Prayer Of Childhood (Cornet Solo with Brass Band - Score only) - Condon, Leslie

Leslie Condon originally wrote this alternative tune for the Charles Wesley hymn, 'Gentle Jesus, meek and mild' in 1963. He later scored it for cornet solo and it appears here with brass band accompaniment.

PRAYER OF ST GREGORY (Cornet/Brass Band) - Hovhaness, Alan - Stowell, David

Cornet Solo & Brass Band. Duration: 5:00 Grade: Medium

Pre-Pop (Brass Band - Score and Parts)

Pre-Pop is has is a five-movement work composed for beginner bands and can be played with a minimum of four players (+ percussion). It is of course also suitable for a full beginner band. The five contrasting movements are titled: March of the Planets, Lonely Stranger, Pagode, Lost in the World and Hot Pepper Boogie. Your players are certain to enjoy playing this work of great contrasts.

Precioso (Brass Band - Score and Parts)

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Precious Jesus (Cornet Solo with Brass Band - Score and Parts) - Clarke, Mervyn - Redhead, Robert

Mervyn Clarke composed this musical setting, Precious Jesus, of words by Francis Bottome. The fresh musical interpretation and strong attractive melodic line become a firm favourite with Songsters when it was published in 1976 and has been featured ever since. Duration: 2.45

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Prelude (Rachmaninoff) (Brass Band - Score and Parts) - Rachmaninoff, Sergei

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Prelude (suitable youth band) (Brass Band - Score and Parts)

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PRELUDE & JUBILATE (Brass Band Set - Score and Parts) - Barry, Darrol

2007 National Championships Area Qualitying Contest - 3rd Section.

PRELUDE & SCHERZO (Trombone/Brass Band) - Sparke, Philip

Prelude and Capriccio (Cornet Solo with Brass Band) - Gregson, Edward

A condensed score is included with this workGregson wrote his Prelude and Capriccio in 1972. It exists in two versions: one for cornet and band and the other for cornet or trumpet and piano.The work began life in the early sixties, the Capriccio being composed when the composer was 17. A Prelude was added to complete the work, which lasts for approximately 8 minutes. The Prelude is reflective in character and uses long melodic lines over undulating chromatic harmony. The music reaches a climax before a brief reprise of the opening. The Capriccio is somewhat jazzy in its opening syncopated rhythms, but has a more lyrical middle section before a finale exploiting the virtuoso character of the instrument.

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