Results
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£17.50
Come And Get Saved (Brass Band - Score only) - Broughton, Bruce
This fantasia is based on the old Salvation Army song, 'Never can tell' which includes the words, 'You never can tell when the Lord will call you...Come and get saved and happy be'. The piece has many different and contrasting moods but is generally light-hearted and amiable like the straightforward message of the song and its genial melody.
Estimated dispatch 7-14 working days
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£17.50
Fox's Air And Dance (Brass Band - Score Only) - Downie, Kenneth
This is a one-movement composition, albeit in two sections, that is accessible to bands of most abilities and to all audiences. The Air is in a good-natured, easy-going style while the Dance section is a bit of a romp loosely based on the traditional tune 'In and out the dusty bluebells'.
Estimated dispatch 7-14 working days
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£17.50
Rhapsody On The Isle Of Mull (Brass Band - Score Only) - Downie, Kenneth
Mull is an island off the west coast of Scotland and it gives its name to the lovely tune which forms the basis of this music. It is very scenic, with some beautiful mountains and the composer has tried to suggest something of the atmosphere of grandeur in his score. The largely pentatonic nature of the tune heavily colours the musical texture.
Estimated dispatch 7-14 working days
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£17.50
Spirit Of Celebration (Brass Band - Score Only) - Downie, Kenneth
Written as a signature tune for the Yorkshire Building Society Band, this is often used as a sparkling concert opener.
Estimated dispatch 7-14 working days
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£17.50
Tribute Music (Brass Band - Score Only) - Downie, Kenneth
The composer writes: Having received delightful reports about Neil Ferguson from his colleagues in Granite City Brass, I thought it might be a good idea to incorporate the musical initials from his name, EFEG, in the opening idea of the music. I used this short idea as a motif during the piece. A recurring comment in the tributes referred to his dry sense of humour, and particularly his ability to deliver a one-liner when least expected. The music does therefore contain a few surprises and sudden changes of direction. I also thought that it might be in character for me to include a little "joke" of my own, which is there to be heard by the very careful listener! Such listeners would do well to remember that the Granite City Brass, the commissioning band, is based in Aberdeen. The idea of commemorating such a faithful member of the band with a piece of music led me to try and write a noble, upright theme, which might be remembered as a melody in the future. I hope that it is a fitting tribute.
Estimated dispatch 7-14 working days
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£17.50
Flourish (Trumpet Solo with Brass Band - Score only) - Sharman, Paul
This solo was written for Philip Cobb and takes its inspiration from Virtuosity, a trumpet solo by Kenny Baker. The song Hand me down my silver trumpet is referred to in the two outer sections while the laid-back, jazzy central section features the song When the roll is called up yonder. The reason for including this song is the first line of the first verse which reads When the trumpet of the Lord shall sound.
Estimated dispatch 7-14 working days
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£17.50
Lifestream (Brass Band - Score only) - Pearce, Ralph
This march is modelled on the well-known American quick march called Midwest by J.J. Richards. The melody of the second subject is by the Danish hymn-writer, Sophie Hedvig Dedakam and is associated with words by Major Clara Vint who helped to establish En Evant, the French War Cry. The title of the march is derived from the text of the song.
Estimated dispatch 7-14 working days
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£17.50
The Covenanters (Brass Band - Score only) - Downie, Kenneth
In 1638, many members of the Presbyterian Church of Scotland signed a document called the National Covenant. By doing so, they were declaring that they acknowledged only Jesus Christ as the spiritual head of their church, and not any king or queen. This had become necessary because the Stuart kings believed in the Divine Right of Monarchs and saw themselves as head of the church. In the previous year, Charles I had forcibly introduced the Book of Common Prayer, invoking the wrath of the common people who faced the threat of torture, transportation or execution if they did not use the new liturgy and worship at their local church. The net result of this was that many met illegally in the countryside or in barns and large houses. These meetings became known as 'conventides' and many took place in the south-west of the country. Anyone caught attending was at risk of execution by the muskets of the dragoons who were employed in the area for that specific purpose. This music was written to honour the bravery and loyalty of these Christians to their faith, in the face of extreme danger, in the hope that it will inspire us also to be faithful. There are overtones of military threat, secrecy and solidarity. An old pentatonic tune is used, which the composer heard as a boy being sung to the words The Lord's My Shepherd.
Estimated dispatch 7-14 working days
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£17.50
A Fanfare of Praise (Ascalon) (Brass Band - Score only) - Redhead, Robert
Robert Redhead's concert opener has become widely used by bands inside and outside the Salvation Army, particularly in hymn tune competitions. Starting with a simple statement of the tune 'Ascalon', this develops into an upbeat and exciting fanfare treatment.
Estimated dispatch 7-14 working days
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£17.50
A Happy Day (Cornet Solo with Brass Band - Score only) - Leidzen, Erik
This composition was awarded first prize in the Theme and Variations Section of the 1926 Salvation Army Band Music Competition and has remained popular with cornet soloists and audiences ever since. This was the first in a trilogy of cornet solos with the word 'day' in the title written by Erik Leidzen, the others being 'Happy all the Day' and 'Wondrous Day'.
Estimated dispatch 7-14 working days