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£24.50In Flanders Fields - Gavin Somerset
Many are familiar with the ever popular poem, 'In Flanders Fields' written by Lieutenant Colonel John McCrae during the first World War. The poem tells of the fields strewn with crosses where fallen soldiers had been laid to rest. The opening stanza states 'In Flanders fields the poppies blow, Between the crosses, row on row,'. These words form the foundation on which this music was composed. The music pulls on the varying emotions one might feel if you journeyed through the fields and will leave your audience in little doubt of the sadness, bravery and honour, which those who fell in the Great War endured. Also Available for Wind Band
In Stock: Estimated dispatch 1-3 working days
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£45.33Boreas: The North Wind (Brass Band) Derek Jenkins
Boreas was an ancient Greek deity personifying the north wind. He was a winged god of ruthless disposition, which was rivaled only by the harsh wintry winds at his command. Boreas fell in love with Orithyia, the King's daughter. Contrary to his genuine nature, he attempted to woo her with sweet words of devotion. His efforts were in vain, and Orithyia failed to yield to his advances. With this rejection, Boreas's temper flared and he, once again, was overcome by his icy and merciless nature. Like Boreas, this work begins with slow, lyrical lines that quickly fade into an unrelenting fury of anger. Moments reminiscent of Boreas's words of affection appear, but they are quickly washed away as the piece escalates. This arrangement was written for Joseph Parisi and the Fountain City Brass Band as a small token of thanks. The original version for wind ensemble was commissioned by and written for Timothy Shade and the Bethel College Wind Ensemble. To view a video of Diamond Brass Band performing the work please visit: www.youtube.com/watch?v=Co4oreV7Hm4 Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 2nd Section + Instrumentation: 1 Soprano Cornet (Eb) 9 Cornets (Bb) 1 Flugelhorn 3 Tenor Horns (Eb) 2 Baritones (Bb) 2 Trombones (Bb) 1 Bass Trombone 2 Euphoniums (Bb) 2 Basses (Eb) 2 Basses (Bb) 4 Percussion
In Stock: Estimated dispatch 1-3 working days
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£30.21Beaufort Fanfare (Brass Band) Friedrich Gattermann
Beaufort Fanfare, by German composer Friedrich Gattermann, is a dynamic and vibrant musical work inspired by the Beaufort scale, a system for estimating wind speeds. Originally composed for brass ensemble and percussion, it was created to showcase Orchestral Tools' Beaufort Brass sample library, recorded at the iconic AIR Studios in London. Here it has been set for brass band. A central element of Beaufort Fanfare is its exploration of musical density. The piece begins with a single motif and gradually builds in complexity and richness, reflecting the increasing strength of the wind. As it progresses, the music intensifies, with the development of density playing a crucial role in conveying the evolving character of the elements. Through intricate brass harmonies and rhythmic drive, Beaufort Fanfare captures both the awe-inspiring beauty and raw power of nature. More than just an auditory experience, this composition takes the listener on a journey through the elements, celebrating the force of wind in all its forms. To view a rolling score video of the work please visit www.youtube.com/watch?v=vdiIIERMSDY Duration: 2.15 minutes approx. Difficulty Level: 1st Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet 1-3 Bb Solo Cornet 2-4 Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£34.95Of Wind & Weeping - Christopher Bond
The relationship between Achilles and Patroclus is a key element of the myths associated with the Trojan war.. Its exact nature has been a subject of dispute in both the classical period and modern times. In the lliad, the two heroes have a deep and meaningful friendship. Achilles is tender towards Patroclus, while he is callous and arrogant towards others. Of Wind & Weeping (2015) is a flugel solo, with the soloist representing Greek warrior Achilles and the pain he faces following the death of Patroclus. For a brief moment, Achilles' character shifts from a strong and unbreakable warrior to an emotional and vulnerable character. The solo should be played with expression and feeling, a character who is mourning a loved one with mixed feelings of sadness, shock and vengeance. The work was written in early 2015 for flugel soloist David James and Tongwynlais Temperance Band, with whom he is a member.
