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£54.99Ding Dong it's Christmas - Bruce Fraser
In 'Ding Dong it's Christmas' Scottish composer Bruce Fraser makes a sport of misleading his audience time and again. The title already indicates that this piece has been based on the well-known Carol 'Ding Dong Merrily on High', even if the melody makes a somewhat halting start. When it gathers pace, however, also due to the percussion section, suddenly various other carols may be recognized. Peace and quiet reign in the middle part, during which we can enjoy Bach's charming 'O Jesulein suss'. 'Ding Dong it's Christmas' ends in the same way it began, even if more and more Carols put in an appearance. Merry Christmas!
Estimated dispatch 5-14 working days
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£76.99The Shopping Centre - William Vean
Many people when asked the question 'Do you have any hobbies?' will answer 'Shopping' (even though the female part of the population may be more interested in this than the male one). Of course it is great fun to walk about in a Shopping Mall, browsing in various small shops, looking for things you have always wanted to possess. This was what William Vean was doing one day when he came across the idea to write a composition in which several shops could try to sell their wares (and this idea didn't cost him a penny). First, the audience are taken to a 'Jeans store', then a 'Phone shop' is visited, after which a visit is made to a 'Perfumery'. Thefourth part depicts a profession which is practised in several premises, namely that of shoplifter. In the fifth part there is room for a bite to eat at a Chinese restaurant, and finally after a visit to the hairdresser's it's time to go home.
Estimated dispatch 5-14 working days
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£76.99Mixed Bag - Peter Martin
'Mixed Bag' stands midway between a collection and a hotchpotch. It is a colourful compilation of four completely different pieces, each with its own specific character. The first part is called 'Tanguillo' : as its name suggests, this Spanish dance is related to the Tango. In the next part, 'Maybe next time ....' a repeated bass line (Passacaglia) can be heard, first solo, but thereafter gradually the other instruments join in. The third part forms a huge contrast did the former part have a Baroque atmosphere, 'Rock Hard' seems to have come directly from the Rock 'n Roll era, reminding us of stars such as Bill Haley and Elvis Presley. The finale is acheerful, inciting movement called 'Gypsy Dance'.
Estimated dispatch 5-14 working days
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£76.99Bessarabyanke - Sjaak van der Reijden
A Yiddish theme is by the composer at a very spectacular way developed into an amazing concert bouncer. Van der Reijden's experience as a trumpeter and arranger of the Klezmer Band Di Gojim 'comes in handy. A great work, full of challenge for all sections of the brassband!
Estimated dispatch 5-14 working days
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£104.99Scottish Dances - Peter Martin
Scottish Dances is based on three Scottish traditionals: Cock of the North, The Bonnie Bank's O'Loch Lomond and Marie's Wedding. I. Cock of the North's name is used for multiple things or events. For example for a locomotive to a famous, it seems, delicious liqueur, and rallies to snowboard competitions. Furthermore is "Cock O' the North " a nickname of a famous Duke. (The 4th Duke of Gordon). In this composition Cock of the North (a Jig) is a traditional Scottish bagpipe tune, regularly played on tattoos by Pipe Bands. Not infrequently the drummers sing the text. Auntie Mary, had a canary, Up the leg of her trousers While she was sleeping Iwas peeping Up the leg of her trousers. II. " The Bonnie Bank's O'Loch Lomond " is about a sad story that took place during an revolt against the British. In 1745 Bonnie Prince Charlie had to retreat. Two of his men were captured. One was convicted and executed, while the other was released. The spirit of the executed soldier would arrive in Scotland via the 'low road' (underworld) before his companion, who had still a long way to go. You'll take the high road And I'll take the low road And I'll be in Scotland afore ye But me and my true love will never meet again On the Bonnie Bonnie Banks of Loch Lomond III. In a Scottish wedding, after the official ceremonies, there is often danced. This is called a ceilidh. For this we use traditional Scottish music such as "Marie's Wedding '. Mid dance we go back to the church, where a lovely song in honor of the couple sounds. Marie's Wedding has been recorded by Van Morrison (among many others). Step we gaely, on we go, heel for heel and toe for toe Arm and arm and on we go, all for Marie's wedding
Estimated dispatch 5-14 working days
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£109.99Fincastle Overture - Jan Bosveld
Fort Fincastle was built in 1793 by royal governor 'Lord Dunmore at an unusual location: Nassau, the capital of the Bahamas. The name of the fort: Fort Fincastle' comes from Dunmore's second title of Viscount Fincastle '( Earl of Fincastle). He gave the fort a particular shape, a circular building with a sharp expansion in the form of a bow or bow of ship. In order to deceive enemy ships. The sounds of the first bars show the contours of a looming majestic stronghold, after a heroic theme follows. Soon we hear the threat of hostile elements. Work on the fort means much waiting and lonely, but you should always alert and vigilant for the ever lurking attack. After the turn of yet another attack there is a feeling of satisfaction and pride, we see the fort are on the hill towering above Nassau.
