Results
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£44.95Love-Lifted-Me (Brass Band - Score and Parts)
The composer describes this piece as a waltz fantasy - it embodies many characteristics of the dance, and has a few flights of fancy as well! The source of inspiration for the work is the much loved hymn Love lifted me with words by James Rowe (S.A.S.B. 583) and music by Howard E. Smith (T.B. 744).This high-spirited celebration in music will make a wonderful addition to your library.
Estimated dispatch 7-14 working days
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£6.95Burlesques (Brass Quartet - Score and Parts)
Written for 2 Cornets, Eb Horn and Euphonium TC. Includes: Prelude; Waltz; Dirge; March.
Estimated dispatch 7-14 working days
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£25.00Torbellino (Brass Band - Score and Parts)
A Latin Waltz for your Brass Band.
Estimated dispatch 7-14 working days
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£29.95Judd: Deck the Halls
An attractive setting by Barrie Gott, mixing 2/2 time signatures with 'waltz like' 3/4. Cleverly done, and a real crowd pleaser
Estimated dispatch 7-14 working days
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£44.95Judd: Lyric Variations
This solo was written at the request of Stephen Cobb and was premiered by Derick Kane with The International Staff Band of The Salvation Army in 1999. It subsequently became the title track of the solo CD recorded by the same forces. The theme, commonly known as 'Lord of the Dance', is followed by four variations (waltz, soft shoe, brillante, lento) and a blistering finale! A piano accompaniment version is included in The Derick Kane Euphonium Album.
Estimated dispatch 7-14 working days
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£39.95Chichester Dances (Brass Band - Score and Parts)
This music is an entertaining suite in four movements, playable by most bands. It opens with Samba, followed by Quick Waltz, Pavane and, finally, Sailor's Dance. Each movement lasts approximately two minutes. It is ideal for concert use and each movement could be performed separately if desired.
Estimated dispatch 7-14 working days
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£55.00Purcell Variations (Brass Band - Score and Parts)
Purcell Variations, composed in 1995, the year of the tercentenary of the death of the great English composer, was a watershed work in that it was Downie's first extended composition to be published independently of The Salvation Army and intended for wider use.For his theme, Downie has chosen what has come down to us as the hymn tune Westminster Abbey, which is in fact an adaptation made in 1842 by Ernest Hawkins, who was a Canon of Westminster Abbey where Purcell himself had been organist. Purcell's original is actually the closing section of an anthem, O God, Thou art my God, where it provides the final paean of praise, sung to repeated 'Hallelujahs'. Purcell's tune, particularly the opening triadic gesture, is used as a source of thematic and harmonic material - a quarry for ideas if you like: "I was obsessed with the intervals of thirds in Purcell's tune, rather like Brahms in his Third Symphony", the composer says.There are five variations, preceded by an extended introduction and theme. In the first variation, Purcell's lilting dance pulse has been transformed into a bright, playful sequence, in which each phrase of the melody is given its own transformation. In the second, Purcell's opening gambit is extended into a graceful, flowing waltz, featuring solo and first horn at the top of the register. The composer offers a range of metronome speeds in this movement, in which he is emulating the wistful elegance of Erik Satie's famous Gymnopedie. We enter the world of big band jazz in variation three, where Purcell's tune strides along with added syncopation and bluesy major/minor thirds to the fore. After the breathless energy and blazing brass of the big band, Downie moves into his 'home territory' for a beautifully worked lyrical variation. There is an enhanced urgency about the final variation, which opens with an extended reprise of the work's introduction. Purcell's second and third phrases provide the preparation for the exuberant return, in customary triumph of Purcell's 'Hallelujah'.
Estimated dispatch 7-14 working days
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£29.95Ballet for Band (Score Only)
Ballet for Band was written as the test-piece for the Championship section finals of the National Brass Band Championships, held at the Royal Albert Hall in October 1983.Although the work is not programmatic, within the space of ten minutes, the composer uses a form which might be considered to be the form of a ballet. Therefore there is a fanfare at the beginning which might be the overture, different characters appear, and scenes are quite clearly marked by, for instance, baritones or by muted trombone, although the listener is encouraged to use his own imagination.Thematically the work is tightly controlled, with the same material re-appearing in many different guises, as a flugel horn solo, as a waltz on the horns, and on the euphonium. Horovitz employs a rich harmonic pallet, but the work is most definitely rooted in a tonal language, with hints of Straussian richness later in the work.The work is notable for its middle section, in which the music gets slower and slower, providing a real test of control throughout the band.Ballet for Band was by no means Joseph Horovitz's first work for the medium: his fine "Concerto for Euphonium and Band" is frequently played, and he has also written a cantata entitled "Samson" for choir and band.
Estimated dispatch 7-14 working days
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£44.95Carousel Selection
Includes: Carousel Waltz; June is Bustin' Out All Over; You'll Never Walk Alone; Mr. Snow; If I Loved You; A Real Nice Clambake; What's the Use of Wond'rin'.
Estimated dispatch 7-14 working days
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£44.95Robert Farnon for Brass
Includes: Here Comes the Band; The First Waltz; Jumping Bean; Journey into Melody; Peanut Polka.
Estimated dispatch 7-14 working days