Results
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£74.95The Accursed Huntsman (Brass Band - Score and Parts) - Franck, Cesar - Siebert, Edrich
This work was composed by Cesar Franck in 1881, and was inspired by Burger's Ballade. The dramatic and religious character of the Poem is set from the beginning by the horns and later, by the bells.The approaching Ride is preceded by a broader passage and then, in a quick 9/8 rhythm the horns are heard again, answered by the cornets and the trombones.After some agitated passages there is a brilliant Andante movement after which the rhythm becomes more and more animated.At last the Ride appears, the gallop becoming wilder and wilder until it finally dies away in a chilling roll on the cymbal.
Estimated dispatch 7-14 working days
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£29.95Song for the Skies
Song for the Skies was commissioned by Tuba virtuoso Les Neish and was given its world premier on the December 9th 2010 with the James Madison University Brass Band in Harrisonburg, Virginia, USA.Les asked me to compose a slow melody that highlights the wonderful sonorous sound of the Tuba. I am a big fan of Les and of the instrument and knowing the capabilities of Les as a soloist I wanted to experiment with the range and colour of the instrument in this solo.After a warm introduction from the ensemble the soloist enters almost timeless over the muted cornets. The melody when it is first heard has a somewhat haunting Celtic feel to it. It is intentionally marked as con rubato so that the soloist can really put their own musical stamp on the music. As the haunting melody repeats again this time in a change of key the accompaniment takes more of a role within the piece of music performing counter melodies within this second section.The middle of the piece introduces a new secondary melodic device that serves as an introduction to the original melody played in all its glory by the ensemble. This dies away to leave the second half of the melody in the euphoniums and baritones as the soloist plays a soaring counter melody in the highest register of the instrument.The piece starts to return home with a recapitulation of the introduction followed by the second part of the original melody by the soloist. After a momentary reflective solo from the soloist the introduction is used for a final time before the tuba guides us home to conclude.For the soloist, there are a number of occasions where the opportunity to play in the upper register of the instrument arises. However, I have also given the opportunity for the soloist to play various passages down the octave so it suits the performers playing style and range.Song for the Skies is very simple yet beautiful and I feel it suits the playing of the Eb Tuba perfectly. I hope you enjoy performing it.Paul Lovatt-Cooper
Estimated dispatch 7-14 working days
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£94.99The Seven Divine Properties - Rob Goorhuis
Rob Goorhuis wrote this challenging work for solo euphonium with its marvellous title The Seven Divine Properties at the request of Danny Oosterman and after an idea of Anteun Hoesen. In fact, this piece came about because the Andels Fanfare Corps was going to record a CD in early 2012 exclusively with pieces by Rob Goorhuis. Anteun Hoesen plays the solo part in this piece on the CD.The concept of divine properties features heavily in various ancient religions: these are properties to which man can aspire--through striving towards divine properties one can evolve spiritually and become a better person. Different divine properties feature in various religions. Inthe Christian church, the terms Faith, Hope and Love play an important role.This composition is primarily written from an Old Testament point of view. The chosen qualities are as follows: Simplicity, Strength, Truth, Perseverance and Passion. After a short introduction of the thematic material, the various properties are depicted in musical miniatures.
Estimated dispatch 5-14 working days
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£76.99The Shopping Centre - William Vean
Many people when asked the question 'Do you have any hobbies?' will answer 'Shopping' (even though the female part of the population may be more interested in this than the male one). Of course it is great fun to walk about in a Shopping Mall, browsing in various small shops, looking for things you have always wanted to possess. This was what William Vean was doing one day when he came across the idea to write a composition in which several shops could try to sell their wares (and this idea didn't cost him a penny). First, the audience are taken to a 'Jeans store', then a 'Phone shop' is visited, after which a visit is made to a 'Perfumery'. Thefourth part depicts a profession which is practised in several premises, namely that of shoplifter. In the fifth part there is room for a bite to eat at a Chinese restaurant, and finally after a visit to the hairdresser's it's time to go home.
