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  • £37.50

    Bedknobs & Broomsticks - Sherman & Sherman - Gavin Somerset

    After the success of Mary Popping in 1964, Disney once again had a hit on their hands seven years later with the release of 'Bedknobs & Broomsticks'. Set in 1940, the film told the story of Eglantine Price, a spinster who was learning the ways of witchcraft to help Britain with the War effort. Richard & Robert Sherman provided another excellent score, with memorable songs that now for the first time, are available for Brass Band. This toe-tapping new work features The Old Home Guard, The Age of Not Believing, Portabello Road and, The Beautiful Briny Sea (with added bubbles!). Audiences of all ages will appreciation this title and is a great addition to any concert programme. Whilst rehearsals are suspended due to Covid-19, we are making some parts available to download FREE for home use and practice, alongside a downloadable backing track to play along to. To download the Solo Cornet part, please CLICK HERE . To download the Solo Horn part, please CLICK HERE . To download the Solo Euphonium part, please CLICK HERE . To download the Eb Bass part, please CLICK HERE . To download the playback audio to play along to, please RIGHT CLICK HERE & Save As .

    In stock: Estimated dispatch 1-3 days

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  • £44.50

    Chicago (Highlights from) - Fred Ebb - Iain McKnight

    The music from the 1975 musical by Fred Ebb, with lyrics by John Kander, is ranked up there with the best musicals of all time. Whilst the original Broadway production only ran for a couple of years, Chicago was revived in 1996. Following this new lease of life, the show continues to run to this day and has enjoyed over 7,000 performances on Broadway. In the first arrangement of its kind for brass band, this new 'Highlights from Chicago' has been made especially for the Leyland Band to feature on their new upcoming CD. Expertly arranged by Iain McKnight, the work features, 'The Overture', 'And All That Jazz', 'Nowadays' and 'Hot Honey Rag'. Sure to be a hit with all who play it, the music appeals to audiences of all ages and is a great concert item that will suit both outdoor and indoor concert events. Not to be missed.

    In stock: Estimated dispatch 1-3 days

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  • £24.50

    Good Christian Men Rejoice - Traditional - David Holling

    Good Christian Men, Rejoice (or In Dulce Jubilo) was of course made famous by Mike Oldfield back in 1975 and is possibly one of the most played Christmas tunes there is. In this arrangement David Holling treats us to a Rock/Jazz fusion style in the opening section before settling into a calm, lush cornet solo of the Sussex Carol with jazz-inspired harmonies and orchestrations. The final section brings back the original theme in a Lovatt-Cooper style big finish with all-guns-blazing to the end! This arrangement would suit all bands from Section 3 upwards (not excluding ambitious 4th section bands too!) and works perfectly as a good opener or finisher to a Christmas concert.

    In stock: Estimated dispatch 1-3 days

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  • £24.50

    Hinky Dinky - Traditional - John Lee

    Mademoiselle from Armentires (also known as Hinky Dinky) was one of the most popular songs of World War One and known in many versions, often with extremely dubious lyrics! The origins of the jaunty melody are not certain but it could date back as far as the 1830's and may be a French military tune. The instructions on 'standing' and 'sitting' are intended as a guide only and should be adapted to suit the needs and athleticism of individual bands! A perfect addition to a band's repertoire in this WWI Centenary year.

    In stock: Estimated dispatch 1-3 days

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  • £29.50

    I See The Light from 'Tangled' - Alan Menken - Adrian Horn

    Disney's take on the story of Rapunzel saw veteran Disney composer, Alan Menken score the film and from it, came the hit, 'I See The Light'. A lyrical ballad, out of all the tracks produced for the film, Alan stated that this was his favourite of them all. Now arranged by Adrian Horn for solo cornet and band, this release is perfect for soloists looking to perform something popular with general audiences of all ages. With little in the way of technical difficulty, this would be a great item for younger players to enjoy. One not to be missed this Summer.

