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£76.99
The Shopping Centre - William Vean
Many people when asked the question 'Do you have any hobbies?' will answer 'Shopping' (even though the female part of the population may be more interested in this than the male one). Of course it is great fun to walk about in a Shopping Mall, browsing in various small shops, looking for things you have always wanted to possess. This was what William Vean was doing one day when he came across the idea to write a composition in which several shops could try to sell their wares (and this idea didn't cost him a penny). First, the audience are taken to a 'Jeans store', then a 'Phone shop' is visited, after which a visit is made to a 'Perfumery'. Thefourth part depicts a profession which is practised in several premises, namely that of shoplifter. In the fifth part there is room for a bite to eat at a Chinese restaurant, and finally after a visit to the hairdresser's it's time to go home.
Estimated dispatch 5-14 working days
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£59.45
The Glory of Colour (Brass Band) Ivan G. Andrews
This work by Ivan Andrews was inspired by the large Baptistry window of the new Coventry Cathedral and will be suitable both as a contest or concert work. The window was conceIved and designed by Basil Spence and was intended to be a worldwide experience. When installed it was claimed to be "the single largest window in stained glass that hitherto had ever been contemplated and brought into existance." The stained glass design was done by artist John Piper and when completed was described by Bishop Bardsley as a "triumphant expression of faith, a faith encapsulated in the 'glory of colour'".* Hence the title for the piece. The composer writes: 'When thinking of this music the traditional tune now often called Monks Gate kept coming to me. The words often sung to this tune were penned by John Bunyan and each stansa ends with the words "To be a pilgrim". The Cathedral in Coventry, although a Christian Church, is designed to bring all faiths together in Unity - there is a "Unity Chapel" opposite the Baptistry window so the concept of pilgrimage seemed perfectly apt to me. The music is therefore designed to reflect many colours as there are many expressions of faith. Single fragments of the Monks Gate tune are used as a basis for what might be deemed 'variations'. The tune is heard in full towards the end of the piece and then the music rises to a climax of bright brilliant white light. The colours of the window are darker on the outer edges but they all circulate towards the brilliant white at the centre - representing the source of all faith.' To view a rolling score video of the work please visit https://www.youtube.com/watch?v=zPN_EhhMDAE Duration: Approx. 11.30 minutes Difficulty Level: 2nd Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£34.50
The Wanderer - Hymn Tune Arrangement
ABOUT THIS PIECE: Written for the Haydock Band in memory of their late president, Stan Gardner, this is a beautifully simple take on the hymn tune: Stella. The title comes from the words of often sung to this hymn, written by John Lingard: 'Pray for the wanderer, pray for me'. Before the whole hymn is heard, the band play a repeated melody that evokes feelings of movement. There is an interplay between new and old melody, before a rousing rendition of the hymn by forte band. The arrangement concludes with the opening melody disappearing into the distance - a musical representation of the arranger's sentiments written at the top of the score: 'May God bless your onward journey, dear friend'. ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 1 LISTEN: DURATION: 5-minutesEXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level
Estimated dispatch 5-7 working days
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£59.99
Bare Necessities, The - Christopher Bond
First heard in the original 1967 movie, this familiar tune is featured again in the acclaimed 2016 version. In this clever arrangement for band, the arranger utilizes a peppy 2-beat style, beginning with the trombones taking the melody. Every section of the band soon gets into the act, including a solo or soli for tuba, and a brief slower section for a Dixieland combo leading to the rousing finish. This song is guaranteed to be a highlight at any concert. Note: whilst the demo video demonstrates the concert band arrangement, the version available to purchase on this website is the brass band transcription by Christopher Bond.
Publisher Closed for Holidays. Estimated Dispatch 22nd August
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£183.20
Pulsar - The Metamorphosis of a Star - John Brakstad
4th July in 1054 AD one of the most spectacular events was witnessed in the Cosmos. A massive star blew out; a supernova explosion.From the Earth it appeared as a new, bright star; the most brilliant in the sky. It was visible for three weeks, also in daylight, before it then faded away.But what was left of it is spectacular. Today we call it the "Crab Nebula".And in the very centre of the Nebula lies the remnant of the star; the core crushed by the force of gravity.This is a rotating neutron star, a pulsar, just 20 kilometres across, but so dense that it weighs more than our sun.As the neutron star spins, ejected particles stream out from its poles at almost the speed of light.These jets create powerful beams that sweep around as the star rotates.When the beams sweep across the Earth, they can be heard as regular pulses. We call them pulsars.In this piece there are three percussion parts. In addition there is an "optional part" to replace the marimba and vibraphone written in the three original percussion parts if desired. This fourth part is shown in the full score.
Estimated dispatch 5-14 working days
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£109.99
The Power of the Megatsunami - Carl Wittrock
The word 'tsunami' is of Japanese origin. When you look it up in a dictionary, you will find that it means 'a great sea wave produced by submarine earth movement or volcanic eruption'. A megatsunami is the superlative of this awesome expressionof power that nature can create, and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred, but since then we have become all too familiar with the disastrousconsequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions of many countries for miles around. The tsunamitook the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami, such as the island of La Palma, one of the Canary Islands. This island is based on oceaniccrust at a fracture zone and as such is one of nature's time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma, the tidal wave will move in the direction of South America, where it may reach 50km inland, destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air, the music creating an oppressiveatmosphere of impending disaster. Themes are interrupted, broken off suddenly, followed by silence, suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake, and the megatsunami isa fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature's force has spent itself, resignation sets in and the composition ends with a majestic ode to nature.
