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  • £49.95

    Fire in the Blood - Paul Lovatt-Cooper

    Fire in the Blood was commissioned by Dr Stephen Cobb for the 120th anniversary of the International Staff Band of the Salvation Army. The piece was composed for the celebration concert where the ISB were joined by several other staff bands from around the world to perform independently to a sell-out capacity crowd at Britain’s most famous concert hall The Royal Albert Hall. Fire in the Blood received its world premier at the ‘ISB 120’ concert at the Royal Albert Hall on June 4th 2011.With this piece I wanted to acknowledge music that had an impact on me through my Salvation Army upbringing. When thinking of a title for this piece I had no hesitation than to reflect and re-word the Salvation Army’s motto under their famous crest ‘Blood and Fire’.When composing Fire in the Blood I wanted to use three songs of worship that have been prevalent in the Salvation Army’s services over a number of years. Opening with Richard Phillips’ setting of Psalm 95, ‘Sing for Joy’, the music is vibrant and full of energy, I wanted to capture the spirit of the well known words of Scripture. The music then moves into a more reflective section that includes Howard Davies’ emotive song melody ‘Lord, you know that we love you’ and Laurie Klein’s worship song ‘I love you Lord’.A re-statement of the opening Psalm setting follows and this, in turn, leads into a dramatic and powerful finale that combines two pivotal statements drawn from the slower, reflective section: I love you lord, and I lift my voice to worship you, O my soul rejoice and Lord, you know that we love you with a final flourish from Psalm 95: Come let us sing joy to the Lord!Paul Lovatt-Cooper

    Estimated delivery 12-14 days
  • £19.95

    Fire in the Blood - Score Only - Paul Lovatt-Cooper

    Fire in the Blood was commissioned by Dr Stephen Cobb for the 120th anniversary of the International Staff Band of the Salvation Army. The piece was composed for the celebration concert where the ISB were joined by several other staff bands from around the world to perform independently to a sell-out capacity crowd at Britain’s most famous concert hall The Royal Albert Hall. Fire in the Blood received its world premier at the ‘ISB 120’ concert at the Royal Albert Hall on June 4th 2011.With this piece I wanted to acknowledge music that had an impact on me through my Salvation Army upbringing. When thinking of a title for this piece I had no hesitation than to reflect and re-word the Salvation Army’s motto under their famous crest ‘Blood and Fire’.When composing Fire in the Blood I wanted to use three songs of worship that have been prevalent in the Salvation Army’s services over a number of years. Opening with Richard Phillips’ setting of Psalm 95, ‘Sing for Joy’, the music is vibrant and full of energy, I wanted to capture the spirit of the well known words of Scripture. The music then moves into a more reflective section that includes Howard Davies’ emotive song melody ‘Lord, you know that we love you’ and Laurie Klein’s worship song ‘I love you Lord’.A re-statement of the opening Psalm setting follows and this, in turn, leads into a dramatic and powerful finale that combines two pivotal statements drawn from the slower, reflective section: I love you lord, and I lift my voice to worship you, O my soul rejoice and Lord, you know that we love you with a final flourish from Psalm 95: Come let us sing joy to the Lord!Paul Lovatt-Cooper

    Estimated delivery 12-14 days
  • £80.60

    Mitt hjerte alltid vanker - Fantasi - Hans Adolph Brorson - Svein H. Giske

    This arrangement was commissioned by B3 (The Bergen Woodwind Ensemble).B3 is a large woodwind ensemble located in Bergen with a mix of professional and amateur players.My Heart Remains in Wonder is a well-known Christmas hymn in Scandinavia. I wanted my version to be different to the traditional hymn tune style in which it is normally performed.One day I was outside walking and this idea came to me: an ostinato-like, mechanical skeleton of arpeggio semiquavers on which I could 'hang' the melody.However, I also wanted to do the melody line a bit different.The inspiration for this comes from folk music and the way fiddlers hardly ever lift their bow off the strings when they play. Because of this, it is important that the melody is played in a very sostenuto style in this arrangement.The harmonies lie somewhere between jazz and folk music with a little nod towards Grieg (himself heavily influenced by folk music) in the slow middle section.

