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£45.00Harry Potter and the Prisoner of Azkaban (Brass Band - Score and Parts) - Williams, John - Harper, Philip
Harry Potter and the Prisoner of Azkaban is the third book in the Harry Potter series by author J. K. Rowling. The book was published in 1999 and the film, based on the book, was released in 2004. This is Philip Harper's brass arrangement of a selection of the music from the film.Suitable for Advanced Youth/3rd Section Bands and aboveDuration: 4 minutes
Estimated dispatch 7-14 working days
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£35.00POSITIVELY PITTSBURGH (Brass Band) - Barry, Darrol
Fuego was composed for Tom Hutchinson of Cory Band, this is a virtuosic cornet solo in the tradition of Harry James, Tico Tico and Charivari. Composed with a Latin groove, the music is in turns sultry then sizzling hot! Grade: Championship section. Duration: 4:00
Estimated dispatch 7-14 working days
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£37.95Connotations (Brass Band - Score only) - Gregson, Edward
Connotations was commissioned for the 1977 National Brass Band Championship finals, held in the Royal Albert Hall, London (the winner, incidentally, of that particular competition was the famous Black Dyke Mills Band).At the age of 32 Gregson was the youngest composer to have received the honour of such a commission. It came at the end of a productive five years writing for the brass band publisher R Smith. Some of those works - The Plantagenets, Essay and Patterns for example, with their direct and tuneful style, have remained popular with brass bands the world over.For Gregson, these were the means by which he sharpened the tools of his trade, preparing the ground, as it were, for his finest work to date - Connotations. He thought of calling the piece Variations on a Fourth, but with due deference to Gilbert Vinter perhaps (Variations on a Ninth), he chose a more appropriate one. As Gregson has written, 'Connotations suggests more than one way of looking at something, an idea, and this is exactly what the piece is about'.Writing a competition piece brought its own problems. 'It has to be technically difficult and yet musically satisfying. I didn't like being kept to an eleven-minute maximum. The inclusion of short cadenzas for less usual solo instruments seems to signify a certain test-piece mentality'.Gregson solved the problems admirably by adopting a symphonic approach to variation form: Introduction - fanfares, a call to attention, in effect Variation 1; Theme - a six-note motif, given a lyrical and restrained first statement; Variation 2 - a delicate toccata; Variation 3 - typically robust in melody and rhythm; Variation 4 - lyrical solos; Variation 5 - a scherzo; Variation 6 - cadenzas; Variations 7-9 - an introduction, fugato and resounding restatement of the theme.Duration: 10.30
Estimated dispatch 7-14 working days
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£74.95
Connotations (Brass Band - Score and Parts) - Gregson, Edward
Connotations was commissioned for the 1977 National Brass Band Championship finals, held in the Royal Albert Hall, London (the winner, incidentally, of that particular competition was the famous Black Dyke Mills Band).At the age of 32 Gregson was the youngest composer to have received the honour of such a commission. It came at the end of a productive five years writing for the brass band publisher R Smith. Some of those works - The Plantagenets, Essay and Patterns for example, with their direct and tuneful style, have remained popular with brass bands the world over.For Gregson, these were the means by which he sharpened the tools of his trade, preparing the ground, as it were, for his finest work to date - Connotations. He thought of calling the piece Variations on a Fourth, but with due deference to Gilbert Vinter perhaps (Variations on a Ninth), he chose a more appropriate one. As Gregson has written, 'Connotations suggests more than one way of looking at something, an idea, and this is exactly what the piece is about'.Writing a competition piece brought its own problems. 'It has to be technically difficult and yet musically satisfying. I didn't like being kept to an eleven-minute maximum. The inclusion of short cadenzas for less usual solo instruments seems to signify a certain test-piece mentality'.Gregson solved the problems admirably by adopting a symphonic approach to variation form: Introduction - fanfares, a call to attention, in effect Variation 1; Theme - a six-note motif, given a lyrical and restrained first statement; Variation 2 - a delicate toccata; Variation 3 - typically robust in melody and rhythm; Variation 4 - lyrical solos; Variation 5 - a scherzo; Variation 6 - cadenzas; Variations 7-9 - an introduction, fugato and resounding restatement of the theme.Duration: 10.30
Estimated dispatch 7-14 working days
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£54.99Till We Meet Again (Brass Band - Score and Parts) - Sparke, Philip
Till We Meet Again was commissioned by Floraskulen Brassband, Floro, Norway, as a tribute to their former tuba player, Gunstein Stromsnes, who died tragically young in a traffic accident in 2017. They gave the premiere in December 2018. After a short introduction, a solo euphonium intones a modal, folk-like melody. This is taken up by the flugel horn and leads to a series of short solos which build to a majestic chorale for the full band. The mood subsides to reintroduce the modal melody before hints of the introduction and a short euphonium cadenza bring the work peacefully to a close.Duration: 4.00
Estimated dispatch 7-14 working days
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£34.95Chalk Farm No.2 (Brass Band - Score and Parts) - Gregson, Edward
Like so many of the best composers for brass band - Eric Ball, Wilfred Heaton, Elgar Howarth and Robert Simpson - Edward Gregson's youthful talents came to the fore in the Salvation Army. In 1975 Gregson was commissioned by the Chalk Farm Band of the Salvation Army to write a march for the centenary of the birth of the band's most long-serving bandmaster Alfred W Punchard, who conducted the band from 1894 to 1944. In 1909 the Salvation Army published a march called Chalk Farm featuring the old Army chorus 'March on, we shall win the day'.Gregson uses the same tune in his Chalk Farm No 2 march, but this is a symphonic march clearly to be played sitting down. He includes irregular bars of 5 and 7 beats as well as a tongue-in-cheek treatment of the tune, complete with bongos (in the march) and bi-tonality (in the trio). Chalk Farm No 2 imaginatively composed. Gregson's own main theme 'fits' the chorus as a counter-subject. The playful irreverence of the style has more in common with Wilfred Heaton's Praise or Glory, than the conventional Salvation Army March.Duration: 4.00
Estimated dispatch 7-14 working days
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£24.95Healing Waters (Cornet Solo with Brass Band - Score and Parts) - Downie, Kenneth
This is an original, poignant setting by Kenneth Downie of words by Albert Osborn, the 6th General of The Salvation Army. The words of the chorus are perhaps better known than the verses; 'From a hill I know, Healing waters flow, O rise Immanuel's tide, And my soul overflow!'
Estimated dispatch 7-14 working days
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£49.95Schubert En Vacances (Brass Band - Score and Parts) - Downie, Kenneth
Commissioned for the 2004 Bernese Cantonal Music Festival this is a bright, engaging suite in three movements highlighting a theme written by the great 19th Century Viennese master.
Estimated dispatch 7-14 working days
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£24.95
Schubert En Vacances (Brass Band - Score Only) - Downie, Kenneth
Commissioned for the 2004 Bernese Cantonal Music Festival this is a bright, engaging suite in three movements highlighting a theme written by the great 19th Century Viennese master.
Estimated dispatch 7-14 working days
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£34.95Spirit Of Celebration (Brass Band - Score and Parts) - Downie, Kenneth
Written as a signature tune for the Yorkshire Building Society Band, this is often used as a sparkling concert opener.
Estimated dispatch 7-14 working days
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