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  • £28.00

    Bogoroditse Devo

    ABOUT THIS PIECE: Bring the serene beauty of Rachmaninov's Bogoroditse Devo to your next programme with this stunning arrangement. Taken from his All-Night Vigil (commonly known as the Vespers), this exquisite choral work is one of Rachmaninov's most revered compositions. Written in 1915, it is a heartfelt setting of the Orthodox Christian prayer to the Virgin Mary. This arrangement preserves the work's meditative character and rich textures, allowing your band to explore its deeply expressive qualities. Ideal for concerts, ceremonial occasions, Christmas, or moments of reflection, Bogoroditse Devo showcases your band's ability to convey both power and delicacy. ENSEMBLE: Standard British Brass Band (NO PERCUSSION) WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 1 LISTEN: Click here DURATION: 3-minutes, 20 secondsEXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level

    Estimated dispatch 5-7 working days
  • £39.99

    You Know my Name

    ABOUT THIS PIECE: Bring the iconic energy of Casino Royale to your next programme with Adam D J Taylor's electrifying arrangement of "You Know My Name." Originally performed by Chris Cornell, this powerful theme blends hard rock elements with sweeping orchestration, embodying the grit and sophistication of the James Bond franchise. ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 2 LISTEN: DURATION: 3-minutes, 30 secondsEXAMPLE SCORE: Click here COPYRIGHT NOTICE: Due to copyright law, this item is only available in: UK AND EUROPE LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level

    Estimated dispatch 5-7 working days
  • £44.99

    Korobeiniki - Russian Traditional

    ABOUT THIS PIECE: "Korobeiniki" is a nineteenth-century Russian folk song that tells the story of a meeting between a peddler and a girl, describing their haggling over goods in a veiled metaphor for courtship. Outside of Russia, "Korobeiniki" is widely known as the Tetris theme (titled "A-Type" in the game), from its appearance in Nintendo's 1989 version of the game. One of our most popular arrangements, this piece is high-paced and features all the usual trappings associated with this musical style - fireworks to start, a slow, melancholy iteration of the melody, an unruly accelerando, and all finished with a loud shout ('Oi!') from the band! ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 2 (choose your tempo wisely!) LISTEN: DURATION: c. 3-minutes EXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level

    Estimated dispatch 5-7 working days
  • £55.00

    Tell me its not true

    ABOUT THIS PIECE: Bring the poignant emotion of Tell Me It's Not True from Blood Brothers to your next concert with this heartfelt arrangement. Composed by Willy Russell, this powerful ballad serves as the moving finale to the acclaimed musical, encapsulating its themes of love, loss, and heartbreak. Blood Brothers has captivated audiences worldwide with its gripping story and unforgettable music, making this piece a timeless favourite. This arrangement captures the song's emotional intensity and dramatic impact, making it an ideal choice for concerts or occasions where a deeply expressive performance is required. With its soaring melodies and poignant harmonies, Tell Me It's Not True offers players the opportunity to showcase both musicality and depth. This arrangement was produced with the kind permission of Willy Russell himself. Willy made the following comment on this arrangement: "Please pass on my warmest congratulations to Adam, I think he has done a superb job with this arrangement". ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 1 LISTEN: Click here DURATION: 4-minutes, 10 secondsEXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level

    Estimated dispatch 5-7 working days
  • £39.99

    Come What May

    ABOUT THIS PIECE: Add a touch of romance and drama to your next programme with this beautiful arrangement of Come What May from Moulin Rouge. Written by David Baerwald and Kevin Gilbert, this emotional ballad became the standout love song of the 2001 film, performed by Nicole Kidman and Ewan McGregor. Its heartfelt lyrics and sweeping melody have made it a timeless classic, celebrated by audiences around the world. This arrangement brings the song's emotional depth and cinematic grandeur to the brass band stage, with solo opportunities for tenor horn, cornet and euphonium. With its soaring themes and tender undertones, Come What May is a fantastic showcase of the band's ability to convey both power and sensitivity. ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 2 LISTEN: Click here DURATION: 5 minutesEXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level

    Estimated dispatch 5-7 working days
  • £45.00

    Barcelona

    ABOUT THIS PIECE: Bring the grandeur of the epic rock-opera classic Barcelona to your performance with this outstanding arrangement by Adam D J Taylor. Originally written by Freddie Mercury and Mike Moran, this iconic duet was performed by Mercury and the legendary operatic soprano Montserrat Caball. Celebrating the 1992 Barcelona Olympics, the song blends rock and operatic styles into a soaring, unforgettable anthem of unity and celebration. This arrangement starts with the iconic Queen rendition of the British National Anthem God Save the King, before capturing the dramatic flair and emotional power of the Barcelona. Ideal for fans of Freddie Mercury, Queen, and powerful, genre-defying music, this arrangement offers an exhilarating challenge for performers and a thrilling experience for audiences alike. ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 2 LISTEN: Click here DURATION: 4 minutesEXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level

    Estimated dispatch 5-7 working days
  • £45.00

    This is the Moment

    ABOUT THIS PIECE: Capture the drama and passion of Broadway with this stunning arrangement of This Is the Moment from the musical Jekyll and Hyde. Originally composed by Frank Wildhorn with lyrics by Leslie Bricusse, this powerful ballad has become a defining anthem of triumph and self-realisation, performed by countless artists around the world. This arrangement brings the emotional intensity of the original, offering a rich and rewarding experience for both players and audiences. With an unforgettable melody, This Is the Moment is a perfect choice for concerts, entertainment contests, or special occasions where you want to make an unforgettable impact. Whether you're a fan of musical theatre or simply looking for a piece that showcases the full expressive range of your band, this arrangement of This Is the Moment is sure to inspire and captivate. ENSEMBLE: Standard British Brass Band (with adaptations) WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 2 LISTEN: Click here (Cornet Solo Version) DURATION: 4 minutesEXAMPLE SCORE: Coming soon Looking for the cornet solo version of this piece? Click here. LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level

    Estimated dispatch 5-7 working days
  • £55.00

    Mary Did You Know?