    Estimated delivery 10-14 days
  • £53.00

    Introduction - Torstein Aagaard-Nilsen

    The composer: A short concert-opener where I use Norwegian folk-tunes. I wanted to create a short musical picture of the Vikings running from the seashore towards some people they wanted to fight down. They used to drink something made of mushrooms and became very wild. They didn?t feel any pain, they didn?t feel any fear. They where called the Berserkings! Ze voelden geen pijn en kenden geen angst... de Vikingen! Na het drinken van een speciale drank van paddenstoelen konden ze de hele wereld aan. Fraaie Noorse volksmelodieen gebruikend, schetst Aagaard-Nilsen het hero?sche beeld van aanvallende Vikingen. Klaar om de kust te bestormen...

    Estimated delivery 10-14 days

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  • £34.95

    Canzona Bravura - Paul Lovatt-Cooper

    I always enjoy writing solos, because it is a new opportunity to compose a piece of music for an instrument to demonstrate its full musical capability. In ‘Canzona Bravura’ I was asked to compose something new and fresh for the euphonium that portrayed its technical ability and also the sonorous sound this fabulous instrument has to offer.The piece is in ternary form with sections A/B/A (fast/slow/fast). I wanted to write music that sounded fun to play and also music that the audience would enjoy listening to. I also wanted to give the music a more modern feel and so the relentless quaver pulse from the ensemble provides a continuous heartbeat for the soloist to sit on and show off its technical capability.The euphonium shows off its technical ability through the slurred quavers and running semiquavers. However, the lyrical playing which is prevalent throughout the slow B section gets an introduction during the fast A section at bar 38. It gives the listener a taste of the slow melody that is to come and also an opportunity to join the euphonium with its unfashionable cousin the baritone as they play a duet together.‘Canzona Bravura’ definitely offers plenty for the soloist to get their teeth into and also allows them the opportunity to enjoy their lyrical playing to the full. There is a lot of musical material which is passed between soloist and accompanying ensemble which forges a strong musical link within the music. It provides an excellent opportunity for the music to connect with soloist, ensemble and audience.Paul Lovatt-Cooper

    Estimated delivery 12-14 days
  • £29.95

    Jack in a Box - Paul Lovatt-Cooper

    From the many musicians I have had the privilege to compose for this piece has probably been the most enjoyable.The reason being was because I was approached by members of the Bilton Silver (Rugby) Band to compose a xylophone solo for one of their young percussionists Jack Fisher. Jack is no stranger to me as I have had the privilege to teach him whilst he has been a student with the National Children’s Brass Band of Great Britain. He certainly is a player to watch out for in the future and not only is he talented; he is also a great character as well.When the members of Bilton Silver Band conversed with me about the proposed commission, they said they wanted a solo that represented Jack’s cheeky and fun loving nature. They also wanted a solo that wasn’t too demanding for the young starlet and so it gave the opportunity for other up and coming percussionists to play as well.The piece is quick and fun and it provides a solo for percussionists who are developing as players to work on. It is enjoyable to listen to and it’s proving to be a bit of a foot-tapper as well with audiences.When I was a child I had an old Jack-in-a-box toy that played the nursery rhyme pop goes the weasel before Jack popped out and scared the life out of me. So for a bit of fun I have quoted pop goes the weasel in the solo which aptly lead me to the suitable title for the piece Jack in a Box.Paul Lovatt-Cooper

