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£34.48Disinformation! (Brass Band) Joe Galuszka
This atmospheric work by English composer Joe Galuszka is set in three movements: I. Fear II. Hope III. Solidarity (March for Truth) The composer writes: 'All around us is mistrust in the information we receive. Chinese misinformation. Russian disinformation. 'Fake News' in the United States. At every turn we doubt what we hear, what we see. Disinformation was composed in response to the ever-growing and all powerful misinformation campaigns worldwide that reached dizzying levels of influence, coming from some of the most eminent heads of states, during the turn of the 21st century. With division and disillusionment now rife and engrained in Western democracies, the unravelling of the social order is reflected in this short work for brass band. Opening with Fear, Disinformation starts with vast amounts of noise taking over the establishment and paints a world with people coming to terms with the cacophony of sound that is 'false information'. With a retreat to a brief moment of solace, Hope conjures up a calm escapism where on the outside, the brave and the wise look on to what is becoming of our new world. Maybe there is chance to pull together? Ending with a frenzied, brazen climax, the piece concludes with Solidarity - where people and the politicians come to loggerheads in a battle - where those who seek division are called out and the lies are laid bare for all to see, as we enter, once more, the unknown.' To listen to a recording of Solna Brassperforming the work please visit https://open.spotify.com/track/2gvPdCsvmykdWpm2yjz3Uk?si=68cc33805d16449c To view a rolling score video of this work please visit www.youtube.com/watch?v=z-0I47yfvM0 PDF download includes score and parts. Sheet music available from www.brassband.co.uk Difficulty Level: 1st Section + Length: 4.35 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-4 (Part 2 optional)
In Stock: Estimated dispatch 1-3 working days
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£38.32The First Nowell (Brass Band, opt. Choir & Piano) Traditional arr. Barrie Gott
This charming setting by Australian composer Barrie Gott is of the favourite carol The First Nowell. Although this version is for brass band, choir and piano, it is orchestrated such that it will work for standalone brass band. The arranger writes: 'I have always been fascinated with the words and music of this majestic carol. It was first written for choir and piano and then orchestrated for the Brisbane Lord Mayor's Carols with the Queensland Pops Orchestra. A further arrangement for brass band was prepared for a Salvation Army event. The setting is for four verses (1,2,5 and 6) and tells the Gospel story in a nutshell. It starts very simply and builds to a spectacular climax.' To view a rolling score video of this work please visit www.youtube.com/watch?v=2KH6u0MUiaY Duration: 4.45 minutes approx. Difficulty Level: 3rd Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk or www.durhammusicshop.co.uk (UK) or www.cimarronmusic.com (US) Instrumentation: Soprano Cornet Eb Solo Cornet Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-2 SATB Choir (optional) Piano (optional)
In Stock: Estimated dispatch 1-3 working days
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£11.49I was glad (Brass Band with Organ - Additional Parts) Parry trs. Wainwright
I was glad was originally a choral introit which is a popular piece in the musical repertoire of the Anglican church. It is traditionally sung in the Church of England as an anthem at the coronation of the British monarch, most recently that of King Charles III in May 2023. This transcription for brass band combines the choral and accompaniment parts meaning it is playable as a standalone arrangement. An optional organ part is included to augment the brass. The cornet section is divided into two choirs to create an antiphonal effect. The 'Vivats' are included in this transcription but an optional cut is provided for that section. To view a follow-the-score video please visit www.youtube.com/watch?v=Vx95uSp1yU8 PDF download includes additional parts. Purchase the full score and brass band parts here. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 2nd Section + Parts included in this download: Solo Horn F 1st Horn F 2nd Horn F 1st Baritone Bass Clef 2nd Baritone Bass Clef 1st Trombone Bass Clef 2nd Trombone Bass Clef Euphonium Bass Clef Tuba 1 Bass Clef (Bass Eb equivalent) Tuba 2 Bass Clef (Bass Bb equivalent)
In Stock: Estimated dispatch 1-3 working days
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£34.48Gobsmacked! (Brass Band) Robbert Vos
