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£22.50Princethorpe Variations (Brass Band - Score only) - Downie, Kenneth
Colourful harmony, rhythmic flair and melodic invention are the hallmarks of this excellent set of variations by Kenneth Downie, based on the well known church tune, Princethorpe.This major work demonstrates the well-known characteristics of the composer: colourful harmony, rhythmic flair and melodic invention, all encapsulated in scoring which is engulfing both to players and listeners alike. Following a presentation of the theme there are five variations culminating in what can be described as either a finale or coda.Theme. The composer shows his originality in the harmonic sense of this introduction. Perhaps it could be suggested that over-indulgence of rubato may be a temptation to be avoided.Sections A to F. Relentless rhythmic drive is of paramount importance in this first variation. Conscientious observance of dynamics is of course an essential requirement in conveying the exciting quality of the music; there are moments of sudden contrast of which all will need to be aware. Moving between the time-signatures of 5/4 and 6/4 these sections are built from strong easily-identifiable fragments of the theme. These is a significant increase in temp at letter F which will further the exciting impact of the music.Sections G & H. In a pastorale style this short, gentle variation affords a contrast in style between the previous and succeeding ones. The gentle undulating character of the melodic lines is governed by the Allegretto grazioso directive.Sections I to M. Commencing two bars before letter I the music is now exuberant and the tempo and style is that of a march in compound time. In this exhilarating movement there are moments of contrast and indeed of delicacy which are a foil to the more energetic moments. Rhythmic control will be essential to maintain a consistent tempo. As elsewhere in the work, the percussion section will contribute much to the success of the performance there are bars where this section alone is heard and there are important entries for glockenspiel.Sections N & O. With emotional content this Adagio variation has the first two notes of the melody as its melodic impetus. Apart from just over two bars at O (where there is an interpolatory phrase from Cornets and Trombones), the melodic line is entrusted to the plaintive sounds of the horn section. Cornets and Trombones provide a change of tone colour at the beginning of section O. Under a poco rall, this very expressive variation is concluded; there is an important link supplied by Eb Bass.Sections P & Q. A lively march-tempo is launched immediately and these sections are in the nature of an introduction to the final variations. There is a quickening of pace at Q which assists the generation of excitement which should be an essential part of the performance. Solo Cornets introduce a melodic line at Q which anticipates the compound time of the following section.Sections R & S. The Solo Cornet theme of the previous section is now a contrapuntal line accompanying the theme tune. With an elongation of the notes in the melody, the conductor will need to call on the sustaining powers of the band and at no time should the interesting accompanying lines be allowed to detract from the sonorous presentation of the basic theme.Sections T, U & V. Following a poco rit, the finale begins at letter T with the directive, molto vivace. There is much detail to be rehearsed, not least being the dynamic contrasts which are encountered. As throughout the work, the listener should have no difficulty in identifying the thematic sources of the composer's music.
Estimated dispatch 7-14 working days
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£45.00Bathgate Hills Trilogy - Andrew Duncan
Composed by Andrew Duncan and written for the West Lothian Schools Band, A Bathgate Hills Trilogy is in three movements, each one dedicated to and representing a different hill.Comments from the composer:Movement 1 - Dechmont LawThe first movement describes the peculiar events which took place in November 1979 when a forestry worker, Bob Taylor, had a close encounter with an alien spacecraft in Dechmont Woods at the bottom of Dechmont Hill. Bob Taylor's account from the time describes a large sphere like object about twenty feet across which pulled him by the legs towards it, caustic smoke then caused him to pass out. He awoke a short time later in the same spot but the spaceship had gone leaving behind marks in the soil. His story caused a great deal of media interest and a great deal of excitement in the local community.Movement 2 - The Knock HillThe Term 'Knock' is Scottish Gaelic for 'hill' and the Knock Hill is the highest peak in the Bathgate Hills being 305 metres above Sea Level. On a clear day the Knock hill has excellent views of the Bass Rock to the East and the distant hills of Arran to the West as well as of the whole of West Lothian and across the Firth of Forth to Fife and beyond to the North.The second movement is a description of a leisurely walk to the summit of this hill and the enjoyment of a pleasant summer's day spent walking and taking in the beautiful panoramic views. However, as is the case with the Scottish Summer, a change in the weather finds a clear blue sky being replaced with dark rain clouds. The changed weather brings a sudden brief but unwelcome cold downpour of rain, drenching anyone out walking! Finally, the clouds pass and the more pleasant summer weather returns.Movement 3 - Cairnpapple HillCairnpapple Hill is a near neighbour of the Knock Hill. It is almost as high but interest in Cairnpapple Hill lies in the outstanding archaeological monument near the summit, an Iron Age burial chamber. The chamber dates back to 25 years BC and was built by a mysterious people known as the Beaker People (so called because they left behind a number of large earthenware beakers). The mysteries of Cairnpapple Hill have always been a source of fascination for me ever since first visiting the hill as a school child.The third movement describes the lives of the Beaker People. The landscape they would have looked out on would have been mostly dense forest which would have contained many perils including dangerous wolves and bears. Life was harsh and short for the Beaker People and they would always have been close to danger and to death. The average life expectancy for the Beaker People was only 31 years of age. The summit of the hill would have been clear of forest and would have afforded the Beaker People some protection as they could see all around the near countryside enabling them to keep a watchful lookout for their enemies - both animal and human!
