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  • £64.99

    Tone Studies for Band - James Curnow

    Tone Studies for brass band consists of nine studies designed to aid the development of good individual and ensemble tone production and intonation. Add Tone Studies to your library and you will find it quickly becomes an indispensible part of your band's rehearsal routine.

    Estimated dispatch 5-14 working days
  • £64.99

    Tone Studies for Band (Brass Band - Score and Parts) - Curnow, James

    Tone Studies for brass band consists of nine studies designed to aid the development of good individual and ensemble tone production and intonation. Add Tone Studies to your library and you will find it quickly becomes an indispensable part of your band's rehearsal routine.

    Estimated dispatch 7-14 working days
  • £64.99

    Rhythm Studies for Band - James Curnow

    Eight carefully crafted mini-compositions that begin with simple time signatures and rhythms and work up to mixed meters and complex rhythms. The exercises are musically rewarding and fun to play, and will give your students the practice they need to develop rhythmic accuracy.

    Estimated dispatch 5-14 working days
  • £64.99

    Rhythm Studies for Band (Brass Band - Score and Parts) - Curnow, James

    Eight carefully crafted mini-compositions that begin with simple time signatures and rhythms and work up to mixed meters and complex rhythms. The exercises are musically rewarding and fun to play, and will give your students the practice they need to develop rhythmic accuracy.

    Estimated dispatch 7-14 working days
  • £82.30

    Julepastorale - Arild Sandvold

    Arild Sandvold (1895 - 1984) began his studies at the Music Conservatory in Kristiania (Oslo) in 1906, in piano and organ as well as music theory. After his debut as organist and pianist, he had his debut as orchestral conductor in 1924. At the same time he also had two periods of studies in Leipzig. In addition to studies in piano and organ, he received tutoring in composition. He was a teacher at the Oslo Music Conservatory and organist and a cathedral cantor in Oslo for more than 50 years. Sandvold brought both Baroque and Romantic organ works to a wider audience. He wrote a number of works for organ, in addition to music for choir and orchestra. The polyfony of the lateBaroque and the harmony of the Romantic period serve as the basis of his musical style. "A Christmas Pastorale" arranged with thoughts about the brass bands possibility for sound and colour, and should be a nice piece to do on concerts in the Christmas time.

    Estimated dispatch 5-14 working days

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  • £119.99

    The Lonesome Knight - Saskia Apon

    The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001. Once upon a time there was a knight who went to fight and defeat the dragon that had beenkilling the people of his town. There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far away from his home and now is lost. He roames around trying to findhis way home, but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon. The knight joins in the festivities but after a long evening is once more leftalone. The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people. However he becomes greatly disillusioned when there is none to be found. Inhis desperation the knight climbs the tower ready to jump off. Suddenly he hears a heavenly voice. Right before him is the most beautiful princess he has ever seen. She graciously thanks him for killing the dragon, a spark ingnites between themand they build a life together and.... live happily ever after! Saskia Apon studied harp at Rotterdam School of music. With this instrument she rounded of her studies by passing with credit, however it was her love of composition thatremained her focus. Self-taught, she began composing at the age of nine. Since then she has written pieces for The Dutch Brass Quintet, The Dutch Brass Ensemble, The Rotterdam Trombone Quartet and the brass band quintet Brass Ability. Atpresent she is the in-house arranger for The Rotterdam Philarmonic Brass Ensemble. Besides the customary attention for the real splashworks she endeavours to add value to the melodic function of the brass wind instruments in her music. Hercompositions and arrangements can be found on many diverse Cds.The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001. Once upon a time there was aknight who went to fight and defeat the dragon that had been killing the people of his town. There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far awayfrom his home and now is lost. He roames around trying to find his way home, but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon. The knight joins inthe festivities but after a long evening is once more left alone. The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people. However he becomesgreatly disillusioned when there is none to be found. In his desperation the knight climbs the tower ready to jump off. Suddenly he hears a heavenly voice. Right before him is the most beautiful princess he has ever seen. She graciously thankshim for killing the dragon, a spark ingnites between them and they build a life together and.... live happily ever after! Saskia Apon studied harp at Rotterdam School of music. With this instrument she rounded of her studies by passing withcredit, however it was her love of composition that remained her focus. Self-taught, she began composing at the age of nine. Since then she has written pieces for The Dutch Brass Quintet, The Dutch Brass Ensemble, The Rotterdam Trombone Quartetand the brass band quintet Brass Ability. At present she is the in-house arranger for The Rotterdam Philarmonic Brass Ensemble. Besides the customary attention for the real splashworks she endeavours to add value to the melodic functionof the brass wind instruments in her music. Her compositions and arrangements can be found on many diverse Cds.

