Searching for Wind Band Music? Visit the Wind Band Music Shop
We've found 136 matches for your search

Results

  • £158.00

    Aubade - Dawn Songs of the Fabulous Birds - Torstein Aagaard-Nilsen

    Commissioned by The Norwegian Band Federation for The European Brass Band Championship 2003, in Bergen, Norway (Third edition)I remember as a kid the very early morning wake-up ceremonies caused by Seagulls having a "party" outside our home. Very few would describe it as beautiful, particularly not at 4:30 in the morning... But by listening carefully to birds I was fascinated by their diversity and musical language: they dont sing tunes or long phrases, they rather make sounds and signals, based on short motives.Aubade is based on musical pictures of the imaginary birds: the creatures with wings that exists only in myths and legends.The whole story starts with a Baritone-cadenza that evoke all the sleeping creatures. Very soon they all start to sing their songs in one way or another.The composition has a burlesque scherzo-character including slow espressive intersections. Traditional elements like melody and harmony is combined with extensive sounds and textural effects created by use of multiple muting, singing and playing at the same time.I am not too concerned about having a program for the piece. I just know that by thinking of the unheard dragon-songs, griffin-songs, the sound of the dodo, my creativity was stimultated.As a piece of music, Aubade follows its own rules based on well-known elements like melodies, arpeggio-figures, harmonies, rhythms, variations and recapitulation of ideas.- Torstein Aagaard-Nilsen ??"

    Estimated delivery 12-14 days
  • £25.00

    Cantus (on E.D.) - Peter Meechan

    From Leanne Stamp:"As musicians,I think we really identify ourselves and our existence on being musicians. And we collect these teachings and bondsalong our path. But whendoes it happen? When does that moment happen that someone becomes an integral part of the fabric that makes you who you are? Or when can you pinpointthe momentthat you realize that a person was essential in your path? I don’t think we know. And all too many times it isn’t until someone is gone that we truly reflect and try to figure it out.When Ed De'Ath joined our band (Las Vegas Brass Band) he hadn’t played in over 20 years. He heard the brass band and decided he wanted to go back to playing, and within a few weeks became a member of LVBB.He had grown up playing in Canada, where his father was a brass musician too, and Ed was quite an accomplished young euphonium player competing in competitions and playing in Salvation Army bands.But life happened and it lead him away from playing.Even though I was in LVBB a few years before Edjoined, he quickly became an essential part of what makes that group a family. I spent the better part of a decade playing in the same section as him and then about 5 years sitting next to him on either side.Ed always took a sincere interest in myplaying. Praising the good and giving constructive criticism for improvement. For about two years almost every otherSaturdaywasspent playing duets at his house.I left to study at the RNCM in Manchester, UK, before returning to Las Vegas.My first rehearsal back from the RNCM Ed looked at me said, “here you go kiddo, you’ve earned this solo seat”.There was no ego. Only the wish for me to reach my potential. It was always so apparent with Ed the love he shared for the younger musicians and his desire for them to succeed.Ed lit up the room with his enthusiasm and love for music – he just truly loved being there. That special quality that makes a band a family...he knew and treasured that.And although Ed wasn’t my teacher per say, he was an integral part of my fabric.The way Ed left was sudden. He had been fighting bladder cancer in and off for quite a while but things were looking up. Tests were clear. And then a very aggressive pancreatic cancer stole him very quickly, almost without warning.And I will never forget how I felt getting that call. We decided to have rehearsal that night. And for one reason. Because Ed would’ve wanted us to.I will always be grateful to Ed. Grateful that I got tolearn things from him, receive advice, enjoy his company, and feel his love – part of him is with me whenever I play."

    Estimated delivery 12-14 days
  • £70.00

    General Series 2158-2161 (August 2016)

    2158This piece was written, at the request of Staff Bandmaster Ken Waterworth, for the Melbourne Staff Band. Based on the hymn tune 'Luckington', this music is a paean of praise to the Lord of all creation. The choice of tune was made because of the words of the opening line of the verse, 'Let all the world in every corner sing: My God and King!'2159An exciting collection of well-known Christmas carols, originally written as a concert opener2160This march refers to a number of Christmas carols starting with a few bars of Hark! The herald angels sing followed by fragments of Joy to the world! Before James R. Murray's Den himmelske lovsang is presented in full.2161Although the title derives from the United States of America's much-neglected motto, the music is a journey through to total trust in God. The tunes featured are 'In thee, O Lord, do I put my trust' leading to 'Trust in God'. Increasingly calm music leads to the more recent song 'In Christ alone, I place my trust'. The music ends with a brief reference to 'In Thee, O Lord, do I put my trust' now in a mood of calm assurance.

