Results
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£28.00IT'S A LONG WAY TO TIPPERARY (Brass Band) - Kerwin, Simon
A great concert piece. "It's a Long Way to Tipperary" is a British music hall song written by Jack Judge and co-credited to, but not co-written by, Henry James "Harry" Williams. It was allegedly written for a 5 shilling bet in Stalybridge on 30 January 1912 and performed the next night at the local music hall. Judge's parents were Irish, and his grandparents came from Tipperary. It became popular among soldiers in the First World War and is remembered as a song of that war.
Estimated dispatch 7-14 working days
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£60.99All Night Long - Lionel Richie - Thijs Oud
The famous American singer-songwriter Lionel Richie, who had many hits with his group The Commodores, as well as many international hits as a solo artist, released the single All Night Long at the start of the eighties.It was a huge success and in 1984 Richie sang his hit for an audience of millions during the closing ceremony of the Olympics in Los Angeles. Today, this song is a dance floor classic.
Estimated dispatch 5-14 working days
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£94.95Rhapsody on a Theme by Purcell - Contest Edition (Brass Band - Score and Parts)
Contest VersionIn his relatively short lifetime, Henry Purcell (1659 -1695) achieved stellar musical success and was known and admired internationally by his contemporaries. He is justifiably considered one of England's greatest composers.I thought long and hard before using this magnificent theme as the basis for a band piece because I think that Benjamin Britten has said just about everything possible regarding it in his The Young Person's Guide to the Orchestra. Bearing this in mind, I tentatively set about working on this composition. Once started though, the job became fun because the theme still yielded possibilities - even after Britten!The piece is basically a set of linked variations, much like Rachmaninov's great Rhapsody on theme by Paginini. The music starts slowly and makes much use of crisply dotted rhythms - a Purcellian characteristic. The theme is heard twice before the music changes into a jaunty duple time variation based on the opening motif of Purcell's theme. After this, the mood changes to a waltz-like variation in which clear references to the original theme can be heard. The slow movement follows, and is based on rising and descending scalic figures. This variation is an 'A-B-A' movement with two similar passages framing a more vigorous middle section which features antiphonal fanfare-like figures. Without any preamble, the last variation launches itself - a rumbustious dance which has a distinctive feel to it.The theme eventually reappears as a counter-melody to this dance music before a final triumphant treatment of the melody featuring a somewhat athletic bass line. The music accelerates at the Coda and disappears in a 'puff of smoke'.- Kevin Norbury
Estimated dispatch 7-14 working days
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£39.95
Rhapsody on a Theme by Purcell - Contest Edition (Brass Band - Score only)
Contest VersionIn his relatively short lifetime, Henry Purcell (1659 -1695) achieved stellar musical success and was known and admired internationally by his contemporaries. He is justifiably considered one of England's greatest composers.I thought long and hard before using this magnificent theme as the basis for a band piece because I think that Benjamin Britten has said just about everything possible regarding it in his The Young Person's Guide to the Orchestra. Bearing this in mind, I tentatively set about working on this composition. Once started though, the job became fun because the theme still yielded possibilities - even after Britten!The piece is basically a set of linked variations, much like Rachmaninov's great Rhapsody on theme by Paginini. The music starts slowly and makes much use of crisply dotted rhythms - a Purcellian characteristic. The theme is heard twice before the music changes into a jaunty duple time variation based on the opening motif of Purcell's theme. After this, the mood changes to a waltz-like variation in which clear references to the original theme can be heard. The slow movement follows, and is based on rising and descending scalic figures. This variation is an 'A-B-A' movement with two similar passages framing a more vigorous middle section which features antiphonal fanfare-like figures. Without any preamble, the last variation launches itself - a rumbustious dance which has a distinctive feel to it.The theme eventually reappears as a counter-melody to this dance music before a final triumphant treatment of the melody featuring a somewhat athletic bass line. The music accelerates at the Coda and disappears in a 'puff of smoke'.- Kevin Norbury
