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  • £11.63

    AND THE BAND PLAYED ON (Brass Band CD)

    The Music of Goff Richards Volume 2. Foden's Richardson Band, conducted by Garry Cutt. Includes: Camberley; Mythic Trevithick; Elvira Madigan Theme (Mozart); And the Band Played On; Cantabile (Paganini) (Euphonium Solo - Glyn Williams) Bill Bailey Won't You Please Come Home; The Aeronauts; A Special Place; A Buffalo Bill Bonanza; Hymns of Praise; Northern Festival; Dark-Haired Marie (Cornet Solo - Mark Wilkinson); Marching Through Georgia; Handel's Largo; Marchamba!

    Estimated delivery 12-14 days
  • £28.95

    AND THE BAND PLAYED ON (Brass Band) - Richards, Goff

    Duration: 4:26 Recorded on Polyphonic QPRL222D And the Band Played On

    Estimated delivery 12-14 days
  • £25.00

    The Sword and the Star

    The Sword and the Star was written in 2006 for the Middleton Band at the request of their Musical Director, Carl Whiteoak. The inspiration for the work was the band's badge, which features a medieval archer. The town of Middeton's historical link with the symbol of the Archer came from the English victory at the Battle of Flodden in September 1513, where bowmen from Middleton and Heywood under the command of Sir Richard Assheton played a vital part in crushing the invading Scottish army. Sir Richard captured one of the Scottish commanders and presented the prisoner's sword to the St Leonard's church in Middleton in recognition of the town's contribution. As long time Lords of the Manor, the Assheton family crest was for centuries featured in the coat of arms of Middleton council, and when Middleton became part of the Metropolitan Borough of Rochdale the black star from the Assheton crest was used to represent Middleton in the new borough's coat of arms. Hence the title The Sword and the Star, for a piece which attempts to give an impression of the town as it was then and as it is now.The music is in three short sections – a fanfare, a lament and a bright scherzo – and simply aims to contrast the medieval hamlet of Middleton with the bustling urban centre it has now become. The central lament features a Scottish song called "The Flowers of the Forest", written to mourn the loss of so many of Scotland's young men on the field of Flodden; the song returns in a much more positive form at the end of the piece.To view a PDF preview of the score please click here, and to hear a preview of the opening played by Middleton Band click here.

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  • £44.70

    Come Follow the Band - Cy Coleman

    Barnum is a musical based on the life of P T Barnum who took his performing companies all across America and major world cities in the 19th century.In the musical, Come Follow the Band is played by the Potomac Marching Band.

    Estimated delivery 12-14 days
  • £30.00

    AERONAUTS (Brass Band Parts only) - Richards, Goff

    Duration: 10:14 Recorded on QPRL222D And the Band Played On

    Estimated delivery 12-14 days
  • £30.00

    AERONAUTS (Brass Band Score only) - Richards, Goff

    Duration: 10:14 Recorded on QPRL222D And the Band Played On

    Estimated delivery 12-14 days
  • £34.95

    On the Castle Green - Paul Lovatt-Cooper

    I was contacted by conductor and friend Desmond Graham who wanted to have a traditional concert march composed to celebrate the Golden Jubilee of his band; The Third Carrickfergus Band.Immediately my mind started wandering as I thought about all the great marches that I have enjoyed playing and listening to over the years. So when I put pen to paper I had already planned out the structure of the march and which instruments to feature.The march itself is split into two halves, the first in a minor key the second in a major key. The opening section starting loudly in F minor features stereotypical passages one would come to recognise in a traditional concert march: a cornet solo, a melodic bridging section and a robust bass solo led by the basses and trombones.The second half of the march changes pace and mood as it lifts into a major key giving it a more lighter feel. We hear a second cornet solo which plays the second theme of the march. After a second bridge section the theme is played by the front row cornets to allow the soprano to play an obligato melody similar to that heard in marches like “Army of the Nile” and “Stars and Stripes Forever”. It all builds to a grandioso ending where the tempo drops and the final theme is played with a quick accel to the end.As for the title? In Carrickfergus lies an old castle that faces the town which is situated on a small plot of luscious green grass – “On The Castle Green”.Paul Lovatt-Cooper