    In stock: Estimated dispatch 1-3 days

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  • £37.50

    Innuendo - Freddie Mercury, Brian May, Roger Taylor and John Deacon - Peter Meechan

    Winner of 'Best new Composition or Arrangement' at Brass In Concert some years ago, this stunning arrangement is now finally available to all bands. The work was performed as part of Whitburn band's Brass in Concert programme and saw the arranger, Dr Peter Meechan take the Cyril Beere Memorial Trophy for this clever take on the Queen classic rock hit. The arrangement has been in great demand but has not been published, until now. Featuring antiphonal trumpets, hand claps and host of other clever effects, this is the perfect choice for bands looking for something different at concerts and entertainments contests.

    In stock: Estimated dispatch 1-3 days

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  • £29.50

    Sing - Andrew Lloyd Webber & Gary Barlow - Dave Houghton

    When it was announced that prolific composer Sir Andrew Lloyd Webber and hit song writer Gary Barlow were to collaborate on a project to commemorate the Diamond Jubilee of Queen Elizabeth II, the public were left in little doubt that the music would be an instant hit. We were not disappointed! Gary Barlow travelled across the Commonwealth searching for instruments and voices to perform on the single and the 'Military Wives Choir' were also included in the final edition. Now available for the first time for brass band in an arrangement by Dave Houghton, this moving work projects the 'feel good' factor to your audience and is a perfect addition to a programme on both the bandstand and concert hall. A must for every bands library.

    In stock: Estimated dispatch 1-3 days

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  • £37.50

    Willy Wonka (Selections From) - Leslie Bricusse & Anthony Newman - Gavin Somerset

    Few people have not seen the 1971 film starring Gene Wilder as the eccentric chocolatier, offering tours of his chocolate factory to those lucky enough to find the hidden golden ticket. Whilst initialy a box office failure, the film went on to become a favourite in households across the world, years after its initial release. Now for the first time, your band can enjoy the music from the film in this selection that includes 'Golden Ticket', 'The Candy Man' and of course, the unforgettable 'Pure Imagination'. The music of Leslie Bricusse & Anthony Newley has been a hit for many years and continues to make TV and radio appearances. 'The Candy Man' was perhaps best known when covered by Sammy Davis Jr where it made it to number one in the USA. 'Pure Imagination' has been used countless times in adverts in the media and more recently, recorded by Jamie Callum for his album 'Momentum'. 'Pure Imagination' can also be performed as a stand-alone item. This is truly an all-time classic filled with a feast of musical variety that fits well into just about any concert. A must for all band libraries. To download the Solo Cornet part, please CLICK HERE . To download the Solo Horn part, please CLICK HERE . To download the Solo Euphonium part, please CLICK HERE . To download the playback audio to play along to, please RIGHT CLICK HERE & Save As .

    In stock: Estimated dispatch 1-3 days

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  • £60.00

    Music from the Royal Fireworks - G. F. Handel arr. Don Blakeson

    Handel's Music For The Royal Fireworks was composed in 1749 to celebrate the signing of the Treaty of Aix-la-Chapelle and the end of the War of the Austrian Succession. The site chosen was the fashionable upper part of St. James Park, which was becoming known at that time as Green Park. The Green Park 'Machine', which housed the pyrotechnics was an elaborate affair adorned with "statues and other figures, festoons of flowers, and other lustres".It was announced that there would be some 10,000 rockets and other devices to be let off, all culminating in a grand, burning sun with 'Vivat Rex' at its centre. There were also rumours that the event was to be accompanied by an impressively large band of military music and mention was made of "40 trumpets, 20 french horns, 16 hautboys (oboes), 16 bassoons, 8 pairs of kettle drums, 12 side drums, a proper number of flutes and fifes; with 100 cannon to go off singly at intervals". It is unlikely that Handel had ever conceived such forces and it was merely the promoter's hyberbole, not least because it was unlikely that there were sufficient numbers of extra military musicians available that could read music, as most played from memory. It is also likely that Handel, and his publisher, were conscious that future performances would be hindered by such forces. The autographed score lists the instrumentation as 9 trumpets, 9 french horns, 24 hautboys, 12 bassoons, 3 pairs of kettle drums and up to 4 side drums.The work is in five movements, although Handel's original score did not indicate in which order they should be played. However, in this score they are arranged to be played as follows: Overture, Bouree, La Paix, Minuets I & II and La Rejouissance.Duration: c. 19 minutesDifficulty: Suitable ofr all