Estimated dispatch 7-14 working days
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£59.95Judd: The Long Cloud of Witnesses
This music was written for the Amsterdam Staff Band's 50th Anniversary. The idea for using this theme in appreciation of the pioneers of the band who had gone before came to me during the thanksgiving service for my own mother's life. She was a life-long Salvationist, and the large crowd that gathered for her thanksgiving in Winchester gave such an inspiring rendition of this hymn at the end of the service that it moved me to write the music. In the closing pages of the score I have tried to suggest that final parade when those who loved the Lord join the 'long cloud of witnesses' in procession to their eternal home. - Kenneth Downie
Estimated dispatch 7-14 working days
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£74.95A Tale of Hope (Brass Band - Score and Parts)
The piece tells the story of Chicago lawyer and Presbyterian church elder Horatio Gates Spafford. In 1873, the Spafford family planned a vacation to England, but last-minute business demands prevented Horatio from sailing with them. Tragedy struck when the ship collided with an iron sailing vessel while crossing the Atlantic, killing 226 people, including all four of Spafford's daughters. His wife, Anna, survived the tragedy, and upon arriving in Cardiff, Wales, she sent a telegram to Spafford that simply read "Saved alone." Shortly afterwards, as Spafford travelled to meet his grieving wife, he was inspired to write the hymn It Is Well with My Soul as his ship passed near where his daughters had died. The hymn was subsequently set to music by fellow American Philip Bliss, with the tune named after the ship on which Spafford's daughters died, Ville du Havre.Composer Steven Ponsford has chosen to portray this story in a substantial composition for brass band. Much of the early music is turbulent, reflecting the long voyage, and then the disaster that claimed Spafford's daughters. After a darker 'Grave' section, the hymn It Is Well With My Soul softly emerges, with the piece ending on a note of optimism and hope.Duration: 11.30
Estimated dispatch 7-14 working days
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£31.95
A Tale of Hope (Brass Band - Score only)
The piece tells the story of Chicago lawyer and Presbyterian church elder Horatio Gates Spafford. In 1873, the Spafford family planned a vacation to England, but last-minute business demands prevented Horatio from sailing with them. Tragedy struck when the ship collided with an iron sailing vessel while crossing the Atlantic, killing 226 people, including all four of Spafford's daughters. His wife, Anna, survived the tragedy, and upon arriving in Cardiff, Wales, she sent a telegram to Spafford that simply read "Saved alone." Shortly afterwards, as Spafford travelled to meet his grieving wife, he was inspired to write the hymn It Is Well with My Soul as his ship passed near where his daughters had died. The hymn was subsequently set to music by fellow American Philip Bliss, with the tune named after the ship on which Spafford's daughters died, Ville du Havre.Composer Steven Ponsford has chosen to portray this story in a substantial composition for brass band. Much of the early music is turbulent, reflecting the long voyage, and then the disaster that claimed Spafford's daughters. After a darker 'Grave' section, the hymn It Is Well With My Soul softly emerges, with the piece ending on a note of optimism and hope.Duration: 11.30
Estimated dispatch 7-14 working days
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£95.00A Wartime Sketchbook (Brass Band - Score and Parts)
Early in 1941 William Walton, 39, received his call-up papers. He was by then one of the most eminent of British composers and was exempted from military service on condition that he provided music for films deemed to be of 'national importance'. Scoring Lawrence Olivier's Shakespeare epic Henry V in 1943 was the most substantial of these wartime projects. His role in patriotic films from 1941 and 42 like The Foreman went to France, Next of Kin, Went the day Well and The First of the Few was to provide appropriate title music and some underscoring at key moments. Walton extracted the most substantial portions of the latter as the popular Spitfire Prelude and Fugue for orchestra. The remaining music remained unpublished until 1990, when Christopher Palmer assembled the highlights into A Wartime Sketchbook. I was intrigued to hear these examples of Walton's wartime music and having discovered that they would fit naturally and idiomatically onto the brass band, I arranged six of the numbers into a suite for Besses o' th' Barn Band, which I was conducting at the time.In 1995 the brass band suite was recorded by the famous Black Dyke Mills Band as part of an all Walton album which I produced