VIEW SCORE PDF Gobsmacked was commissioned by Ravnanger Brass Band (Norway). The composer Robbert Vos writes: 'Gobsmacked is composed as an opening or encore piece which, as the title already reveals, is meant to surprise or overwhelm the audience! After a brief opening fanfare, the main theme is introduced by the solo cornet and euphonium. An accelerando leads to a quick movement, where this main theme is transformed into a con brio. In this section there's a lot of energy to be unleashed and every band member plays a roll in creating that. Throughout the piece there are many surprises, for example some unexpected time changes, percussion effects to wake you and some trombone glissandi to make you smile. After a short and atmospheric reminiscence by the flugel to the solos from the beginning of the piece, there comes a brief percussion interruption which leads to a reprise of the con brio, but this time in slightly different form. This all comes together in the finale where a big accelerando will lead to an exciting close.' Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 1st Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-4
In Stock: Estimated dispatch 1-3 working days
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£61.31Caprice (Euphonium Solo with Brass Band) Andrew Batterham
VIEW SCORE PDF Caprice was written for Matthew van Emmerik, to showcase his virtuosity in an engaging piece of concert music. The work is in theme and variation form, with the primary material being the theme from the last of Paganini's Ventiquattro Capricci per violino solo, a collection of 24 caprices for solo violin. This theme has been the inspiration for similar works by many composers since it was first published, including Liszt, Brahms, Rachmaninov, Benny Goodman and Andrew Lloyd Webber. In this work, the famous theme is treated to a more contemporary approach. The first variation, Capricious, relies on motor rhythms and jagged dialogues between the soloist and the band. It is couched in an organic scale reminiscent of the Phrygian mode. The second variation, Sad, is in direct contrast, acting as a traditional ballad and allowing the soloist to explore the expressive side of the instrument. The third variation, Energetic, is a micro set of variations in itself, designed to display the soloist's innovative technique and stamina. Each section is more challenging than the last, until the work concludes with a whirlwind dance at breakneck speed. Like all of Batterham's recent work, the musical language of Caprice draws upon classical, jazz, funk and ska elements to create a unique sound where anything can happen, and probably will. This arrangement was made possible through Matt's instigation and generosity. To view a video of Matthew van Emmerik performing the version with brass band please visit www.youtube.com/watch?v=D0hsvux_a5o To view a video of Fletcher Mitchell performing the version with piano please visit www.youtube.com/watch?v=NOZ6KRldDVo Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Instrumentation: Euphonium Soloist Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£45.00God Put a Smile Upon Your Face
ABOUT THIS PIECE: 'God Put a Smile Upon Your Face' was written by all members of the band Coldplay for their second studio album 'A Rush of Blood to the Head'. Coldplay vocalist Chris Martin said: "The song came out of playing live and wanting to have something with a bit more bounce". The chart was originally released in 2003 to critical acclaim. In 2007 Mark Ronson covered the song on his album 'Version' - it is this version this arrangement is based upon. The following arrangement was devised as a concert opener - written as such to allow different sections of the band to make their way to the stage one at a time. The suggested stage entry directions for this arrangement are: Percussion > Basses > Trombones > Horns & Baritones > Cornets & Euphonium. Kit and percussion parts are written as a guide - please feel free to add and subtract as the MD sees fit. DUE TO COPYRIGHT LAW THIS WORK IS NOT AVAILABLE IN AUSTRALIA OR NEW ZEALAND ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 2 LISTEN: Click here DURATION: 3-mins 30 secondEXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level
Estimated dispatch 5-7 working days
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£90.00Impressions of Seurat (Chris Cobon) - Brass Band Full Score and Parts - LM482 - Chris Cobon
COMPOSER: Chris Cobon1 - Stone breakersThe Suite opens with the only picture, of the five, which is not in the pointillist style. Several pictures were produced on the Stone Breaker theme, painted in oil on small panels called croquetons. The subjects in the art are breaking stones for use in road building. Musically the piece starts canonically alluding to the repetitive nature of the labour. A more direct, rhythmic link of three hammer blows, are first heard in the opening passages in the percussion. These hammer blows are also built into each third bar of the cannon and, therefore, become embedded into the opening section. Arising from the flurry of activity are two, three bar legato phrases in a majestic style until it falls to a more dramatic sounding of the legato phrase over a resounding of the cannon in a new textural order. This leads to a short, new section, featuring a trombone trio underneath rising scales in the cornet section.2: Bathers at AsnieresBathers at Asnieres was Seurat's first major painting...The