Results
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£60.00Music from the Royal Fireworks - G. F. Handel arr. Don Blakeson
Handel's Music For The Royal Fireworks was composed in 1749 to celebrate the signing of the Treaty of Aix-la-Chapelle and the end of the War of the Austrian Succession. The site chosen was the fashionable upper part of St. James Park, which was becoming known at that time as Green Park. The Green Park 'Machine', which housed the pyrotechnics was an elaborate affair adorned with "statues and other figures, festoons of flowers, and other lustres".It was announced that there would be some 10,000 rockets and other devices to be let off, all culminating in a grand, burning sun with 'Vivat Rex' at its centre. There were also rumours that the event was to be accompanied by an impressively large band of military music and mention was made of "40 trumpets, 20 french horns, 16 hautboys (oboes), 16 bassoons, 8 pairs of kettle drums, 12 side drums, a proper number of flutes and fifes; with 100 cannon to go off singly at intervals". It is unlikely that Handel had ever conceived such forces and it was merely the promoter's hyberbole, not least because it was unlikely that there were sufficient numbers of extra military musicians available that could read music, as most played from memory. It is also likely that Handel, and his publisher, were conscious that future performances would be hindered by such forces. The autographed score lists the instrumentation as 9 trumpets, 9 french horns, 24 hautboys, 12 bassoons, 3 pairs of kettle drums and up to 4 side drums.The work is in five movements, although Handel's original score did not indicate in which order they should be played. However, in this score they are arranged to be played as follows: Overture, Bouree, La Paix, Minuets I & II and La Rejouissance.Duration: c. 19 minutesDifficulty: Suitable ofr all
Estimated dispatch 5-7 working days
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£60.00Stories for Saroyan (Parts only) - Elgar Howarth
Stories for Saroyan was written for Robert Childs and has also been performed to great acclaim by his son David Childs. A concerto of stature, graced with the composer's hallmark scoring, intense passion, and enigma! The Saroyan of the title is the American author William Saroyan whose tales inspired the composition. Saroyan, who one the Pulitzer Prize and turned it down, became known for loosly structured, impressionistic plays and stories stressing his belief in people's basic innocence. Elgar Howarth has set the standard of modern brass arranging, and his original works feature largely in the Winwood Music catalogue
Estimated dispatch 5-7 working days
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£60.00Tangents (Score and Parts) - Stephen Bulla
Formed around a musical interpretation of the title, the motifs employed are derived from melodies and counterpoint that, with development, join into unisons but then separate. The music, which in places is reminiscent of the film music of Bernard Hermann, often takes the separating lines and transforms them into dramatic, often grotesque new material. Throughout, however, the original motif continues to make its presence felt, finally resolving into a massive unison scored for full band as the concluding note.
Estimated dispatch 5-7 working days
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£60.00Introduction and Allegro on a bass by Max Reger (Parts only) - Robert SImpson
The fourth work for brass band to come from Robert Simpson's pen has enriched the repertory still further. Introduction and Allegro on a Bass by Max Reger was composed between the end of June and the beginning of November 1986 at the request of Howard Snell and was commissioned by the Desford Colliery Dowty band. The Introduction is mainly mysterious and deliberate while the Allegro is full of energy. The Bass is question is taken from Reger's Fantasia and Fugue in D Minor, opus 135b, and at one point, near the end of the work, Reger's own treatment of the bass is used. The rest is pure Simpson. Duration: 16:00
Estimated dispatch 5-7 working days
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£60.00Montage (Score only) - Peter Graham