for the ASV label (ASV CD WHL 2093). This award- winning CD also included Walton's First Shoot, in the edition by Elgar Howarth, my transcription of movements from Music for Children and two substantial brass versions by Edward Watson of the suite from Henry V (with narrator) and the March and Siegfried Music from The Battle of Britain music.Prologue: This is the stirring title music from Went the day Well, a screen play by Graham Greene about a German airborne invasion of an English village. The main theme leads toBicycle Chase: Characteristic musical high-jinks for J.B.Priestley's The Foreman went to France.Refugees: From the same film, this is a poignant accompaniment to the long march of refugees. As Ernest Irving, the film's musical director, put it, "this really makes your feet sore and your knees sag."Young Siegfrieds: This lively movement comes from the music that Walton composed for The Battle of Britain in 1968, with the assistance of Malcolm Arnold, but which the film's producer rejected. It portrays first the Berliners, cheerfully ignoring the black-out and then, in the trio, the Young Siegfrieds of the Luftwaffe, courtesy of a parody of Siegfried's horn call from Wagner's opera.Romance: A soldier and a Dutch refugee snatch a few tender moments together in Next of Kin.Epilogue: At the end of The Foreman went to France, the French look forward with hope and optimism to eventual liberation.- Paul HindmarshDuration: 14.00
Estimated dispatch 7-14 working days
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£40.00
A Wartime Sketchbook (Brass Band - Score only)
Early in 1941 William Walton, 39, received his call-up papers. He was by then one of the most eminent of British composers and was exempted from military service on condition that he provided music for films deemed to be of 'national importance'. Scoring Lawrence Olivier's Shakespeare epic Henry V in 1943 was the most substantial of these wartime projects. His role in patriotic films from 1941 and 42 like The Foreman went to France, Next of Kin, Went the day Well and The First of the Few was to provide appropriate title music and some underscoring at key moments. Walton extracted the most substantial portions of the latter as the popular Spitfire Prelude and Fugue for orchestra. The remaining music remained unpublished until 1990, when Christopher Palmer assembled the highlights into A Wartime Sketchbook. I was intrigued to hear these examples of Walton's wartime music and having discovered that they would fit naturally and idiomatically onto the brass band, I arranged six of the numbers into a suite for Besses o' th' Barn Band, which I was conducting at the time.In 1995 the brass band suite was recorded by the famous Black Dyke Mills Band as part of an all Walton album which I produced for the ASV label (ASV CD WHL 2093). This award- winning CD also included Walton's First Shoot, in the edition by Elgar Howarth, my transcription of movements from Music for Children and two substantial brass versions by Edward Watson of the suite from Henry V (with narrator) and the March and Siegfried Music from The Battle of Britain music.Prologue: This is the stirring title music from Went the day Well, a screen play by Graham Greene about a German airborne invasion of an English village. The main theme leads toBicycle Chase: Characteristic musical high-jinks for J.B.Priestley's The Foreman went to France.Refugees: From the same film, this is a poignant accompaniment to the long march of refugees. As Ernest Irving, the film's musical director, put it, "this really makes your feet sore and your knees sag."Young Siegfrieds: This lively movement comes from the music that Walton composed for The Battle of Britain in 1968, with the assistance of Malcolm Arnold, but which the film's producer rejected. It portrays first the Berliners, cheerfully ignoring the black-out and then, in the trio, the Young Siegfrieds of the Luftwaffe, courtesy of a parody of Siegfried's horn call from Wagner's opera.Romance: A soldier and a Dutch refugee snatch a few tender moments together in Next of Kin.Epilogue: At the end of The Foreman went to France, the French look forward with hope and optimism to eventual liberation.- Paul HindmarshDuration: 14.00
Estimated dispatch 7-14 working days
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£60.99
All Night Long (Brass Band - Score and Parts)
The famous American singer-songwriter Lionel Richie, who had many hits with his group The Commodores, as well as many international hits as a solo artist, released the single All Night Long at the start of the eighties. It was a huge success and in 1984 Richie sang his hit for an audience of millions during the closing ceremony of the Olympics in Los Angeles. Today, this song is a dance floor classic. 05:00
Estimated dispatch 7-14 working days
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