    Estimated delivery 12-14 days
  • £30.00

    Epitaph (for Hillsborough) - Peter Meechan

    Epitaph (for Hillsborough) was written on the 20th anniversary of the Hillsborough stadium disaster, April 15 1989, in memory of the 96 victims. All of the victims were fans of Liverpool Football Club, the club I have supported since I was a young child.The disaster unfolded in front of the BBC television cameras, and due to the importance of the match (FA Cup semi final), millions, including myself, witnessed it first hand, leaving a lasting impression in the public psyche.Several features of the piece were determined by the tragedy. The length of the piece, 6 and a half minutes, represents the minutes of the game that were played that day (The match was abandoned after 6 minutes), and the final thirty seconds of the work, where the band gently applaud, is a reference to the first match played after the tragedy, a European Cup semi final between AC Milan and Real Madrid.After 6 minutes, the referee blew his whistle and all the players stood still where they were, both sets of fans applauded in memory of the perished, and the fans of AC Milan began singing You'll Never Walk Alone, the anthem of Liverpool Football Club.The work also features 96 strikes of the tubular bells, in memory of each person who lost their life.Epitaph is dedicated to the 96 people who died that day, and to their families whose fight for justice is an inspiration to all.

    Estimated delivery 12-14 days

     PDF View Music

  • £80.00

    Fragile Oasis - Peter Meechan

    Fragile Oasis is the name of a collective who describe themselves as "...a grass-roots participatory initiative that connects the shared perspective of astronauts from different countries and cultures with people on Earth, encouraging all to work together so that our planet is not only visibly beautiful, but beautiful for all".Many involved in the project are astronauts on the International Space Station (I.S.S.), who post, on their website (http://www.fragileoasis.org) many different details of their experiments, photos from space, and some incredible video footage of our Earth.Each of the five sections of this work relate to an aspect of on of these videos - either something literal or something more metaphorical. The opening section, i: The lights from Above, is a musical description of the view of the Aurora Australis from above the lights. The second section, ii: The Storm from Above (part i), is also a musical portrayal of portions of the video clip - in this case the many lightning storms we see from above. The storms that are so powerful on Earth appear as small bolts of electricity dancing through the clouds.

    Estimated delivery 12-14 days

     PDF View Music

  • £49.95

    The Dark Side of the Moon - Paul Lovatt-Cooper - -

    This piece was commissioned by Dr. Nicholas Childs and Black Dyke Band on behalf of Rotary International and received its world premi?re performance at St. David's Hall, Cardiff on Saturday 27th January 2007. It is dedicated to the composer's father, Harry Cooper.The music was selected by the National Contesting Council as the 3rd section test piece for the 2008 Regional Brass Band Championships of Great Britain. A Note from the Composer...Have you ever thought of a holiday destination, tourist attraction, event, place, site or period in history and thought 'I wonder what it would be like?' - somwhere you have never been and can only let your imagination run wild on. What would the place be like, and all the things surrounding it such as the mood, feelings you get experiencing it, the temperature? Who would be there and what you would see? This piece is my musical imagination of the dark side of the moon. I know from news reports, the internet and other footage that the moon is a very desolate place, very barren and rugged. So from the start the piece gives the listener a musical picture of the rugged landscape with little light and warmth.However, the one place that has had me thinking about is the side of the moon that we don't see in our night skies, the side of the moon with no sun and no light pollution from civilisation. I can only imagine the eeriness one would feel being stood in complete darkness on the moon's surface looking around.As you slowly explore the surroundings and your eyes drift up to the night sky, there is an awesome sight unfolding in front of you - countless stars and galaxies, planets and different solar systems and all right in front of you glistening from the light of the sun beaming from the other side of the moon. The Dark Side of the Moon portrays a musical picture of the whole experience as seen in my imagination taking the listener from the rugged landscape to the awesome beauty that sits endlessly in front of you.Paul Lovatt-Cooper, September 2007

    Estimated delivery 5-7 days
  • £29.95

    Christians Awake - Paul Lovatt-Cooper

    Christmas time is my favourite time of year. I love the festive spirit and all the Christmas music both traditional and modern.I came across the carol "Christians Awake" a number of years ago when I played in a carol concert with the Black Dyke Band and the Halifax Choral Society. I think it is a fabulous carol and it is now one of my favourite Christmas carols.Two good friends of mine; Angela and Christopher Clough were married during the Christmas period in 2007. They both play with the band Wardle Anderson Brass who played at their wedding. They asked me if I could compose a piece for the band to play while Angela walked down the aisle. So for their wedding present I composed a fanfare using the carol Christians Awake.They were thrilled with the piece as was I. It works really well as a concert opener or an opener to the second half of a Christmas concert. It should be played with lots of bravura and pomp and full of the spirit of Christmas.Paul Lovatt-Cooper