Each of the movements of the symphony take as their starting point forms originating in music of the 16th and 17th centuries. The first, an intrada, introduces the main thematic material (based on the interval of a minor third) in its embryonic state. As the piece progresses, this material is developed and manipulated in a variety of ways. The interval of the third remains central to the overall scheme of the work, even unifying the three movements on a tonal plane (I: F (minor); II: A flat (major); III: C flat (minor). The internal structure of the intrada is an arch form: ABCBA, roughly modelled on the first movement of Concerto for Orchestra by Witold Lutoslawski, to whose memory the movement is dedicated. A chaconne follows - the basic material now transformed into expansive solo lines underpinned by a recurring sequence of five chords (again, a third apart). The movement's structure combines both ternary form and golden section principles and the chaconne's continuous cycle of chords may be visualised as circles. The final movement, a rondo, bears the dramatic weight of the entire work, as the underlying tonal tensions surface. A musical journey ensues, making diversions through lyrical territories as well as through more spiky, jazz-flavoured ones. The aural (and visual) montage is perhaps most apparent towards the climax of the piece, where three keys and polyrhythms sound simultaneously in the upper brass, xylophone, horns, and timpani. The climax itself combines the lyrical music heard earlier with the rondo theme, now presented by cornets and trombones in canon. The teleological thrust of the movement (if not the entire work) can be symbolized by the flight of an arrow, as it steers a predetermined course towards its target. Duration: 16:00
Estimated dispatch 5-7 working days
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£60.00The Night To SIng (Score only) - Bramwell Tovey
The piece takes its inspiration from the VE Day celebrations of 1945. On 8 May 1945 the end of the war in Europe was celebrated in Great Britain. VE day (Victory in Europe day) gave rise to extraordinary public celebrations all over the country, from street parties to services of thanksgiving, to impromptu singing and community music-making. Contemporary reports mention Victorian ballads and Edwardian music hall songs, as well as the latest popular craze - the Conga. Festivities continued until dawn whereupon, finally surrendering to fatigue, the remnants of the crowd headed home on foot, long after the last bus. Some felt the celebrations to be inappropriate - much of Europe lay in ruins and war still raged in Asia. Almost everyone lamented the loss of somebody who had not survived. Duration: 16:50
Estimated dispatch 5-7 working days
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£60.00Richard III (Score only) - William Walton
It takes a special ability to compose film scores which serve the images perfectly yet translate into first class concert music. William Walton was such a talent as the continuing popularity of his brilliantly evocative film music shows. This suite presents a rich, vivid musical tapestry with all the drama of the original captured to perfection. Winwood Music are delighted to bring this music from Laurence Olivier's classic film to the brass band world in a fabulous arrangement by Edward Watson - so idiomatic that you'll think this is the original version! There are seven movements: 1. Prelude 2. Fanfare and Processional 3. Sound Drums and Trumpets & Recessional 4. Elegy 5. The Princes in the Tower 6. The Battle of Bosworth Field 7. Death of Richard and Finale
Estimated dispatch 5-7 working days
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£60.50
A Gallimaufry Suite - Harper, P
I - Fanfare & ThemeII - SongIII - HymnIV - Toccata & FinaleA Gallimaufry Suite consists of four movements, all thematically independent. Thefirst movement consists of a sparkling Fanfare followed by a stately Theme whichends quietly. The second movement is a Children's Song; quirky but cute, and theHymn which follows is a study in calm and tranquillity, featuring a quartet-groupof cornet, baritone, trombone and euphonium. The last movement is a virtuosicToccata which eventually begins to recall the other themes of the suite before agrand reprise of the first movement Theme brings the work to a dazzlingconclusion.Approximate duration: 11 minutes
In stock: Estimated dispatch 1-3 days
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£60.00
Antiphonary - Lane, L
The Berkeley Family antiphonary is a beautiful book of texts and chants dating back to 1457, and this piece traces an historical timeline of Berkeley Castle's history, incorporating Vivaldi arias from an opera discovered at the castle in 2002. The music has moments of hymn-like reflection as well as great triumph and features the flugel horn.1st section + Duration 6 mins This piece exists in three other formats - Symphonic brass, Brass ensemble, and Wind dectet and piano. For details of these orchestrations please visit Composers Edition
In stock: Estimated dispatch 1-3 days
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£60.00
Exterminate! - Harper, P
Included as part of Cory Band's Dr Who programmes of 2023, this piece is an exciting finale which taps into the spirit of Dr Who and the Daleks, whilst quoting from diabolical music from Liszt and Holst.Click here to listen to a short excerptChampionship SectionDuration 4 mins 30 seconds
In stock: Estimated dispatch 1-3 days
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