    Estimated delivery 12-14 days
  • £44.95

    The Enigma Machine - Paul Lovatt-Cooper

    Enigma Machine takes its name from the famous cipher machine used by the Germans in World War Two. The wartime Enigma cipher was cracked at Bletchley Park by teams of British code-breakers, including the legendary Cambridge mathematician Alan Turing.Some of Britain’s finest brains of the period worked to decipher Enigma messages. Key to their success was working with UK industry to produce machines which automated various code-breaking tasks. One important collaboration was with the engineers at the Post Office (a predecessor of BT) who designed and built the world’s first electronic computer ‘Colossus’ which was a pioneering achievement in 1940’s wartime Britain.Their collaborative work was part of a top-secret operation called ‘Ultra’ which proved to be vital in the defeat of Nazi Germany.When performing this piece it is important to note that you will require the use of a WW2 siren. You can use either a real machine or a sound effect that can be played through a speaker system.During this piece there are many and varied morse code messages played by the different members of the band. These various instructions and messages have been taken from books and documents highlighting the types of messages that were sent to various military groups during the war.This piece uses a variety of musical styles: From the jumbled eerie messages given by the Germans at figure A, to the combat scenes at B and beyond, the military marching at G and the reference to Walton’s Spitfire Fugue at H. The middle movement features a quotation from the last post and then after a recapitulation of the opening material with embedded morse code throughout, the piece climaxes with a development of the famous last post motif to a tub-thumping ending.

    Estimated delivery 12-14 days
  • £59.95

    The Land of the Long White Cloud (Aotearoa) - Philip Sparke

    Dating from 1979, The Land of the Long White Cloud (Aotearoa) was Philip Sparke’s first test-piece. It was commissioned by the New Zealand Brass Band Association for their 1980 National Championships (their centenary year) and set for the European Brass Band Championships, the same year, at the Royal Albert Hall in London. Aotearoa was the name given to New Zealand by its Polynesian settlers whose first sight of the islands was a long, flat cloud lying low over the land. The work has no specific programme although many have seen pictures of the surging ocean in the opening bars. A faster dance-like section leads to a slow, haunting solo for soprano cornet; this is taken up by the whole band before earlier material returns. The dance-like tune is, this time, given a fugal treatment and the opening bars return to close the work.Philip Sparke was born in London and studied composition, trumpet and piano at the Royal College of Music, where he gained an ARCM. It was at the College that his interest in bands arose. He played in the College wind orchestra and also formed a brass band among the students, writing several works for both ensembles.At that time, his first published works appeared – Concert Prelude (brass band) and Gaudium (wind band). A growing interest in his music led to several commissions, his first major one being this featured piece for the Centennial Brass Band Championships in New Zealand – The Land of the Long White Cloud. He has written for brass band championships in New Zealand, Switzerland, Holland, Australia and the UK, including three times for the National Finals at the Royal Albert Hall.In September 2000, he was awarded the Iles Medal of the Worshipful Company of Musicians for his services to brass bands and in 2005 Music of the Spheres won the National Band Association/William D. Revelli Memorial Band Composition Contest. In 2011, he received the BUMA International Brass Award for his contribution to brass music.His conducting and adjudicating activities have taken him to most European countries, Scandinavia, Australia, New Zealand, Japan, Taiwan, South Korea, Canada and the USA. In May 2000, he took the major step of becoming a full-time composer by founding his own publishing company, Anglo Music Press. The company is devoted to publishing his brass band, concert band, fanfare band and instrumental publications as well as recordings dedicated to his latest works.

    Estimated delivery 12-14 days
  • £59.95

    Ballet for Band - Score & Parts - Joseph Horovitz

    Ballet for Band was written as the test-piece for the Championship section finals of the National Brass Band Championships, held at the Royal Albert Hall in October 1983.Although the work is not programmatic, within the space of ten minutes, the composer uses a form which might be considered to be the form of a ballet. Therefore there is a fanfare at the beginning which might be the overture, different characters appear, and scenes are quite clearly marked by, for instance, baritones or by muted trombone, although the listener is encouraged to use his own imagination.Thematically the work is tightly controlled, with the same material re-appearing in many different guises, as a flugel horn solo, as a waltz on the horns, and on the euphonium. Horovitz employs a rich harmonic pallet, but the work is most definitely rooted in a tonal language, with hints of Straussian richness later in the work.The work is notable for its middle section, in which the music gets slower and slower, providing a real test of control throughout the band.Ballet for Band was by no means Joseph Horovitz’s first work for the medium: his fine “Concerto for Euphonium and Band” is frequently played, and he has also written a cantata entitled “Samson” for choir and band.

    Estimated delivery 12-14 days