Estimated dispatch 5-14 working days
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£104.99The Divine Right - Philip Harper
At the time of composing this piece, the Arab Spring was sweeping through the Middle East. It seemed that almost every week a new countrys people had risen up against the regimes and dictatorships which had prevailed for generations, leaving manynations at a defining crossroads in their history. There were so many possible ways ahead: so many hopes, yet so many uncertainties.My music is a depiction of these revolutionary times, and several musical themes are in turn presented, discussed, considered, fought over, altered, rejected or accepted. Most nations have had, or probably will have, their own Arab Spring, including my own, the United Kingdom. Events of 17th Century Britain provide the context for this piece, particularly those following the execution of the tyrant King Charles I on30 January 1649. The regicide was in part due to Charless steadfast belief in the Divine Right of Kings, and led to a tumultuous interregnum, where England stood at its own defining crossroads.The music begins turbulently, before King Charles appears and is led to the gallows outside Banqueting House in central London where he is brutally decapitated. From the assembled crowd rose, according to one observer, a moan as I never heard before and desire I may never hear again.The music descends to emptiness. The musical argument which follows is not strictly programmatic, but a number of musical themes are all thrown into the melting pot, representing ideas such as: religion; military force; reasoned Parliamentary debate; and the chattering,irrepressible voice of the people. Additionally, there are some quotations from the music of royalist composer Thomas Tomkins (1572-1656), who was often in tune with the feeling of the times. This defining episode in Englands history was brought to a close with the Restoration of the monarchy in 1660, and as the exiled King Charles II rode back into London the diarist John Evelyn wrote: Never was so joyful a day seen in this nation. I stood in the Strand and beheld it, and blessed God.At the end of the piece the bells ring out, and the musical appearance of the King has transformed from turbulent to triumphant. Philip Harper, 2013
Estimated dispatch 5-14 working days
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£127.30Mahalageasca - Mahala Rai Banda
Mahalageasca is a piece that make you happy both to listen and perform.It's possible to play the piece as a stage entrance piece. Repeat bars 1 to 8 several times. You might let the Drum set and some Percussion start alone. After basses have played their first eight bars, move on to bar nine.It is also possible to perform is as an ancore where you might change positions for the brass players but use the same pattern with Percussion as above.Here's a suggestion for set-up:Backrow sits in front of the conductor (on horn chairs)Soprano and Solo Cornets standing behind them.Trombones sits at the conductors right (on Euphonium/Baritone-chairs)Basses sitting behind the TrombonesFlugelhorn and horns on the left (sitting on the solo cornet chairs)Euphoniums and Baritones behind the horns.Please do not play too loud on mf. A bit press on the start of the slurs often better the emphasis (some marcatos written as well)Bars 96 to 136 is challenging for mallet percussion. They can be played as solo, or two players might share it in a convenient way.
Estimated dispatch 5-14 working days
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£29.95A Little Prayer - Evelyn Glennie
Originally composed for solo marimba, this popular version of A Little Prayer was made in 1998 following Evelyn Glennie's collaboration with Black Dyke Band during the recording of their Grammy nominated Reflected in Brass CD. Robert Childs, then principal euphonium with Black Dyke, requested Evelyn's permission to make the arrangement for his son, David. The composer obliged, and Robert presented the score and parts to his son as a seventeenth birthday present. Evelyn Glennie revealed: "When I wrote this chorale for marimba, it expressed my spiritual feelings and displayed a pleasantly relaxed dimension of the instrument. Over the years my exposure to brass bands has filled me with wonder; their musical diversity is considerable. I had no hesitation in giving A Little Prayer to Robert Childs to bring this little melody to life." Having composed the work when she was only 13, Evelyn continued: "As a child I would never have believed that such a short and simple piece of music, would come to grow this much. A little Prayerserves to prove that one should always bet their chips on what they believe in, for nine out of ten it will be worth it!" After twenty years of exclusivity, Prima Vista Musikk is proud to make this beautiful arrangement available to all. A Little Prayer provides the perfect reflective interlude for concert or devotional use by euphonium soloists and bands of all abilities.
Estimated dispatch 5-14 working days
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£106.99Kaleidoscope - Philip Sparke
Kaleidoscope is a set of five variations of on the 'Brugger Lied' (Brugg Song) which is the traditional song of the town of Brugg. The lyrics tell of the geography, people and traditions of this charming and historic town, which is situated in the north of Switzerland, near to the German border, about halfway between Basel and Zurich.Each variation is based on tiny extracts of the theme, the whole piece therefore resembling the effect of a kaleidoscope, which juxtaposes small fragments of colour in a constantly changing pattern.
Estimated dispatch 5-14 working days
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