This traditional carol is arranged for band and chorus with optional bell choir. It was designed - and has been used effectively in this way - as a short encore to a Christmas concert. It is possible to invite the audience to join the final chorus (letter C).The publisher permits the user to copy as many Choir and Bell Choir parts as necessary.Estimated delivery 12-14 days
Explore different settings of the Medieval Latin carol "In Dulci Jubilo" via this solid arrangement by James Curnow. Opening with an exquisite "Brass Choir" section a la Michael Praetorius (1571-1621) and progressing through a "Woodwind Choir" section in the later J.S.Bach style, WITH SWEET JUBILATION is wonderful "style study" material. The grace of the early masters and the clearly focused unifying concept of the arrangement by James Curnow combine to make this addition to the Curnow Music Press "Splendor of Christmas Series" a wonderful holiday experience for the young band.Estimated delivery 10-12 days
Brass Band Set - With optional Choir. Chorus parts (SATB or TTBB with Piano) are available separately.Estimated delivery 12-14 days
An Age of Kings (Mezzo-Soprano Solo with Brass Band and optional choir - Score and Parts) - Gregson, Edward
The origins of this work date back to 1988, when I was commissioned by the Royal Shakespeare Company to write the music for The Plantagenets trilogy, directed by Adrian Noble in Stratford-upon-Avon. These plays take us from the death of Henry V to the death of Richard III. Later, in 1991, I wrote the music for Henry IV parts 1 and 2, again in Stratford. All of these plays are concerned with the struggle for the throne, and they portray one of the most turbulent periods in the history of the British monarchy.Much of the music used in these productions was adapted into two large symphonic suites for wind band – The Sword and the Crown (1991) and The Kings Go Forth (1996). An Age of Kings is a new version for brass band incorporating music from both the symphonic suites for wind band. It was specially composed for a recording made by the Black Dyke Band, conducted by Nicholas Childs, in 2004.An Age of Kings is music on a large-scale canvas, scored for augmented brass band, with the addition of harp, piano, mezzo-soprano solo, male chorus, as well as two off-stage trumpets. The music is also organized on a large-scale structure, in three movements, which play without a break – “Church and State”, “At the Welsh Court”, and “Battle Music and Hymn of Thanksgiving”.The first movement, “Church and State”, opens with a brief fanfare for two antiphonal trumpets (off-stage), but this only acts as a preface to a Requiem aeternam (the death of Henry V) before changing mood to the English army on the march to France; this subsides into a French victory march, but with the English army music returning in counterpoint. A brief reminder of the Requiem music leads to the triumphal music for Richard Plantagenet, Duke of York, father of Edward IV and Richard III (the opening fanfare transformed). However, the mood changes dramatically once again, with the horrors of war being portrayed in the darkly-drawn Dies Irae and Dance of Death, leading to the final section of the first movement, a funeral march for Henry VI.The second movement, “At the Welsh Court”, takes music from the Welsh Court in Henry IV part 1 with a simple Welsh folk tune sung by mezzo-soprano to the inevitable accompaniment of a harp. This love song is interrupted by distant fanfares, forewarning of battles to come. However, the folk song returns with variation in the musical fabric. The movement ends as it began with off-stage horn and gentle percussion.The final movement, “Battle Music and Hymn of Thanksgiving“, starts with two sets of antiphonally placed timpani, drums and tam-tam, portraying the ‘war machine’ and savagery of battle. Trumpet fanfares and horn calls herald an heroic battle theme which, by the end of the movement, transforms itself into a triumphant hymn for Henry IV’s defeat of the rebellious forces.- Edward GregsonDuration - 22'00"Optional TTBB available separately.Estimated delivery 12-14 days
This famous song by English singer and composer John Miles was released for the first time in 1976 on his album "Rebel".The song is Miles' biggest hit to date, peaking the charts in England and several other European countries.This arrangement was performed on the Norwegian Military Tattoo 2016 by singer Knut Anders Sorum with The Staff Band of the Norwegian Armed Forces conducted by Lars Erik Gudim.
First published for SATB choir in 1983, the majestic feel of the melody gave the arranger the idea of featuring it for trombones, demonstrating the tender qualities of the section.Estimated delivery 12-14 days
TTBB. Compatible with Brass Band edition.Estimated delivery 12-14 days
25 copies of TTBB. Compatible with Brass Band edition.Estimated delivery 12-14 days
Lullaby - Barrat-Jenkins (arr. Kevin Van Giel) - 3'50'' - BVT035 WITH CHOIR (SATB) Oorspronkelijk uit de suite 'A Celebration of Christmas', op muziek van Karl Jenkins en woorden door Carol Barratt. Dit stuk is een eenvoudige maar zeer effectieve meditatie voor uw kerstconcert! Voor koor en orkest. Originally from 'A Celebration of Christmas', music by Karl Jenkins and words by Carol Barratt. This piece is a simple but highly effective meditation for your Christmas concert! For choir and band.Estimated delivery 10-14 days
Peterborough Mass comprises 5 Movements, Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei. It was composed by Jeremy Cladd who became Head Chorister during his teenage years?at Peterborough Cathedral. Total immersion in the music within such an inspiring building caused Jeremy to look deeper into the liturgical aspects of the Mass in order to understand the origins of the literary text being sung, so that he could paint a musical landscape based upon his interpretation of the text. From a musical perspective, Jeremy's Kyrie takes its inspiration from Philippians 2 vv1-11 (NIV) "Imitating Christ's Humility", and is structured AB where A refers to humility and submission "lord have mercy" and B relates to "united with Christ", with the latter evoking feelings of salvation and joy. In sympathy with the literary text, the Kyrie has a short introduction, and then a ternary form ABA structure where A is influenced by polyphonic choral writing and B by homophonic choral writing. This is the first of the five Movements to be arranged for Brass Band with Choir and comprises a full brass band score, parts for all instruments and a choral practice score.