    Estimated delivery 12-14 days
  • £25.00

    Cantus (on E.D.) - Peter Meechan

    From Leanne Stamp:"As musicians,I think we really identify ourselves and our existence on being musicians. And we collect these teachings and bondsalong our path. But whendoes it happen? When does that moment happen that someone becomes an integral part of the fabric that makes you who you are? Or when can you pinpointthe momentthat you realize that a person was essential in your path? I don’t think we know. And all too many times it isn’t until someone is gone that we truly reflect and try to figure it out.When Ed De'Ath joined our band (Las Vegas Brass Band) he hadn’t played in over 20 years. He heard the brass band and decided he wanted to go back to playing, and within a few weeks became a member of LVBB.He had grown up playing in Canada, where his father was a brass musician too, and Ed was quite an accomplished young euphonium player competing in competitions and playing in Salvation Army bands.But life happened and it lead him away from playing.Even though I was in LVBB a few years before Edjoined, he quickly became an essential part of what makes that group a family. I spent the better part of a decade playing in the same section as him and then about 5 years sitting next to him on either side.Ed always took a sincere interest in myplaying. Praising the good and giving constructive criticism for improvement. For about two years almost every otherSaturdaywasspent playing duets at his house.I left to study at the RNCM in Manchester, UK, before returning to Las Vegas.My first rehearsal back from the RNCM Ed looked at me said, “here you go kiddo, you’ve earned this solo seat”.There was no ego. Only the wish for me to reach my potential. It was always so apparent with Ed the love he shared for the younger musicians and his desire for them to succeed.Ed lit up the room with his enthusiasm and love for music – he just truly loved being there. That special quality that makes a band a family...he knew and treasured that.And although Ed wasn’t my teacher per say, he was an integral part of my fabric.The way Ed left was sudden. He had been fighting bladder cancer in and off for quite a while but things were looking up. Tests were clear. And then a very aggressive pancreatic cancer stole him very quickly, almost without warning.And I will never forget how I felt getting that call. We decided to have rehearsal that night. And for one reason. Because Ed would’ve wanted us to.I will always be grateful to Ed. Grateful that I got tolearn things from him, receive advice, enjoy his company, and feel his love – part of him is with me whenever I play."

    Estimated delivery 12-14 days
  • £24.95

    One Day - Paul Lovatt-Cooper

    One Day was commissioned by Celia Barnes in the memory of her late partner Dave Dumolo. When Dave died suddenly aged 57 Celia wanted a living memory of Dave who was a big brass band fan. Celia wanted a concert piece that featured the flugelhorn and contacted Paul Lovatt-Cooper about composing the piece for her.Paul says "The flugelhorn is a great instrument for performing in both a classical and jazz style. It is the latter that I decided to compose this piece in the style of. I am very much a fan of the music of Pat Methany who is famous for his easy listening jazz styles. One Day follows in the footsteps of Pat Methany's music."

    Estimated delivery 3-5 days
  • £59.95

    Between the Moon and Mexico (Brass Band - Score and Parts) - Sparke, Philip

    Between the Moon and Mexico was composed for the 1998 Finals of the National Brass Band Championships of Great Britain. The first performance took place at the Royal Albert Hall, London, on the 17th of October.The title has no hidden meaning and was chosen preciesly because it would not predetermine the style or form of the work. The composer wanted to see what sort of piece would emerge if the only influence was what had already been written. The result is a sort of musical collage in which various musical collage in which various musical elements, ranging from two or three notes to complete melodies, assume importance by virtue of their context. In a way, the piece grew out of itself.Duration: 16.30

    Estimated delivery 12-14 days
  • £29.95

    Between the Moon and Mexico (Brass Band - Score only) - Sparke, Philip

    Between the Moon and Mexico was composed for the 1998 Finals of the National Brass Band Championships of Great Britain. The first performance took place at the Royal Albert Hall, London, on the 17th of October.The title has no hidden meaning and was chosen preciesly because it would not predetermine the style or form of the work. The composer wanted to see what sort of piece would emerge if the only influence was what had already been written. The result is a sort of musical collage in which various musical collage in which various musical elements, ranging from two or three notes to complete melodies, assume importance by virtue of their context. In a way, the piece grew out of itself.Duration: 16.30

    Estimated delivery 12-14 days