Estimated dispatch 5-14 working days
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£86.00
Saturday in the Park - Robert Lamm - Lars Erik Gudim
This is on of the group Chicago's most popular ballads, still doing great after beeing recorded in 1972 on their fifth album. Chicago's main songsriter, Robert lamm, wrote this after a particulary exhilarating 4th of July spen in New York's Central Park, where there were steel drum players, singers, dancers and jugglers. This was originally used as a soundtrack to an unreleased home video. It became the group's first gold single.
Estimated dispatch 7-14 working days
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£60.44Horizon: The Promise of the Lord (Brass Band) Andrew Wainwright
Horizon: The Promise of the Lord was written at the request of Bandmaster Stephen Cobb for The International Staff Band. It is based on the much loved hymn of the church, Cwm Rhondda (Guide me O thou great Jehovah). The work was recorded on the ISB's CD Manuscripts II (released 2023). This highly descriptive piece will be an excellent addition to concert programs, as well as being appropriate as a test piece. The inspiration for the work comes from the book of Exodus. Whilst the music is not intended to be directly programmatic, like the hymn Cwm Rhondda, the work takes the listener through the Exodus from Egypt to the promised land of Israel as a metaphor of the spiritual pilgrimage of the individual Christian through his or her earthly life. The music aims to evoke a sense of God's guidance through strife and affirm the reality that God provides for us and redeems all the wrong in the world. This God who provided for the Hebrew people wandering amidst 'barren lands' with 'bread of heaven' is still and ever will be a God of provisional grace. Through listening to the music, it is the composer's intention that we are reminded of God's promise of Deliverance as set out in Exodus 6 v7-8: 'I will take you as my own people, and I will be your God. Then you will know that I am the Lord your God, who brought you out from under the yoke of the Egyptians. And I will bring you to the land I swore with uplifted hand to give to Abraham, to Isaac and to Jacob. I will give it to you as a possession. I am the Lord.' Like the hymn, Horizon: The Promise of the Lord is intended as a prayer for guidance. The Christian is a pilgrim through 'this barren land'. The music is often chromatic and in large parts verging on atonality, as a reflection of the strife that the Israelites endured in their 40 years in the wilderness. However, it ends in climactic fashion with the Hebrew people finally reaching their destination after many years of wandering in the desert - as they approach the 'Horizon' promised by the Lord. To view a performance of the work by the National Youth Brass Band of Great Britain please visit www.youtube.com/watch?v=LjOHf7QEw1g PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 1st Section + Length: c11.00 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-4
In Stock: Estimated dispatch 1-3 working days
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£33.99Swinging all the way (Brass Band) Dave Collins
Swinging all the way is a jazzy take on the most well known of Christmas tunes, Jingle Bells. We begin in a dark underground jazz club with the rich, luscious harmonies supporting the tune that we all know. But the melody is perhaps secondary to the timbres and dissonances of this darkly elegant ballad punctuated by the solo cornet, a contrast of styles between the joyous melody and sober accompaniment. As the work progresses it becomes more uplifting, with solo features from the trombone, before emerging into the bright lights of a big band set, with stride bass, crunchy punctuating rhythms and screaming trumpets. The arrangement ends where we began, after our exciting sleigh ride comes to an end. To view a rolling score video please visit www.youtube.com/watch?v=UbUMVuWFrNI PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 2nd Section + Length: 4.00 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani/Sus. Cymbal Drum Kit Vibraphone/Xylophone
In Stock: Estimated dispatch 1-3 working days
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£44.95Christmas Truce, The - Jonathan Bates
DURATION: 7'30". DIFFICULTY: 2nd Section+. 'The Christmas Truce' was composed in 2018 for the Strata Brass Band and was used as part of their Christmas programme to mark 100 years since the end of the First World War. On the 24th December 1914, just a few weeks after war broke out, one of the most notable events of the 4-year conflict took place on the front line as the guns from both sides fell silent and soldiers came together on Christmas Eve. This composition for brass band and narrator tells the story of that night, painting a musical picture of the events as they unfolded. Using material from the carols 'In The Bleak Midwinter', 'O Tannenbaum' and 'Silent Night', the music weaves it's way around the events leading upto, during, and directly following the Christmas Truce, before culminating in a grand finale which incorporates the famous "the souls of the righteous are in the hands of God" quote from Eric Ball's 'Resurgam'. . .