Publisher Closed for Holidays. Estimated Dispatch 22nd August
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£30.00Repton (Sir Hubert Parry arr. by David Grace) - Brass Band Sheet Music Full Score & Parts - LM557
COMPOSER: Sir Hubert ParryARRANGER: David Grace"Dear Lord and Father of Mankind" is ahymnwith words taken from a longer poem, "The Brewing of Soma" by AmericanQuakerpoetJohn Greenleaf Whittier. The adaptation was made byGarrett Horderin his 1884Congregational Hymns.In many countries the hymn is most usually sung to thetune"Repton" byHubert Parry; however, in the United States, the prevalent tune is "Rest" byFrederick Charles Maker.The text set appears below. Some hymnal editors omit the fourth stanza or resequence the stanza so that the fifth stanza as printed here comes last.If sung to Parry's tune, "Repton", the last line of each stanza is repeated.It is often customary, when singing the final stanza as printed here, to gradually sing louder from "Let sense be dumb...", reaching a crescendo on "...the earthquake, wind and fire", before then singing the last line "O still, small voice of calm" much more softly.Dear Lord and Father of mankind,Forgive our foolish ways!Reclothe us in our rightful mind,In purer lives Thy service find,In deeper reverence, praise.In simple trust like theirs who heardBeside the Syrian seaThe gracious calling of the Lord,Let us, like them, without a wordRise up and follow Thee.O Sabbath rest by Galilee!O calm of hills above,Where Jesus knelt to share with TheeThe silence of eternityInterpreted by love!With that deep hush subduing allOur words and works that drownThe tender whisper of Thy call,As noiseless let Thy blessing fallAs fell Thy manna down.Drop Thy still dews of quietness,Till all our strivings cease;Take from our souls the strain and stress,And let our ordered lives confessThe beauty of Thy peace.Breathe through the heats of our desireThy coolness and Thy balm;Let sense be dumb, let flesh retire;Speak through the earthquake, wind, and fire,O still, small voice of calm.
In Stock: Estimated dispatch 3-5 working days
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£60.99Candle in the Wind (Brass Band - Score and Parts) - John & Taupin - Campbell, Don
Candle in the Wind, the song Elton John originally wrote and dedicated to Marilyn Monroe, achieved worldwide fame when a special version was played at the funeral of Princess Diana. This arrangement by Don Campbell retains all the beauty of the original and will fit into any concert programme.Duration: 2.45
Estimated dispatch 7-14 working days
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£34.95Of Wind and Weeping (Flugel Horn Solo)
Flugel Horn Solo with Brass BandThe relationship between Achilles and Patroclus is a key element of the myths associated with the Trojan war.. Its exact nature has been a subject of dispute in both the classical period and modern times. In the Iliad, the two heroes have a deep and meaningful friendship. Achilles is tender towards Patroclus, while he is callous and arrogant towards others.Of Wind & Weeping (2015) is a flugel solo, with the soloist representing Greek warrior Achilles and the pain he faces following the death of Patroclus. For a brief moment, Achilles' character shifts from a strong and unbreakable warrior to an emotional and vulnerable character. The solo should be played with expression and feeling, a character who is mourning a loved one with mixed feelings of sadness, shock and vengeance.The work was written in early 2015 for flugel soloist David James and Tongwynlais Temperance Band, with whom he is a member.
Estimated dispatch 7-14 working days
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£60.44We Seven (Brass Band) Derek Jenkins
We Seven, the title of this work, comes from a book by the same name written by the United States's first astronauts. The composer writes: 'In 1959, the United States entered the space race by starting a programme whose main aims included sending a solo astronaut into space and recovering him safely. Project Mercury, as this programme was so called, recruited the first seven American astronauts and successfully sent six of them into space. These men were Scott Carpenter, Gordon Cooper, John Glenn, Gus Grissom, Wally Schirra, Alan Shepard, and Deke Slayton, and collectively they became known as the 'Mercury Seven.' Through their efforts and those of countless others, the United States Space Program accomplished much with these six flights, including successfully sending an astronaut into space, putting a man in orbit, and keeping him up there for more than 24 hours. In 1962, shortly after Glenn and Carpenter's orbital flights, the 'Mercury Seven' co-wrote the book We Seven and throughout it, the astronauts discuss the events leading from their selection into the programme up through Carpenter's flight in May of 1962. The primary material for the work comes from two sources: the use of musical cryptograms to encode the astronauts names and initials into pitches and the aria 'Un bel di vedremo' from Giacomo Puccini's opera, Madame Butterfly. The inclusion of the latter comes directly from one of Glenn's chapters in the book. Together with a couple of the other astronauts, he would often listen to the opera to unwind from a long day of training. I would like