Results
-
£52.50Broadheath - Philip Sparke
Broadheath was commissioned by the Elgar International Brass Band Summer School for their 2024 course. The premiere took place in the Routh Hall at Bromsgrove School on Friday 26 July.It is in conventional march form, opening with a brief fanfare before the horns take up the main theme. This is then repeated by the full band before euphoniums and baritone announce the second subject. This builds to a stirring tutti passage utilising elements of the opening theme, which brings the opening section to a close.In honour of the summer school's tribute to Sir Edward Elgar (it is held in 'Elgar country'), the trio uses the opening melody of his 1st symphony as its main theme, decorating it with filigree work from the cornets. This is repeated on the full band and leads to a varied recapitulation of the opening material to bring the march full circle.
Estimated dispatch 5-14 working days
-
£228.70Fanfare and Chorale - Egil Hovland - Ray Farr
This arrangement (or edition) for brass band will give the possibility for more performances of this fine work by Hovland. The composer, before his death, examined my work and made no suggestions for changes, and his approving comments were complimentary and encouraging. The work was originally written for Concert Band in 1966 as Op. 54a to St. Olaf College Band in the US. It was transcribed in 1967 for symphony orchestra as Op. 54b by the composer himself. The challenges in arranging the piece for brass band were mostly concerned with satisfactorily covering the upper register used by piccolo, flutes and clarinets, and while there are wonderful brass players around who have amazing high registers, I have aimed this edition at a level achievable by reasonably good brass band players who are willing to give time and effort into the proper preparation and delivery of the music. Having worked on this new edition with a top-class brass band, I think it sounds wonderful and interestingly different to the original. Besides the obvious differences of tone-colour and absent high notes, I have used in my scoring, the option for using a vibraphone in place of a celeste. Vaughan Williams, in his Variations for brass band writes for celeste, but because the instrument is quite rare, performances have been mostly given using a glockenspiel- but this, of course sounds two octaves higher than it was intended. I think that vibraphone and brass is an excellent combination and recommend it without hesitation in this piece. Every detail of articulation and dynamic has been considered, so in order to keep the integrity of the music, please do not change anything in the name of "interpretation". As Ravel says- "What is there to interpret?" Ray Farr
Estimated dispatch 5-14 working days
-
£154.99Spiriti - Thomas Doss
A Bach chorale stands at the centre of this work (Fur deinen Thron tret ich hiermit).Anton Bruckner was one of Johann Sebastian Bach's great admirers. His work is full of the spirit of that musical genius. For Thomas Doss, it was Bruckner's spirit that always seemed to be with him while working on Spiriti. Bruckner's spirit is captured in this composition by a quote from the chorale of his Fifth Symphony at the end of the piece.The introduction, written in the style of a funeral march, already displays the first fragments of the chorale. Like splinters they are strewn throughout the first Allegro, combining and recombining in turbulent, powerful tuttipassages. As the music becomes more rambunctious, the Bach-like fragments begin to swirl around each other, only to be scattered once more.The middle-section is of a more pensive nature. The Religioso character gives the audience time to reflect. The music is meditative and the quarter-note (or crotchet) elements mimic a soul that is yearning and crying out.The third part of the piece finally leads, by way of minimalist elements and the fragments mentioned earlier, to a magnificent presentation of the Bach chorale. As the church bells ring out, one can almost hear the great masters presiding at the organ.
