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  • £54.20

    Boogie Woogie Bugle Boy

    Closely based on an earlier Raye-Prince hit, 'Beat me daddy, eight to the bar', this song was a major hit for the Andrews Sisters becoming an iconic song of the Second World War.

    Estimated dispatch 7-14 working days
  • £29.95

    Judd: Christmas Joy

    A 'classic' Christmas march, played by bands the world over. If your band doesn't play it, you should be asking why not! A cleverly worked 'romp' through the Christmas tunes 'Hark the glad sound', 'Jingle Bells' and 'Wassail song'. Very accessible and great fun to play in a group of any size.

    Estimated dispatch 7-14 working days
  • £24.95

    A Great and Mighty Wonder (Brass Band - Score and Parts)

    Written for the International Staff Band to play at the Territorial Carol Concert at the Royal Albert Hall in December 2003, this is a bright selection of five Christmas carols from around the world.

    Estimated dispatch 7-14 working days
  • £49.99

    The Bandwagon (Brass Band - Score and Parts)

    Band director and radio presenter Yutaka Nishida hails from Tokyo and is the Frank Renton of the Japanese brass band world. He presents a weekly two-hour music programme on the Japanese national radio station, Digital Radio Musicbird. The programme is called The Bandwagon and the station commissioned Philip Sparke to compose a march, which could be used as the theme tune. The result is this bright and breezy march in simple ABA form. A great lively item for any concert.

    Estimated dispatch 7-14 working days
  • £24.95

    Shine Down (Brass Band - Score and Parts)

    This up-tempo song has been featured by the contemporary Christian artist Sandi Patti. It speaks of the real hope that Jesus can provide in the world today.

    Estimated dispatch 7-14 working days
  • £64.95

    A Disney Spectacular

    Includes: Be Our Guest; Beauty and the Beast; Bella Notte (This is the Night); Bibbidi-Bobbidi-Boo; A Spoonful of Sugar; Under the Sea; A Whole New World.

    Estimated dispatch 7-14 working days
  • £94.95

    The Maunsell Forts (Score and Parts)

    The Maunsell Sea Forts are military defence structures from the Second World War, designed and built under the supervision of Guy Maunsell. There were three in Liverpool Bay, not far from Hilbre Island and now no longer extant, and five in the Thames E

    Estimated dispatch 7-14 working days
  • £49.95

    The Maunsell Forts (Score Only)

    The Maunsell Sea Forts are military defence structures from the Second World War, designed and built under the supervision of Guy Maunsell. There were three in Liverpool Bay, not far from Hilbre Island and now no longer extant, and five in the Thames E

    Estimated dispatch 7-14 working days
  • £95.00

    Tenor Horn Concerto 'Three Gods' (Tenor Horn Solo with Brass Band - Score and Parts)

    Edward Gregson's Tenor Horn Concerto (Three Gods) was commissioned by the Belgian tenor horn soloist Tim de Maeseneer for a recording of commissioned works he made in 2024 with his own band, Brass Band Willebroek.The subtitle of 'Three Gods' refers to three mythological Greek Gods: Zeus, Hermes and Apollo. The idea for this came from Gregson's Viola Concerto, which he composed in 2023 and which was similarly subtitled 'Three Goddesses'. Indeed, the first movement of the horn concerto shares some common material with the viola concerto, although the other movements are newly composed.The concerto exploits the noble character of the horn, but the writing is also virtuosic in character as well as lyrical and melodic, demanding an extended playing range of nearly four octaves with a variety of colouration in its sonorities. The unifying motif of the whole concerto is the interval of a rising 5th, heard at the outset. The opening also has some other surprises (both seen and heard).The musical ideas, cast in three separate movements, take their starting point from the characters of the Three Gods in the title:Zeus, ruled as King of the Gods on Mount Olympus, and was the God of Thunder and Lightning and of War. His music is often threatening and violent, but also has a more tender side as portrayed in the lyrical second subject. However, the dominant mood is one of foreboding.Hermes was the great messenger to the Gods who could travel between realms on his winged sandals. Thus, his music is fast, fleet of foot, and mercurial - a dashing scherzo, but with lyrical and expressive moments.Apollo, the God of Music and Dance (and the Sun), symbolises virtue and beauty. This final movement, 'Hymn to Apollo', is mainly slow and hymn-like and cast in a continuous stream of melody passed between soloist and band. Brief fanfares herald a triumphant march, before the music returns to its quiet opening, gradually rising to a triumphant climax with glittering melodic percussion leading the way. The music ends in a blaze of glory!Duration: 17.00

    Estimated dispatch 7-14 working days
  • £15.00

    Harrison's Dream (Brass Band - Study Score)

    At 8.00pm on the 22nd of October 1707, the Association, flagship of the Royal Navy, struck rocks off the Scilly Isles with the loss of the entire crew. Throughout the rest of the evening the remaining three ships in the fleet suffered the same fate. Only 26 of the original 1,647 crew members survived. This disaster was a direct result of an inability to calculate longitude, the most pressing scientific problem of the time. It pushed the longitude question to the forefront of the national consciousness and precipitated the Longitude Act. Parliament funded a prize of �20,000 to anyone whose method or device would solve the dilemma. For carpenter and self-taught clockmaker John Harrison, this was the beginning of a 40 year obsession. To calculate longitude it is necessary to know the time aboard ship and at the home port or place of known longitude, at precisely the same moment. Harrison's dream was to build a clock so accurate that this calculation could be made, an audacious feat of engineering. This work reflects on aspects of this epic tale, brilliantly brought to life in Dava Sobel's book Longitude. Much of the music is mechanistic in tone and is constructed along precise mathematical and metrical lines. The heart of the work however is human - the attraction of the �20,000 prize is often cited as Harrison's motivation. However, the realisation that countless lives depended on a solution was one which haunted Harrison. The emotional core of the music reflects on this, and in particular the evening of 22ndOctober 1707. Peter GrahamCheshireJuly 2000

    Estimated dispatch 7-14 working days