In Stock: Estimated dispatch 3-5 working days
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£159.99Omaggio - Philip Sparke
Omaggio was commissioned by Steven Mead in celebration of his 60th birthday and in memory of his father, Rex. He gave the premiere of the brass band version in Rome in March 2022, accompanied by the Italian Brass Band conducted by Filippo Cangiamilla. The concert band premiere took place on 6th July that year as part of the 2022 Spanish International Tuba Euphonium Conference, accompanied by the Banda municipal de musica de Malaga. The concerto is set in 3 continuous movements, which are united by a recurring syncopated interval of a fifth. The first movement, FANTASIA, opens with this motive accompanying an extended monologue for the soloist. This is followed by a lengthy bridge passage by the band (piano), which is eventually joined by the soloist, who guides the music back to the opening soliloquy, leading to an energetic central section. This develops until the opening material again returns to introduce the second movement, BALLAD, which revolves around an expressive melody for the soloist, interspersed by accompanied cadenzas. The third movement, THE KING TRIUMPHANT, pays homage to Steven's late father, Rex, and its title alludes both to Rex's name ('Rex' being Latin for 'king') as well as his love of Eric Ball's Salvationist masterpiece, The Kingdom Triumphant. The finale is an energetic tour-de-force featuring an acrobatic 6/8 melody, which is interrupted twice by the magnificent hymn tune, Helmsley, which Ball uses so effectively in The Kingdom Triumphant. A galloping coda brings the work to a close.
Estimated dispatch 5-14 working days
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£54.99Hypernikon - Jan van der Roost
The Greek word 'hypernikon' roughly translates as 'More Than Conquerors', the motto of Gordon College in Wenham, Massachusetts - the commissioner of this piece. The work is inspired by David Rox's very own name - the first two letters of his name, D and A, sets the first theme is in D major, with these notes being the tonic and dominant of the scale. After the stately intrada, the tempo accelerates and the festive feel of the march emerges. The trio melody serves as a beautiful contrast before finally ending with the opening theme in a grand tutti.
Estimated dispatch 5-14 working days
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£115.60In Charge - Concert March - Jerker Johansson
In Charge was commissioned by the Home Guard Band of Eksjo to honour Thomas Samuelsson, whose efforts with the orchestra have been of great significance. He was a driving person within Swedish military music and furthermore project manager for Eksjo International Tattoo. Thomas worked at Eksjo Energy and the title of this work hints both to his occupation and his administrative leadership in the band. The first part of this concert march concentrates a lot on syncopation, while the second part is more robust with a traditional and lyrical trio part. In Charge was premiered by the Home Guard Band of Eksjo on the 22th of December 2018, conducted by Maria Sandberg.
Estimated dispatch 5-14 working days
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£109.99Suite Celebration - Bruce Fraser
Bruce Fraser composed this test piece for the 'Gouden Spiker Festival' 2003 (The Netherlands). Suite Celebration was inspired by events in his recent family life. The first movement celebrates the marriage of his daughter and reflects her bubbly personality and vitality. The melodies and harmonies of the whole work are based on a note row which came up during a discussion with the publisher. The second movement celebrates the birth of his grand-daughter 'Rebecca Aileen' and takes the form of a ballad featuring expressive opportunities for the soloists. The final movement is more of a look into the future and hope of success and a good life for hisfamily. Who knows what is coming?
Estimated dispatch 5-14 working days
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£115.60Minnen fran Holmen - Jerker Johansson
The first theme was written the summer 1997 when Jerker Johansson was composing in Swedish folk music style for an intended radio programme in which his father should participate reading poems in local dialect. Unfortunately, the project was discontinued. In the spring 2015 Mr. Johansson however started to work on the theme again, this time adding a song theme of broader character. Holmen is the name of the homestead where Mr. Johansson's father Arne grew up. It is beautifully located in the parish of Skarv, situated east of Skara, one of the oldest towns in Sweden. At Holmen, the composer spent his childhood summers and his recollections are filled with many bright moments andhappy memories. The piece was premiered May 22, 2015 by the Goteborg Wind Orchestra conducted by the composer.