    Estimated dispatch 5-7 working days
  • £45.00

    strange geometry

    Descriptionstrange geometrywas commissioned by Morgan Griffiths and the Hammonds Saltaire Band for their performance at the Brass in Concert Championships of 2015.As a bit of a space/sci-fi geek, as well as a musician, two events during the summer of 2015 had a particular effect on me. The first was the tragic early death in a plane crash of the famous film composer James Horner. Horner's music, particularly in films like 'Star Trek II: The Wrath of Khan', 'Avatar', 'Apollo 13' and even his debut in Roger Corman's 1980 budget film 'Battle Beyond the Stars', defined for a generation the sound of sci-fi at the cinema. Along with John Williams he created the vocabulary for those who wish to express other-worldly wonder in music and his inventive talent will be much missed in an industry where originality has become something of a dirty word in recent years.The second event was the epic flyby of Pluto by the NASA New Horizons spacecraft. There are many reasons to find this mission inspiring - for example, the scientists and engineers behind it created a craft that has travelled at 37,000 mph for nine years and three billion miles to arrive within seventy-two seconds of the predicted time for the flyby. That they achieved this with such accuracy is an outstanding tribute to humanity's ingenuity and insatiable curiosity. However, the most exciting aspect of the mission was the clear, high resolution pictures of this unthinkably remote and inhospitable world beamed back to mission control. The best previous image of Pluto was an indistinct fuzzy blob - suddenly we could see mountains made of ice, glaciers of methane and carbon monoxide and nitrogen fog - features previously unimagined on a world thought to be a slightly dull ball of cold rock. The BBC's venerable astronomy programme 'The Sky at Night' waxed lyrical about these newly discovered features, referring to "the surprising discoveries of mountains and strange geometry on the surface of this cold distant world".I like to think that Horner would have been as inspired as I have been by this real-life science story, and this piece uses some of the vocabulary of the sci-fi movie soundtrack in a tribute to the memory of a great musician and to the inspirational geeks at NASA who have boldly taken us where no-one has gone before.Note: This work comes with a B4 portrait score. Listen to a preview and follow the music below!Performance Notes:The cornet section should play this piece standing up in a roughly semicircular arrangement around the outside of the band facing towards the audience, starting with solo cornets 1&2 to the conductor's left (roughy behind the normal repiano cornet seat) then 2nd cornets, repiano, soprano, 3rd cornets and finishing with solo cornets 3&4 standing roughly behind the normal 2nd trombone seat. If time and logistics permit, the trombones should occupy the first three solo cornet seats, although this is optional. A suggested band layout (with percussion) is given here.Solo cornets 1&2, repiano cornet, 2nd cornets, 3rd cornets, flugel, solo and 1st horn, 1st baritone and euphoniums will require fibre straight mutes - ideally NOT metal ones. Soprano cornet, all solo cornets, 3rd cornets and all trombones will require cup mutes - ideally the cornet mutes should be the adjustable cup type and these should have the cup adjusted quite tight to the bell to give a 'closed' sound. Soprano cornet, solo cornet 3&4 and repiano cornet will require harmon mutes - TE indicates 'Tube Extended', TR indicates 'Tube Removed'. Soprano and repiano cornets will also require metal straight mutes. Vibrato should only be used very sparingly throughout, and never in muted passages.Percussion Requirements:Percussion 1: tubular bells, concert bass drum (not a kit pedal drum), tam tam, clash cymbals, 3 x tom toms, 1 x suspended (clash) cymbal and snare drum.Percussion 2: vibraphone (bowed and with mallets), bass drum and tam tam (shared with perc. 1), additional suspended (clash) cymbal and snare drum.Percussion 3: glockenspiel, 4 x timpani (ideally 23", 25", 28" and 30")Approximate duration 5'50"

    Estimated dispatch 7-14 working days