to think that as he was orbiting the Earth that this opera, particularly this aria, would be running through his mind.' This work commemorates the Project Mercury on the 50th anniversary of its conclusion and was written for Joseph Parisi and the University of Missouri-Kansas City Wind Ensemble. This version for brass band has been prepared by the composer for the Fountain City Brass Band. To view a video of Fountain City Brass Band performing the work please visit: www.youtube.com/watch?v=yD3sBWhGkOo Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 1st Section + Instrumentation: 1 Soprano Cornet (Eb) 9 Cornets (Bb) [Both 3rd Cornets double Crystal Glasses] 1 Flugelhorn 3 Tenor Horns (Eb) [2nd Horn doubles Crystal Glasses] 2 Baritones (Bb) 2 Trombones (Bb) 1 Bass Trombone 2 Euphoniums (Bb) 2 Basses (Eb) 2 Basses (Bb) 4 Percussion
In Stock: Estimated dispatch 1-3 working days
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£67.50Columbus (Brass Band - Score and Parts) - Deleruyelle, Thierry
Columbus is a brilliant and dynamic overture for brass band, with a soft and melodious central passage. In addition to the many American towns that hold the name, Columbus is a European space laboratory that is part of the International Space Station. Launched in 2008 by the American space shuttle Atlantis, it makes it possible to carry out continuous scientific experiments in fundamental physics, life sciences, fluid physics, etc. Several hundred experiments take place within Columbus every year. Commissioned by the Brass Band Bourgueillois, this piece celebrates the 10th anniversary of the launch of the band at the instigation of its conductor, Michal Auclert. The ensemble brings together musicians from the various wind bands of the Bourgueillois region and beyond. Thus, just like the space laboratory that inspired this work, the Brass Band Bourgueillois also serves as a laboratory, albeit a musical one, within a territory that is discovering this ensemble and its original repertoire.Duration: 5.15
Estimated dispatch 7-14 working days
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£33.99Les Chasseresses from 'Sylvia' (Brass Band) Delibes arr. Rob Bushnell
Clement Philibert Leo Delibes was a French composer, best known for his ballets and operas, including works such as Lakme (with its famous "Flower Duet"), Coppelia and Sylvia (both key works in the development of modern ballet). The latter started as a play, Aminta, by the Italian poet Torquato Tasso, which Delibes set to music. It was then adapted for the Paris Opera with rehearsals starting in August 1875. The premiere took place on 14 June 1876 and was the first ballet to be shown at the newly-built Opera Garnier. Whilst the scenery and costumes were created by top artists and designers (Cheret and Lacoste), it was Delibes's music that shown thrown, being said to have saved the production, preventing the ballet from drifting into obscurity.Sylvia is said to be one of the first modern ballets, with Tchaikovsky remarking to composer Sergei Taneyev upon its ingenuity: "... the first ballet, where the music constitutes not only the main, but the only interest. What charm, what elegance, what richness of melody, rhythm, harmony." Although Swan Lake, a contemporary to Sylvia, is considered one of the best ballets there is, Tchaikovsky preferred Sylvia to his own work, saying Swan Lake was "poor stuff in comparison". Tchaikovsky said to Taneyev, "I was ashamed. If I had known this music early then, of course, I would not have written Swan Lake". The music to Sylvia, rather than setting only the mood, also sets the action and is noted for its use of leitmotifs - Delibes was an admirer of Wagner - and more dominant use of brass and wind. The most famous piece from this ballet is the Pizzicati in the third act.Act I of the ballet takes place in sacred wood, where creatures are worshipping before Eros when Sylvia arrives with her huntresses to mock the god of love. Aminta, a lowly shepherd and infatuated with Sylvia, protects the deity and Sylvia is wounded by Eros's arrow. The hunter Orion kidnaps Sylvia, whilst Eros revives Aminta. Act II takes place in Orion's Island cave, where Sylvia tries to bribe Orion with jewels and wine. Unsuccessful, she appeals to Eros for help, who arrives and takes her to the temple of Diana (where the final act takes place). Orion and Aminta fight, Sylvia and Orion cause the goddess of the hunt, Diana, to be outraged, smiting Orion and denying the love of Aminta and Sylvia. Eros shows Diana a vision, which changes her mind and the couple finally come together.This brilliant and lively fanfare that introduces the huntresses in the first act is arranged here for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. The piece has been lowered by a tone compared to the original. A recording of the original composition can be found here https://youtu.be/6yoGrUH38PI?si=0L0bFa1qXnYNvkR3 Duration: Approx. 3.10 minutes Difficulty Level: 1st Section + This PDF download includes the full score and parts. Includes alternative parts for soloist in Eb, horns in F and lower brass in bass clef. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion - Triangle, Cymbal & Bass Drum
In Stock: Estimated dispatch 1-3 working days
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