Estimated dispatch 5-14 working days
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£33.91Bagatelle No.25 in A Minor - Fur Elise (Brass Band) Beethoven arr. Olaf Ritman
Perhaps the most well-known piano piece by Ludwig van Beethoven, Bagatelle No. 25 in A Minor (written around 1810) is better known under its subtitle 'Fur Elise'. Even to this day it is still unknown who Elise was, with at least four theories claiming to tell the story. It might have been one of Beethoven's students or Therese Malfatti, a young lady who got much attention from him. The theory is that Beethoven's autograph Ludwig Nohl could not decipher his handwriting and might have read Elise instead of Therese. Nevertheless the piece has become extremely popular over the last two centuries and is often the very first real classical piece a beginner pianist goes to. Many classical pieces have been transcribed in contemporary fashion for brass bands in recent times, with Toccata in D Minor by J.S. Bach arranged by Ray Farr being the most popular and more recently Vivaldi's first part of Winter from The Four Seasons arranged by Philip Harper. This arrangement of Fur Elise fits in this series perfectly and seeks to bring a smile to its listeners. The last two bars are a direct tribute to Ray Farr's aforementioned arrangement of Toccata. To view a video of the Amsterdam Staff Band performing the work please visit https://www.youtube.com/watch?v=sdLI7U-aplw Duration: 3.15 minutes approx. Difficulty Level: 2nd Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£15.08Finale from Symphony No.3 (Organ Symphony) (Brass Band) Additional Parts
Saint-Saens' magnificent Finale from Symphony No.3 (widely known as the 'Organ Symphony') has here been arranged for brass band with optional organ by Kevin Norbury. It was recorded by The International Staff Band on its CD Manuscripts, although this version has been revised in places. Saint-Saens decided to add the organ and piano to his 3rd symphony as a pragmatic orchestration innovation. The composition of this symphony was probably started in 1885 and a first draft was completed in Prague in 1886. Saint-Saens later recalled its eventful genesis: 'The Symphony in C was three-quarters sketched out when I found it impossible to write the finale. I did not know how to resolve this situation, until one night I suddenly woke up and, in a sort of hallucination, I heard the whole finale, which I hastily wrote down in outline, knowing that if I went back to sleep without having put anything on paper, I would have forgotten it all the next day.' The symphony was first performed under the composer's direction at Saint James's Hall in London on May 19, 1886. This arrangement by Kevin Norbury can both function as a stand-alone brass band piece, and be performed with an organ by omitting the notes found in square brackets in the parts and score. To view a rolling score video please visit www.youtube.com/watch?v=OlUd_FppBY8 PDF download includes additional parts as listed below. Full set including score available here. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 1st Section + Length: 8.30 mins. Alternative Parts included in this download: Solo Horn F 1st Horn F 2nd Horn F 1st Baritone B.C. 2nd Baritone B.C. 1st Trombone B.C. 2nd Trombone B.C. Euphonium B.C. Tuba 1 B.C. (Bass Eb equivalent) Tuba 2 B.C. (Bass Bb equivalent)
In Stock: Estimated dispatch 1-3 working days
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£48.99
Finale from Symphony No.3 (Organ Symphony) (Brass Band) Saint-Saens arr. Norbury
Saint-Saens' magnificent Finale from Symphony No.3 (widely known as the 'Organ Symphony') has here been arranged for brass band with optional organ by Kevin Norbury. It was recorded by The International Staff Band on its CD Manuscripts, although this version has been revised in places. Saint-Saens decided to add the organ and piano to his 3rd symphony as a pragmatic orchestration innovation. The composition of this symphony was probably started in 1885 and a first draft was completed in Prague in 1886. Saint-Saens later recalled its eventful genesis: 'The Symphony in C was three-quarters sketched out when I found it impossible to write the finale. I did not know how to resolve this situation, until one night I suddenly woke up and, in a sort of hallucination, I heard the whole finale, which I hastily wrote down in outline, knowing that if I went back to sleep without having put anything on paper, I would have forgotten it all the next day.' The symphony was first performed under the composer's direction at Saint James's Hall in London on May 19, 1886. This arrangement by Kevin Norbury can both function as a stand-alone brass band piece, and be performed with an organ by omitting the notes found in square brackets in the parts and score. To view a rolling score video please visit www.youtube.com/watch?v=OlUd_FppBY8 PDF download includes score and parts. Additional parts (Horn in F and Baritone, Trombone, Euphonium & Tuba in Bass Clef) available here. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 1st Section + Length: 8.30 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Glockenspiel Percussion Organ (optional)
In Stock: Estimated dispatch 1-3 working days
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