    ABOUT THIS PIECE: Upon being asked to write a Christmas musical for his church, Mark Lowry penned a series of monologues based on Christmas Songs including a conversation with Mary about the birth and life of her Son, Jesus. Lowry worked on the lyrics for years until he approached southern gospel singer-songwriter and harmonica player, Buddy Greene. Greene agreed to pen music for his words, completing the instrumentation within a few days. The result is this new-age Christmas classic: 'Mary Did You Know". ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 2 LISTEN: Listen here DURATION: 4-minutes 30-secondsEXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level .

    Estimated dispatch 5-7 working days
  • £45.00

    God Put a Smile Upon Your Face

    ABOUT THIS PIECE: 'God Put a Smile Upon Your Face' was written by all members of the band Coldplay for their second studio album 'A Rush of Blood to the Head'. Coldplay vocalist Chris Martin said: "The song came out of playing live and wanting to have something with a bit more bounce". The chart was originally released in 2003 to critical acclaim. In 2007 Mark Ronson covered the song on his album 'Version' - it is this version this arrangement is based upon. The following arrangement was devised as a concert opener - written as such to allow different sections of the band to make their way to the stage one at a time. The suggested stage entry directions for this arrangement are: Percussion > Basses > Trombones > Horns & Baritones > Cornets & Euphonium. Kit and percussion parts are written as a guide - please feel free to add and subtract as the MD sees fit. DUE TO COPYRIGHT LAW THIS WORK IS NOT AVAILABLE IN AUSTRALIA OR NEW ZEALAND ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 2 LISTEN: Click here DURATION: 3-mins 30 secondEXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level

    Estimated dispatch 5-7 working days
  • £80.00

    St. Magnus - Kenneth Downie

    Dedicated to Alastair Massey, an inspirational music teacher. Commissioned by the Scottish Brass Band Association for the 2004 European Brass Band Championships in Glasgow. This music is a set of variations on the tune known as St Magnus, which is attributed to Jeremiah Clarke. Most people will associate it with Thomas Kelly's hymn which begins: "The Head that once was crowned with thorns is crowned with glory now". The tune is very simple, consisting of just two, four-bar phrases. Neither is there much in the way of rhythmic variety, every note being a crotchet with the exception of two quavers, and the last note in each phrase. Within such a simple structure, however, lies considerable strength. THEME The listener is given the opportunity of hearing it twice, in full, at the beginning, starting with one player but soon taken up by the full ensemble. It returns in the middle of the music and is stated again near the end. This has been done quite deliberately in the hope that there will be an appreciation of what material is being developed, by the listener as well as by those with access to the score, who are able to see the visual connections. VARIATION 1 This takes the rhythm of the last part of the theme and also uses the shape of the opening as a recurring figure. The mood is whimsical and skittish, with short, teasing rhythmic figures tossed around the band, and quick interplay with percussion, at a fast tempo. An energetic flourish finishes this variation before the Andante espress. VARIATION 2 This commences with chords related to the opening of Variation 1. The cantabile on solo comets establishes a new, lyrical mood and there is scope for expressive playing in a series of short solo passages. The theme works its way unobtrusively into the texture before a reprise of the solo cornet melody and some more lyrical interchanges between Eb bass, euphonium, flugel horn and comets. The variation ends serenely with clear references to the last phrase of the theme. VARIATION 3 The first idea to dominate is clearly linked to the shape of the theme's first phrase. There is a frenetic feel to much of this variation, with considerable energy and instability created by extensive use of cross-rhythms. A thinning-out of the score marks a clear change to development of the start of the second phrase of the theme. This proves to be short-lived however, and the opening material returns leading to a restatement of the theme, "Maestoso," after which a euphonium cadenza links to Variation 4. VARIATION 4 Here we have some solos for euphonium, cornet, trombone and Eb bass set against a background of horns and baritones presenting a pensive statement of the theme's opening. VARIATION 5 This commences Allegro, with lively work for cornet and euphonium spreading to the whole band before attention focuses on the beginning of the second phrase of the theme which is initially presented in diminution, then in regular rhythm, then in inversion. An increase in tempo coupled with a decrease in volume, requires dexterity and control, with several metrical challenges thrown in for good measure. The same fragment of phrase becomes an ostinato which generates a frenzied climax, punctuated by short, dramatic silence, before the opening figure returns and the music gradually winds down. The tubular bells herald the final return of the theme, in augmentation, marking the start of the Finale. FINALE This features the running semiquavers of the previous variation sounding in counterpoint. A fast, furious coda speeds the work to a conclusion while references to the opening of the theme are still trying to break into the texture of the music. Kenneth Downie

    Estimated dispatch 5-14 working days