1078 the name Hellender can be found in the archives. Hellender changed into Hellendoorn later

    Estimated dispatch 5-14 working days

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  • £94.99

    The Seven Divine Properties - Rob Goorhuis

    Rob Goorhuis wrote this challenging work for solo euphonium with its marvellous title The Seven Divine Properties at the request of Danny Oosterman and after an idea of Anteun Hoesen. In fact, this piece came about because the Andels Fanfare Corps was going to record a CD in early 2012 exclusively with pieces by Rob Goorhuis. Anteun Hoesen plays the solo part in this piece on the CD.The concept of divine properties features heavily in various ancient religions: these are properties to which man can aspire--through striving towards divine properties one can evolve spiritually and become a better person. Different divine properties feature in various religions. Inthe Christian church, the terms Faith, Hope and Love play an important role.This composition is primarily written from an Old Testament point of view. The chosen qualities are as follows: Simplicity, Strength, Truth, Perseverance and Passion. After a short introduction of the thematic material, the various properties are depicted in musical miniatures.

    Estimated dispatch 5-14 working days

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  • £61.00

    Caro Mio Ben - T. Giordano - Willy Hautvast

    Here we have one of the most famous 'Arie antiche' (ancient aria's) from the 18th century, written in the style of Handel. For many years it has been attributed to Giuseppe Giordani, opera and sacred music composer of the Neapolitan school. However, recent investigations clearly established that this song had actually been composed by his son Tommaso (1733-1806). This delicate wind band arrangement by Willy Hautvast can also be performed with a vocal soloist or a mixed choir.

    Estimated dispatch 5-14 working days

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  • £115.60

    Ubi Caritas - Thomas Caplin - John Philip Hannevik

    Thomas Caplin is a Swedish professor of choral conducting. He works at the Inland Norway University of Applied Sciences in Hamar. He composed this beautiful opus for choir based on the ancient text Ubi caritas.The text is often used during Maundy Thursday, describing Jesus washing the feet of his disciples: Where charity and love are, there God isIn this arrangement, a smaller group of players are soloists. The arrangement will work well if the group can be placed on a gallery or at the back of the concert hall.

    Estimated dispatch 5-14 working days
  • £79.99

    Variants on an English Hymn Tune - Philip Sparke

    This set of variations on the well-known hymn tune Holy, holy, holy! will make a most satisfying addition to the solo repertoire for euphonuim and brass band. It is in the traditional air varie form with an introduction, theme and 3 variations. The original melody (known as Nicaea) was composed by John Bacchus Dykes' especially for Reginald Heber's renowned hymn of praise and became universally popular when it was included in Hymns Ancient and Modern in 1861. A beautiful solo that will test the soloists ability to show true emotion.

    Estimated dispatch 5-14 working days

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  • £30.00

    A Very Welsh Christmas - Brass Band Sheet Music Score & Parts - LM949

    ARRANGER: Alex McGeeA Very Welsh ChristmasDiweddglo NadoligaiddA grand collection of Christmas carols carefully selectedand arranged by Alex McGeeCan you spot all of the carols below...Contains :Deck the Halls - originally Nos GalenCoventry CarolTua Bethlem Dref - we are going to Bethlehem townY gorau o'r boreua - ancient Welsh Plygian tune - translation The Best Of MorningsAngles from the Realms of GloryGood King WenceslasJoy to the worldO Come all Ye FaithfulSuitable for Most Bands - Duration 6 mins (Approx.)LM949 - ISMN : 9790570009497

    In Stock: Estimated dispatch 3-5 working days
  • £44.88

    Abberline (Euphonium Solo with Brass Band) Karl Whelan

    Inspired by the infamous investigation into Jack the Ripper, Abberline follows Detective Inspector Frederick Abberline through the mist-shrouded streets of Victorian London in his desperate pursuit of a killer who remains forever just out of reach. Scored for brass band and solo euphonium, the piece blends atmospheric textures, shifting musical identities, and virtuosic demands to capture a narrative that is as haunting as it is unresolved. The piece opens in a world of shadows - the foggy alleys of Whitechapel - where tension simmers beneath the surface. The euphonium enters cautiously, as if stalking unseen figures, echoing the danger and uncertainty that cloaked the city in fear. This eerie calm is broken suddenly: the Ripper strikes. The moment is brief but brutal, leaving only silence and horror in its wake. From here, the music shifts into an uneasy, angular waltz: the figure of Abberline takes center stage, portrayed by the soloist as he investigates the aftermath. The waltz is melodically off-kilter and harmonically unstable, capturing both the grotesque nature of the crime and the detective's mental burden. The scene then returns to the streets - but this time, the musical material is more intricate, fragmented, and tense. The threat has deepened, and again the silence is shattered by violence. A second, slightly altered waltz follows, further reflecting Abberline's obsessive descent into the case. In the final section, the chase begins in earnest. Themes from earlier return in quick succession, intensified and overlapping as time runs out. The ancient Dies Irae chant is woven into the texture, evoking fate and judgment. In a final, erratic surge, the euphonium and band race toward an ending that is breathless and unresolved - a reflection of history's unanswered questions and the ghost that always stayed one step ahead. To view a rolling score video of the work please visit https://www.youtube.com/watch?v=i59xYzJRMaI Duration: approx. 7.30 minutes This PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Euphonium Soloist Bb Soprano Cornet Eb Solo Cornet 1-2 & 3-4 Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium (tutti) Bb Bass Eb Bass Bb Timpani Percussion 1-3

    In Stock: Estimated dispatch 1-3 working days
  • £34.95

    Aristotle's Air - Christopher Bond

    The Ancient Greeks believed that there were four elements that everything was made up of: earth, water, air and fire. This theory was suggested around 450 BC, and was later supported and added to by Aristotle. The idea that these four elements - earth, water, air and fire - made up all matter was the cornerstone of philosophy, science, and medicine for two thousand years. Air was considered a 'pure' element, but in fact the air that's all around us is made up of a variety of gasses. Of course, in music, air has a different meaning; a beautiful song-like melody or tune and Aristotle's Air is just that. The work was commissioned by and written for The Cory Band as part of their winning 2015 Brass in Concert programme 'The Four Elements of the Universe', being premiered at the contest at The Sage, Gateshead, on 15th November 2015. The work was awarded the Cyril Beere Memorial Trophy for the Best New Composition or Arrangement.

    Estimated dispatch 10-14 working days