canvas is of a suburban, Parisian riverside scene. Isolated figures, with their clothes, piled sculpturally on the riverbank, together with trees, austere boundary walls and buildings, and the River Seine are presented in a formal layout. This moment aims to capture the tranquillity of a summer's day in the park. This painting led the development of the pointillist technique whereby the colours were applied as small dots that combine to form a picture when viewed at a distance. The trombones capture this idea in the opening bars with their carillon-style entries. The 2nd/3rd cornets make a more direct link by individual picking out single notes of a melody being sounded on Baritones and trombones at C. The use of mutes adds a subtle darker side to this movement which nods to the industrial working-class aspects of the painting.3: White DogWhite Dog features a few characters relaxing in the sun, and a white dog with its tail held high. Having two dogs myself, I've taken the idea of an excited dog with a waggy tail as the basis for this short, middle, movement.4: Sunday Afternoonon the Island of La Grande Jatte Sunday Afternoon on the Island of La Grande Jatte is arguably Seurat's most famous work.5: Parade de CirqueCircus Sideshow Parade de Cirque encompasses a circus scene's boisterousness, vitality and chaos. However, the painting, constructed with the new pointillist technique, also portrays stillness, calmness and precision. As expected from looking at the picture, the trombone takes centre stage in various locations on either side of the calming circus waltz and pointillist section (I).LM482ISMN : 9790570004829
In Stock: Estimated dispatch 3-5 working days
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£69.95
TRANSFORMATION (Brass Band Set) - Kenneth Downie
I believe in transformation, God can change the hearts of men, And refine the evil nature, till it glows with grace again'. So wrote John Gowans in the second verse of his great hymn, 'I believe that God the Father, can be seen in God the Son', written specifically to affirm Salvationists' beliefs. It is sung to the tune Bethany and in seeking to explore this great subject at the heart of the Christian gospel in musical terms, the composer has used this fine tune as the basis. Although it never appears in its entirety, it is seldom out of the picture and much of the work is derived from it. The other main source of material is the lovely, simple chorus, 'Some day I shall be like him, changed to heavenly beauty, when his face I see'. This chorus is especially prominent in the middle section but there are important references to it throughout. There are also brief references to Charles Wesley's hymn, 'Love Divine' and, in particular, the telling lines, 'Changed from glory into glory, till in Heaven we take our place'. The work suggests that, at times, the process of being transformed is a struggle, portrayed with many passages of fraught and demanding music. Considerable reserves of stamina and technique are required while, in contrast, the chorus, 'Some day I shall be like him' provides the warm, gentle centre of the work. The premiere of the work was given by The International Staff Band of The Salvation Army in Cadogan Hall on Friday 3rd June 2011, as part of the band's 120th anniversary celebrations.
Estimated dispatch 7-14 working days
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£57.50Salsa Brava - Etienne Crausaz
The Salsa Brava is a typical Spanish hot sauce that goes wonderfully well with barbecue or tapas. The Salsa is also a style of music that originated in the Caribbean, combining Cuban, Puerto Rican, and American influences.This composition is completely in keeping with this aesthetic, offering catchy melodies supported by a characteristic rhythmic patterns and highly intricate harmonies. A middle section provides space for soloists (cornet and trombone) to express themselves. The result is music which is festive, lively, and full of energy. A sure bet to charm your audience.This music is part of the musical tale La Malediction d'Aragne, written by Dominique Schweizer and commissioned by the Lyre de Courtion (dir. Dominique Morel) to mark its 100th anniversary.
Estimated dispatch 5-14 working days
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£105.20Super Trouper - Benny Andersson & Björn Ulvaeus - Idar Torskangerpoll
This song by ABBA is the core of the European disco-sound in the eighties. It was released in 1980 when ABBA was in its superstardom. A good tune with almost a sing-along guarantee from the audience.This arrangement in the Young Band series is suitable for many bands as the instrumentation is limited in its demand to number of instruments. In the same series several ABBA items are available, and this piece can be programmed alongside other ABBA songs from the same series.This arrangement is similar to the original in form. The semiquavers in the tuba part may be omitted as they also are covered in the euphonium part.
Estimated dispatch 5-14 working days
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