    Estimated delivery 12-14 days
  • £64.95

    Sleepless Cities - Paul Lovatt-Cooper - -

    I have been very fortunate in my life to have visited many wonderful countries and places around the world as a musician, whether it is as a composer, performer, conductor or soloist. From my experiences I wanted to compose a piece of music that showcases cities that never stop and have a constant hubbub of energy.The ‘Sleepless Cities' that have influenced the basis of this work are New York, London, Sydney, Tokyo, Istanbul, Amsterdam, Zurich, Cairo and Dubai. However, when composing this piece I decided it would be impossible to assign a particular musical theme that sums up each city, as they all have such a rich and diverse cultural establishment.Therefore I opted not to compose this piece in separate movements to identify each city. Instead, I composed a piece where each city blends into one another, almost as if you were taking a speedy cab ride through each bustling metropolis without a break and without the constraints of time or distance. With each metaphoric turn round a street corner you arrive in a different city and before the listener can get used to the surroundings the cab turns again into another conurbation.Sleepless Cities is composed using melodic lines that follow in the traditional western classical style. However, as some of these places are so culturally diverse, you will also hear other cultural musical influences; for example the opening uses elements of an Indian Raga and the euphonium cadenza at bar 126 is based on the Middle Eastern Islamic call to prayer. You will also hear examples of gamelan music and the use of consecutive 4th and 5th intervals including the pentatonic scale which is a trade mark of Chinese, Japanese and Indonesian traditional music. There are also a number of occasions where both the western and eastern musical styles amalgamate highlighting the natural harmony that the differing genres share in one place.Paul Lovatt-Cooper 2009

    Estimated delivery 5-7 days
  • £29.95

    Song for the Skies - Paul Lovatt-Cooper

    Song for the Skies was commissioned by Tuba virtuoso Les Neish and was given its world premier on the December 9th 2010 with the James Madison University Brass Band in Harrisonburg, Virginia, USA.Les asked me to compose a slow melody that highlights the wonderful sonorous sound of the Tuba. I am a big fan of Les and of the instrument and knowing the capabilities of Les as a soloist I wanted to experiment with the range and colour of the instrument in this solo.After a warm introduction from the ensemble the soloist enters almost timeless over the muted cornets. The melody when it is first heard has a somewhat haunting Celtic feel to it. It is intentionally marked as con rubato so that the soloist can really put their own musical stamp on the music. As the haunting melody repeats again this time in a change of key the accompaniment takes more of a role within the piece of music performing counter melodies within this second section.The middle of the piece introduces a new secondary melodic device that serves as an introduction to the original melody played in all its glory by the ensemble. This dies away to leave the second half of the melody in the euphoniums and baritones as the soloist plays a soaring counter melody in the highest register of the instrument.The piece starts to return home with a recapitulation of the introduction followed by the second part of the original melody by the soloist. After a momentary reflective solo from the soloist the introduction is used for a final time before the tuba guides us home to conclude.For the soloist, there are a number of occasions where the opportunity to play in the upper register of the instrument arises. However, I have also given the opportunity for the soloist to play various passages down the octave so it suits the performers playing style and range.Song for the Skies is very simple yet beautiful and I feel it suits the playing of the Eb Tuba perfectly. I hope you enjoy performing it.Paul Lovatt-Cooper

    Estimated delivery 12-14 days
  • £90.00

    Evolution - Philip Sparke

    Evolution was commissioned by Kunstfactor for the 4th section of the Dutch National Brass Band Championships (NBK) 2011. It is dedicated to Jappie Dijkstra and the Music Information Centre (MUI), Arnhem, Holland, in acknowledgement of their outstanding work in developing brass band repertoire. The composer writes:-The idea for the piece came when I was reading an article about a branch of Chinese philosophy which is abbreviated as Wu Xing, which has no exact translation but can mean, for example, five elements, five phases or five states of change. It is central to all elements of Chinese thought, including science, philosophy, medicine and astrology, and in simple terms tries to create various cyclic relationships between five elements in all walks of life. An example is: Earth - Metal - Water - Wood - Fire - (Earth) etc. where (in one cycle) earth bears metal, metal changes to liquid (water) when heated, water helps trees grow, wood burns to create fire, fire produces ash (earth) and the cycle continues.I was particularly interested in the cycle of emotions: Meditation - Sorrow - Fear - Anger - Joy - (Meditation) etc. and thought this cyclic principle would provide an effective emotional journey for a piece of music. So Evolution has five equal sections which loosely characterise this emotional cycle. I have tried to make the music grow organically, with minimal repetition, and each movement evolves from the musical elements at the end of the previous one, with the opening material appearing, transformed, at the end of the piece to complete the cycle.

    Estimated delivery 10-14 days

     PDF View Music