In Stock: Estimated dispatch 1-3 working days
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£89.00
The Poseidon (Bra) - Pimpanit Karoonyavanich
In Greek mythology "Poseidon" is the god who reigns over the sea, the waters and their gods. The opening of this work reflects the power of Poseidon. He could turn a calm sea into a rough and turbulent sea that swallows up ships. With his famous trident he can generate an earthquake, hence his nickname "Earth Shaker". Every living being is afraid of him, including his wife and children. Deep inside, however, he feels lonely. The middle part of this work shows the other side of Poseidon as a normal person who desires for love and understanding. However, this sad but sweet theme doesn't last long because its angry character resurfaces. He starts again to use his power in an aggressive way and the powerful opening theme is repeated. After "A Journey to The Bermuda Triangle", this is the second work in which the composer has drawn her inspiration from her favourite seascape painting by the Belgian painter Romain Steppe (1859-1927).
Estimated dispatch 7-14 working days
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£55.00Teens At The Junkyard - Brass Band Full Score & Parts - LM995
COMPOSER: Chris AllenProgramme NotesWriting about beautiful rural scenes and seascapes seems to be a very British thing to do. The themes of the English Pastoral School seem especially alive and well in the brass band musical repertoire, featuring in popular works such as John McCabe's Cloudcatcher Fells and Ray Steadman-Allen's Seascapes among many others. McCabe's engrossing depictions of place in Cloudcatcher, Maunsell Forts and Scenes in America Deserta conviced me that music really can transport the listener to a different environment, but rather than describing a landmark or a pastoral scene, I decided to give some attention to an ugly, neglected place.In Square Enix's Life is Strange, an episodic adventure game released in 2015, two teens use the local junkyard as a place of escape from the drama of their lives, unbeknowst to the fact that their friend, recently missing, was murdered and buried in that very place. Inspired by these dark images, I sought to write music that reflected the strewn broken glass, the piles of trash, the stories left behind in the waste of the junkyard. In keeping with this theme of buried history, I unearthed a musical relic from the brass band repertoire, cannibalising themes from Eric Ball's Journey into Freedom. In fragmenting and distorting such a treasured work I hope to make the listener feel a process of wasting away of precious memories.The first movement should be spiky, clinical and bleak, with a similar character to that of Harrison Birtwistle's Grimethorpe Aria, and the second, an intense, reminiscing, lyrical slow section. The final movement is in a similar vein to Elgar Howarth's Songs for B.L., ending with a blazing finish as if standing upon the tallest pile of trash in the junkyard and looking down upon the chaos below.Chris Allen (2021)About the Composer:Chris Allen, 22, studied Music at the University of Birmingham, graduating with a 1st in his Bachelor's degree in 2020 and achieving a Distinction in his Master's in Composition in 2021. Chris won the University of Birmingham Music Society's Composition Competition in 2019 with his piece for brass band, The Sirens, and was published for the first time by Modrana Music after winning the Durham University Brass Band's inaugural composition competition with his suite, Three Images of North-East England. Both pieces have been performed in concert and recorded recently and Chris continues to write new, original works for brass band.Chris started playing the tenor horn at the age of 7 under the tutelage of Don Blakeson, first joining the Melton Band and then moving onto Hathern Band,conducted by David Newman. Upon moving to university in Birmingham,Chris studied performance on the tenor horn with Owen Farr for a year,started playing with the University of Birmingham Brass Band, under thebaton of Stuart Birnie, and began writing and occasionally conducting his ownworks for brass band. However, his work is not confined to this ensemble,and as part of his studies, he has written for the Ligeti Quartet and theBirmingham Contemporary Music Group.
In Stock: Estimated dispatch 3-5 working days
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