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  • £64.95

    BRASS TRIUMPHANT (Brass Band Set - Score and Parts) - Wood, Gareth

    2013 National Champsionship Area Qualifying Contest - 1st Section

    Estimated delivery 10-14 working days
  • £44.95

    The Kingdom Triumphant (Brass Band - Score and Parts) - Ball, Eric

    This landmark composition written in 1962 is perhaps the most universally known Eric Ball classic. With its magnificent finale treatment of the hymn tune 'Helmsley,' this is ideal concert repertoire.

    Estimated delivery 10-14 working days
  • £22.50

    The Kingdom Triumphant (Brass Band - Score only) - Ball, Eric

    This landmark composition written in 1962 is perhaps the most universally known Eric Ball classic. With its magnificent finale treatment of the hymn tune 'Helmsley,' this is ideal concert repertoire.

    Estimated delivery 10-14 working days
  • £64.95

    Triumphant Rhapsody (Brass Band - Score and Parts) - Vinter, GilbertCode:

    Fantasy for Brass BandDuration: 11:30Recorded on Polyphonic QPRL068D Triumphant Rhapsody

    Estimated delivery 10-14 working days
  • £59.95

    Swedish Festival Music (Brass Band - Score and Parts) - Downie, KennethCode:

    This three-movement suite was commissioned by the Swedish Brass Band Association as the test piece for the Championship Section of their 2008 National Contest. The first movement is inspired by the magnificent Swedish hymn 'How Great Thou Art'. Indeed the influence of that hymn can be traced in all three movements. The declamatory style of the opening gives way to other, more reflective expressions of awe and wonder. A more animated section develops before a final, triumphant statement of the 'How Great' idea returns to finish the movement. The slow second movement features another much-loved Swedish hymn. The music provides plenty of scope for expressive playing, and a feeling of intimacy should be created by the use of several short solo passages. The third movement Allegro brings a totally different, dance-like mood with frequent references to a reel from the region of Uppland. This eventually brings a return to the opening subject and a final, triumphant reference to 'How Great Thou Art'.

    Estimated delivery 10-14 working days
  • £13.50

    Beecher Variations (Brass Band - Score only) - Bulla, StephenCode:

    In this beautiful composition, melodic fragments of the hymn tune Beecher are morphed into a series of variations, showing the melody in various moods from expressive, then quiet and soft, to bright and triumphant in the end. Written as a test piece in the 4th division for the Dutch Brass Band Championships in 2015, the music features challenging solo parts for cornet, soprano cornet, flugelhorn and euphonium. A great work for the concert or contest stage!Duration: 12.00

    Estimated delivery 10-14 working days
  • £90.00

    Beecher Variations (Brass Band - Score and Parts) - Bulla, StephenCode:

    In this beautiful composition, melodic fragments of the hymn tune Beecher are morphed into a series of variations, showing the melody in various moods from expressive, then quiet and soft, to bright and triumphant in the end. Written as a test piece in the 4th division for the Dutch Brass Band Championships in 2015, the music features challenging solo parts for cornet, soprano cornet, flugelhorn and euphonium. A great work for the concert or contest stage!Duration: 12.00

    Estimated delivery 10-14 working days
  • £34.95

    The Southern Cross (Brass Band - Score and Parts) - Bowen, BrianCode:

    The Southern Cross is one of several excellent marches by Brian Bowen in which he carried on the more sophisticated pattern of British marches by Wilfred Heaton, Leslie Condon and Ray Steadman-Allen. It was written for the Box Hill (Australia) Corps jubilee celebrations in 1970 and formed part of the band's repertoire when it toured Great Britain in the same year. The first half of the march features part of the song, 'March on!' by Klaus Ostby, an early pioneer of Salvation Army music in Scandinavia. The contrapuntal layering of melodies in the trio, especially in the finale where 'March on!' sounds one more triumphant time, is notable, as is the shift to a slower, more stately tempo. The harmonic and rhythmic style also represents the more modern sounds of Salvation Army brass band music in the late 1960s and early 1970s. Right from the opening gestures, listeners at early performances knew that a page had turned in the evolution of the Salvation Army march.

    Estimated delivery 10-14 working days
  • £112.00

    March Slav (Brass Band - Score and Parts) - Tchaikovsky, Peter IlyichArranger:

    March Slav was composed in 1876 for a charity concert to support the war in the Balkans. It was completed in the remarkably short time of 5 days and was encored twice at its first performance! The themes are based loosely on Serbian folk songs and there is also a reference to the Russian national anthem. The mood is funereal in style at the opening but this gives way to a very triumphant style by the end.This arrangement was prepared for the 2007 Summer concerts of Brass Band of the Western Reserve, musical director Dr Keith M Wilkinson (www.bbwesternreserve.org). It has been recorded by BBWR on the CD Slides Rule!

    Estimated delivery 10-14 working days
  • £75.00

    Dances and Arias (Brass Band - Score and Parts) - Gregson, Edward

    This work was commissioned by Boosey & Hawkes Band Festivals (with funds provided by the Arts Council of Great Britain) for the National Brass Band Championships of Great Britain, held at the Royal Albert Hall, London, on 7th October 1984.Dances and Arias is in one continuous movement, but as the title suggests is a series of alternating fast and slow sections as follows: Dance – Aria I – Dance (scherzo) – Aria II – Dance. The opening dance is energetic and introduces a four-note motif (on trombones) which is the basis for much of the melodic material in the work. Throughout, there is a continuous process of thematic cross-reference and transformation.The first aria unfolds a long melody on solo cornet, eventually continued by all the solo cornets, and dissolving into a shimmering harmonic background (muted cornets, horns and baritones) over which is heard a brief self-quotation on solo tuba. This leads into the second dance, a frenetic scherzo, followed by the second aria, in the style of a lament (solo euphonium, followed by two flugel horns). This builds to a powerful climax which subsides, leaving the percussion to introduce the final toccata-like dance. It transforms material from the opening before a coda brings the music to a triumphant close. The large percussion section is an integral part in the work and uses a wide variety of instruments including timpani, glockenspiel, vibraphone, xylophone, tubular bells, tom-toms, snare drum, bongos and tam-tam.

    Estimated delivery 10-14 working days