Intrada & Wilhelmus (Brass Band - Score and Parts)

John Blanken wrote Intrada & Wilhelmus in 2002 for the brass band Euphonia from Wolvega, the Netherlands.The title speaks for itself. It's an introduction to the national anthem of The Netherlands; Wilhelmus. In this piece the national anthem is heared two times followed by a short postlude. 02:45

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INTRADA FESTIVA (Brass Band) - Fernie, Alan

Medium

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Intrada Festivo (Brass Band - Score and Parts) - Bulla, Stephen

Intrada Festivo by Stephen Bulla is an exciting opening piece. The cornets, together with the percussion, create a fantastic fanfare which will provide a spectacular opener for any concert.Duration: 3:15

INTRODUCTION & ALLEGRO (Brass Band Set)

INTRODUCTION & ALLEGRO SPIRITOSO (Brass Band) - Senaille, Jean Baptiste - Wright, Denis

INTRODUCTION AND BURLESQUE (Bass Trombone Solo with Brass Band Set)

Introduction and Fugue (Brass Band - Score and Parts)

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Introduction and Variations on Dies Irae (Brass Band - Score and Parts) - De Haan, Jan

After the introduction, in which the landscape of Groningen with its beautiful wide views is presented, follows five variations based on the 13th-century Gregorian theme Dies Irae that is attributed to Thomas van Celano. Each variation can be seen as a stage or a scene in the rich history of the village of Grijpskerk, making this work a very exciting and expressive piece of music for a contest or a concert.

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INTRODUCTION TO ACT III (Lohengrin) (Brass Band) - Wagner, Richard - Wright, Denis

Introduction, Elegy and Caprice (Brass Band - Score and Parts) - Calvert, Morley

This work was written by Morley Calvert, the Canadian composer, especially for the first European Brass Band Championships held in 1978.The piece consists of three contrasting movements. The Introduction opens with a slow, mysterious figure after the first fanfare-like unison notes. This leads to the main section, a quick 'one-in-a-bar' movement centred around a persistent figure.The Elegy opens with an unaccompanied Euphonium solo, which is then passed through to horn, cornet, and basses in the manner of a passacaglia. This is broken and then the movement fragments.After the tension of the Elegy, the Caprice provides much needed relief: a spritely dance, very rhythmical in character, the theme of which is thrown around the band with great abandon.

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