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  • £49.20

    John Browns Other Body - John Oddo - Sandy Smith

    Estimated delivery 5-10 working days

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  • £78.40

    John Browns Other Body - John Oddo

    Estimated delivery 5-10 working days
  • £49.20

    JOHN BROWNS OTHER BODY (Brass Band) - Oddo, John - Smith, Sandy

    Grade: medium.

    Estimated delivery 10-14 working days
  • £34.95

    Escape Velocity (Brass Band - Score and Parts) - Cordner, Martin

    Escape Velocity is the scientific term for the speed at which a body overcomes the gravitational pull of another body. Thematically, the music seeks to capture the busyness and 'gravitational pull' of the fallen world and the struggle of the believer to overcome and escape into the restful presence of God. Eventually, the believer breaks free from the world, the work culminating in a presentation of the popular Hillsong anthem, 'I will run to you'.

    Estimated delivery 10-14 working days
  • £17.50

    Escape Velocity (Brass Band - Score only) - Cordner, Martin

    Escape Velocity is the scientific term for the speed at which a body overcomes the gravitational pull of another body. Thematically, the music seeks to capture the busyness and 'gravitational pull' of the fallen world and the struggle of the believer to overcome and escape into the restful presence of God. Eventually, the believer breaks free from the world, the work culminating in a presentation of the popular Hillsong anthem, 'I will run to you'.

    Estimated delivery 10-14 working days
  • £35.00

    Ascension - Lucy Pankhurst

    A major work written for the RNCM Brass Festival Competition 2005, and inspired by the nature of Ascension – creating a Musical depiction of the spiritual journey towards enlightenment, sanctuary and ultimate inner peace.As aninitial muse for this work, the ‘Tibetan Singing Bowl’ is utilised with the Brass Band in order to represent this path to Serenity, together withBaoding Balls(Chinese Health Balls) to mark the point of Final Ascension.Programme notes from the composer, Lucy Pankhurst:Ascension is a Musical depiction of the Spiritual Journey towards enlightenment, sanctuary and ultimate inner peace.As my initial muse for this work, the Singing Bowl is utilised with the Brass Band in order to represent this path to Serenity. “Tibetan” Singing Bowls date back to the 8th Century A.D., originating in the pre-Buddhist shamanic Bon Po culture in the Himalayas and are still used in modern Monasteries. The original purpose of them still remains a mystery, with accounts stating that it is forbidden to disclose the true function of the Bowls, as the “secrets of sound” yield so much Power, that they must be kept hidden.Listening to the tones created by the Singing Bowl effectively silences the internal dialogue of the listener, making it an excellent tool for Meditation, Centering and entering trance-like states. In Buddhism, as with many cultures, sound is an important part of Spiritual Practice. There are 9 methods to reach Enlightenment in the Buddhist Doctrine ; the seventh is SOUND.These Bowls are used by Healers in a similar way to help balance the body’s residual energies. The Bowls are usually made from seven different sacred metals, intended to correlate directly to the seven sacred “Planets” : GOLD (Sun), SILVER (Moon), MERCURY (Mercury), COPPER (Venus), IRON (Mars), TIN (Jupiter), ANTIMONY (Saturn). Any one Bowl can create up to seven different frequencies (tones) simultaneously. In Healing, the Singing Bowl is played whilst balanced on the palm of the hand, struck three times to stabilise the surrounding energies, before rotating the wooden “beater” around the outer circumference of the Bowl to create the “singing” effect.I have included an optional Vibraphone part (to be played with a Double Bass Bow) with Tubular Bells, to be used only in performances where a Singing Bowl cannot be acquired. However, a traditional Bowl should be used whenever possible, to create this specific and unique sound.Baoding Balls or Chinese Health Balls are also utilised in this work. Their appearance in the Music here, however, is to mark the point of Final Ascension, where the music reaches its ultimate goal. These delicate cloisonne iron Balls are said to stimulate the acupressure points on the hand, thus improving the Chi and Energy Paths (Life Force) throughout the entire body. The delicate “tinkle” produced by these spheres is hypnotic and captivating. For this reason, where no Baoding Balls are obtainable for performance, only delicate metallic percussion should be used in replacement (i.e. Crotales, Antique Cymbals or (liberal) single strikes on a Triangle etc.). Bell Trees, Wind Chimes and Cow Bells should not be used.As in many cultures, the number three is important in Ascension, as it represents not only the purification from the Singing Bowl, but also it is a number of confirmation, reiterated throughout the music in the metallic percussion in addition to the Brass, re-affirming the correct path to Enlightenment.

    In stock: Estimated delivery 1-3 days
  • £34.95

    Escape Velocity (Brass Band - Score and Parts) - Cordner, MartinCode:

    Escape Velocity is the scientific term for the speed at which a body overcomes the gravitational pull of another body. Thematically, the music seeks to capture the busyness and 'gravitational pull' of the fallen world and the struggle of the believer to overcome and escape into the restful presence of God. Eventually, the believer breaks free from the world, the work culminating in a presentation of the popular Hillsong anthem, 'I will run to you'.

    Estimated delivery 10-14 working days
  • £24.95

    The Civil Defenders - Sir Patrick Moore - Rodney Newton

    The Civil Defence Association of Great Britain was formed as a support body for the Civil Defence Service and, while the Service had its own march, the Association did not - until recently. Sir Patrick Moore CBE FRS, astronomer, television personality extraordinaire, retired xylophonist, pianist and composer, was approached in the hope that he might provide a suitable march for the Civil Defence Association. Although now musically inactive through illness, he produced from his vast collection of marches written over a long period, the present one which he entitled, The Civil Defenders. Although originally scored for piano, Sir Patrick enlisted the help of his old friend and musical collaborator, Rodney Newton, who has arranged versions for brass and wind bands. The style of Civil Defenders is that of a traditional British 'road march' and embodies all the panache and gusto which that implies.

    Estimated delivery 3-5 days
  • £74.95

    Euphonium Concerto - Karl Jenkins

    This work was commissioned by David Childs who gave the first performance with the BBC Concert Orchestra at the Last Night of the Welsh Proms in 2009. 25 minutes in duration, the concerto is in four movements rather than three, loosely following the 'head-heart-feet-whole body' format of (humanist) symphonic design. Jenkins has stated, 'As is my wont, I've endeavoured to make the concerto somewhat quirky and "off the wall".'It is a work overridingly designed to connect with the listener, arguably Jenkins' greatest gift and a task it achieves with considerable aplomb. The individual movements also stand alone equally well when presented as individual solo items. This version, with brass band accompaniment, is a fantastic addition to the repertoire for any serious 21st century euphonium player!

    Estimated delivery 3-5 days
  • £64.95

    Actaeon - Gareth Wood

    This major work for brass band is based on the story of the Greek mythological character, Actaeon.Artemis was bathing in the woods when the hunter Actaeon stumbled across her, thus seeing her naked. He stopped and stared, amazed at her ravishing beauty. Once seen, Artemis punished Actaeon: she forbade him speech and if he tried to speak, he would be changed into a stag. Upon hearing the call of his hunting party, he cried out to them and was immediately changed into a stag. His own hounds then turned upon him and tore him to pieces as they did not recognise him.The music begins with Actaeon taunting his hounds. A slower section represents the young hunter (solo horn) leading to an up-tempo section as he rides through the forest. The central scherzo portrays a hunt. A gentle section (euphonium solo) potrays Artemis bathing under a waterfall. The music then depicts Actaeon being transformed into a stag with the final terrifying sounds of his body being torn apart!

    Estimated delivery 3-5 days