Estimated dispatch 5-14 working days
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The Giddy Goat - Traditional Swiss - Daniel von Siebenthal
The Giddy Goat is a silly folk song that everyone knows in Switzerland. It is about a white goat that does not want to get milked, so she kicks the milker. Thinking that this is because the goat is white, the owner decides that he will buy a brown one instead. From there on, people make up their own verses in which the goat is often replaced with past loves, enemies, and anyone or anything worthy of ridicule. Daniel, the arranger, lives in Gstaad in the Saanen district and the "Saanen goat" is a breed of white goat known throughout the world. As a farm boy, he did his share of goat milking and received the occasional hoof under his chin for his trouble. So, this piece is a tribute to a local breed that became world-famous, especially in America where the tune also meets its counterpart Billy Grogan's Goat (a similar silly song). The Giddy Goat should always be played as a "silly song" reflecting the goat's nature; capricious and cantankerous. The low bass line is important in Swiss folk music and should approximate to a plucked string-bass whose strings are dampened, to give it a pulsating feel. For those who would like to yodel we include the following Swiss tongue twister:- Holeduli duliduli, holeduli duli duli duuli, Holeduli duliduli, holeduli duli duli duu
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£23.95
The Red Kite (Euphonium Solo with Brass Band - Score and Parts) - Wiffin, Rob
At one time the Red Kite was close to national extinction in the UK but now it is possible to admire this distinctive bird of prey with its red colouring and forked tail. I love watching it soaring so gracefully through the sky. I attempted to catch that feeling in this solo composed for Martin Smith. In writing it I had in mind making the euphonium glide solitary and effortlessly, occasionally swooping down then reclaiming its high altitude.To create the desired atmosphere, I avoided too many root position chords and enhanced the feeling of floating by adding notes to a lot of the harmony, giving it subtle colour. The harmonic rhythm is slow but the movement switches in the way that the Red Kite can make slight changes of direction by minor adjustments of its tail. On top of this accompaniment the soloist is left to sing with a sense of grace and freedom.- Rob WiffinDuration: 3.45
Estimated dispatch 7-14 working days
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£49.95
The Dark Side Of The Moon (Score and Parts)
This piece was commissioned by Dr. Nicholas Childs and Black Dyke Band on behalf of Rotary International and received its world premire performance at St. David's Hall, Cardiff on Saturday 27th January 2007. It is dedicated to the composer's father, Harry Cooper.The music was selected by the National Contesting Council as the 3rd section test piece for the 2008 Regional Brass Band Championships of Great Britain. A Note from the Composer...Have you ever thought of a holiday destination, tourist attraction, event, place, site or period in history and thought 'I wonder what it would be like?' - somwhere you have never been and can only let your imagination run wild on. What would the place be like, and all the things surrounding it such as the mood, feelings you get experiencing it, the temperature? Who would be there and what you would see? This piece is my musical imagination of the dark side of the moon. I know from news reports, the internet and other footage that the moon is a very desolate place, very barren and rugged. So from the start the piece gives the listener a musical picture of the rugged landscape with little light and warmth.However, the one place that has had me thinking about is the side of the moon that we don't see in our night skies, the side of the moon with no sun and no light pollution from civilisation. I can only imagine the eeriness one would feel being stood in complete darkness on the moon's surface looking around.As you slowly explore the surroundings and your eyes drift up to the night sky, there is an awesome sight unfolding in front of you - countless stars and galaxies, planets and different solar systems and all right in front of you glistening from the light of the sun beaming from the other side of the moon. The Dark Side of the Moon portrays a musical picture of the whole experience as seen in my imagination taking the listener from the rugged landscape to the awesome beauty that sits endlessly in front of you.Paul Lovatt-Cooper, September 2007
Estimated dispatch 7-14 working days
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£24.95
The Dark Side Of The Moon (Score Only)
This piece was commissioned by Dr. Nicholas Childs and Black Dyke Band on behalf of Rotary International and received its world premire performance at St. David's Hall, Cardiff on Saturday 27th January 2007. It is dedicated to the composer's father, Harry Cooper.The music was selected by the National Contesting Council as the 3rd section test piece for the 2008 Regional Brass Band Championships of Great Britain. A Note from the Composer...Have you ever thought of a holiday destination, tourist attraction, event, place, site or period in history and thought 'I wonder what it would be like?' - somwhere you have never been and can only let your imagination run wild on. What would the place be like, and all the things surrounding it such as the mood, feelings you get experiencing it, the temperature? Who would be there and what you would see? This piece is my musical imagination of the dark side of the moon. I know from news reports, the internet and other footage that the moon is a very desolate place, very barren and rugged. So from the start the piece gives the listener a musical picture of the rugged landscape with little light and warmth.However, the one place that has had me thinking about is the side of the moon that we don't see in our night skies, the side of the moon with no sun and no light pollution from civilisation. I can only imagine the eeriness one would feel being stood in complete darkness on the moon's surface looking around.As you slowly explore the surroundings and your eyes drift up to the night sky, there is an awesome sight unfolding in front of you - countless stars and galaxies, planets and different solar systems and all right in front of you glistening from the light of the sun beaming from the other side of the moon. The Dark Side of the Moon portrays a musical picture of the whole experience as seen in my imagination taking the listener from the rugged landscape to the awesome beauty that sits endlessly in front of you.Paul Lovatt-Cooper, September 2007
Estimated dispatch 7-14 working days