Estimated dispatch 5-14 working days
-
£52.50Broadheath (Brass Band - Score and Parts) - Sparke, Philip
Broadheath was commissioned by the Elgar International Brass Band Summer School for their 2024 course. The premiere took place in the Routh Hall at Bromsgrove School on Friday 26 July.It is in conventional march form, opening with a brief fanfare before the horns take up the main theme. This is then repeated by the full band before euphoniums and baritone announce the second subject. This builds to a stirring tutti passage utilising elements of the opening theme, which brings the opening section to a close.In honour of the summer school's tribute to Sir Edward Elgar (it is held in 'Elgar country'), the trio uses the opening melody of his 1st symphony as its main theme, decorating it with filigree work from the cornets. This is repeated on the full band and leads to a varied recapitulation of the opening material to bring the march full circle.Duration: 5.00
Estimated dispatch 7-14 working days
-
£154.99Spiriti (Brass Band - Score and Parts)
A Bach chorale stands at the centre of this work (F?r deinen Thron tret? ich hiermit).Anton Bruckner was one of Johann Sebastian Bach's great admirers. His work is full of the spirit of that musical genius. For Thomas Doss, it was Bruckner's spirit that always seemed to be with him while working on Spiriti. Bruckner's spirit is captured in this composition by a quote from the chorale of his Fifth Symphony at the end of the piece.The introduction, written in the style of a funeral march, already displays the first fragments of the chorale. Like splinters they are strewn throughout the first Allegro, combining and recombining in turbulent, powerful tutti passages. As the music becomes more rambunctious, the Bach-like fragments begin to swirl around each other, only to be scattered once more.The middle-section is of a more pensive nature. The Religioso character gives the audience time to reflect. The music is meditative and the quarter-note (or crotchet) elements mimic a soul that is yearning and crying out.The third part of the piece finally leads, by way of minimalist elements and the fragments mentioned earlier, to a magnificent presentation of the Bach chorale. As the church bells ring out, one can almost hear the great masters presiding at the organ. 17:00
Estimated dispatch 7-14 working days
-
£22.00
Elegy - Kenneth Hesketh
Elegy is a consortium commission in celebration of the 75th birthday of the distinguished wind band conductor Timothy Reynish. The music derives from a youthful symphony written when Hesketh was 16, the same source as his popular Masque. Full of big tunes and bitter-sweet harmonies, Elegy is a heartfelt thank you to a conductor who has done more than most to widen the vision of the wind orchestra movement.Brass Band Grade 5: 1st SectionDuration: 7 minutes.Elegy has been recorded by the Leyland Band, conducted by Jason Katsikaris, and is available on the CD Penlee.
In Stock: Estimated dispatch 1-3 working days
-
£98.00
Symphonic Episodes (Bra) - Brian Balmages - Mike Kilmartin
This three-movement work by Brian Balmages is transcribed from his earlier work for brass, entitled Symphony No. 1 for Brass. Mike Kilmartin made a superb transcription for brass band. The short opening movement establishes one of the main themes in the work before coming to a soft conclusion. The second movement can easily be performed on its own with its beautiful lyrical melodies and powerful emotional impact. The third movement makes use of themes heard throughout the other movements before coming to a grand conclusion. This is a particularly effective choice for contest and festival use.
Estimated dispatch 7-14 working days
-
£22.00Elegy - Kenneth Hesketh
Autumn's Elegy is a consortium commission in celebration of the 75th birthday of the distinguished wind band conductor Timothy Reynish. The music derives from a youthful symphony written when Hesketh was16, the same source as his popular Masque. Full of big tunes and bitter-sweet harmonies, Autumn's Elegy is a heartfelt thank you to a conductor who has done more than most to widen the vision of the wind orchestramovement. Brass Band Grade 5: 1st Section Duration: 7 minutes. Autumn's Elegy has been recorded by the Leyland Band, conducted by Jason Katsikaris, and is available on theCDPenlee.
Estimated dispatch 5-14 working days
-
£19.99Elegy (Brass Band - Score and Parts) - Hesketh, Kenneth
Elegy is a consortium commission in celebration of the 75th birthday of the distinguished wind band conductor Timothy Reynish. The music derives from a youthful symphony written when Hesketh was 16, the same source as his popular Masque. Full of big tunes and bitter-sweet harmonies, Elegy is a heartfelt thank you to a conductor who has done more than most to widen the vision of the wind orchestra movement.Suitable for 1st Section Bands and aboveDuration: 7.00
Estimated dispatch 7-14 working days
-
£59.99GOOD VIBRATIONS (Brass Band) - Wilson, Brian - Campbell, Don
The pop song Good Vibrations, which appeared as a single in 1966, is one of the most celebrated hits of The Beach Boys. The piece, composed and produced by Brian Wilson, has been called a mini symphony. Various covers versions have been made, including a marvellous a cappella version by the King's Singers. This arrangement for brass band, written by Don Campbell, is just as delightful as the original. Duration: 3:40.
Estimated dispatch 7-14 working days
