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£60.99Angels from the Realms of Glory (Brass Band - Score and Parts) - Kernen, Roland
The title of this clever arrangement reveals the Christmas song it is based on. The melody can be traced back to a French folksong from the 18th century which is now known around the world. In France it is called Les anges dans nos campagnes, in Germany it is most widely known as Engel auf den Feldern singen and in England it was originally called Angels From the Realms of Glory but it often known as Angels We Have Heard on High. Everyone will rejoice upon hearing the Gloria in excelsis Deo refrain!Duration: 5:45
Estimated dispatch 7-14 working days
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£54.99A Spanish Christmas Carol (Brass Band - Score and Parts) - Millstone, Patrick
Rondeau of the Shepherds is the historical title associated with the well'known Dutch Christmas carol "Midden in de winternacht." The modern Dutch text was written in 1948 by the poet and writer Harry Prenen. The melody, however, has a much older heritage. It appears in the works of 17th' and 18th'century French organ composers such as Louis-Claude Daquin, Claude Balbastre, and Jean-Franois Dandrieu, who often included it in their Christmas suites and nols.The tune itself is believed to originate from a late'medieval Spanish (likely Catalan) Christmas song, traditionally identified as "El Desembre Congelat." Its imagery--shepherds, flutes, and drums--reflects a deep familiarity with biblical narratives while offering a vivid glimpse into the festive, folk-influenced Christmas celebrations of the Middle Ages.Energetic and joyful, this carol works beautifully as an uplifting, up-tempo intermezzo within a church service or seasonal concert program.Duration: 3.00
Estimated dispatch 7-14 working days
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£59.95Concerto Grosso (Brass Quartet with Brass Band - Score and Parts) - Gregson, Edward
Concerto Grosso was commissioned in 1972 by the Scottish Amateur Music Association for the National Youth Brass Band of Scotland.I took as my starting point the 18th century concerto grosso form with its element of contrast between small and large instrumental forces. The concertino (solo) group consists of cornet, horn, trombone and euphonium. The work is cast in one continuous movement (the old concerto grosso was often in three or more). The single movement is cast in the arch-like version of the ritornello form which was the mainstay of the baroque concerto. There are three main episodes which alternate with the ritornello and these exploit slow lyrical melodies as well as more rhythmically charged music. The final coda contrasts the ritornello material with the concertino group's own material, bringing the work to a resounding conclusion.- Edward GregsonDuration: 8.00
Estimated dispatch 7-14 working days
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