    Estimated dispatch 5-14 working days

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  • £89.95

    Four Etudes (Brass Band - Score and Parts) - Gregson, Edward

    This work was written during August and September 2016. In it, I wanted primarily to explore the elements of timbre, rhythm, texture and colour. The first three tudes (or studies) are based on a set of piano pieces I composed in 1982, whilst the last, the longest of the set, was composed specially. My reference point was the Four tudes for orchestra of 1928 by Stravinsky, a work I have always admired, and of which the first three also happen to be based on a set of earlier pieces, in his case for string quartet, with the last being a re-arrangement of a work for pianola. I have also borrowed the titles he gave to the individual studies as they seemed to fit the mood of my pieces.However, the exception is the final study, where instead of the exuberant mood of his colourful portrayal of Madrid, mine was influenced by the terrible human tragedy that was unfolding in Aleppo at the time I was writing it, and thus reflects the violence and barbarism of those events; yet towards the end it does offer a glimmer of hope for humanity with a return to the Canticle (Song) of the first study, and concludes quietly with the chords and bells that began the work. The titles of the tudes are Canticle, Dance, Excentrique, and Aleppo. Like Stravinsky's, the set is relatively short, lasting around 8 minutes.The Four tudes were commissioned by Black Dyke Band and were written specially for the recording marking the conclusion of my year as Composer-in-Residence. The concert premiere will be given by Black Dyke Band, conducted by the composer, at the RNCM Festival of Brass in January 2017.- Edward GregsonDuration: 8.00

    Estimated dispatch 7-14 working days

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  • £37.95

    Four Etudes (Brass Band - Score only) - Gregson, Edward

    This work was written during August and September 2016. In it, I wanted primarily to explore the elements of timbre, rhythm, texture and colour. The first three tudes (or studies) are based on a set of piano pieces I composed in 1982, whilst the last, the longest of the set, was composed specially. My reference point was the Four tudes for orchestra of 1928 by Stravinsky, a work I have always admired, and of which the first three also happen to be based on a set of earlier pieces, in his case for string quartet, with the last being a re-arrangement of a work for pianola. I have also borrowed the titles he gave to the individual studies as they seemed to fit the mood of my pieces.However, the exception is the final study, where instead of the exuberant mood of his colourful portrayal of Madrid, mine was influenced by the terrible human tragedy that was unfolding in Aleppo at the time I was writing it, and thus reflects the violence and barbarism of those events; yet towards the end it does offer a glimmer of hope for humanity with a return to the Canticle (Song) of the first study, and concludes quietly with the chords and bells that began the work. The titles of the tudes are Canticle, Dance, Excentrique, and Aleppo. Like Stravinsky's, the set is relatively short, lasting around 8 minutes.The Four tudes were commissioned by Black Dyke Band and were written specially for the recording marking the conclusion of my year as Composer-in-Residence. The concert premiere will be given by Black Dyke Band, conducted by the composer, at the RNCM Festival of Brass in January 2017.- Edward GregsonDuration: 8.00

    Estimated dispatch 7-14 working days

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  • £90.30

    Marcia - Dag Ivar Wiren

    Dag Wiren (1905 1986) studied organ and composition at the College of Music in Stockholm 1926 1931, and lived in Paris 1931 1934, where he continued his studies in composition and instrumentation. His list of works comprises mainly instrumentalmusic, such as five symphonies, five string quartets, several overtures and quite a lot of music for film and theatre. Serenade for String Orchestra, Op. 11, was premiered by Stockholm Chamber Orchestra under Tobias Wilhemi, in October 1937,and was an immediate success. The Serenade has four movements, and the finishing Marcia has gained great popularity, especially after it was theme tune for the television series Monitor, which wasaired 1958 1965.

    Estimated dispatch 5-14 working days
  • £74.99

    The Haunter of the Dark - Franco Cesarini

    The Haunter of the Dark is based on a tale by the author Howard Phillips Lovecraft (1890-1937) about a deserted church, where according to an old legend a monster had been lying low for years.A scientist who studies ancient religions visits this church. Besides some ancient writings he discovers a box, which contains a luminous stone. Every time the stone sheds its light, the scientist experiences all sorts of weird visions.The church in the tale actually exists, and can be found in Providence (USA). Franco Cesarini has visited it and sketches the mysterious and occult atmosphere in "The Haunter of the Dark".

    Estimated dispatch 5-14 working days