The Salvation Army, page 16

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£44.95

None Other Name (Brass Band - Score and Parts) - Leidzen, Erik

None Other Name was written for the 1960 tour of England by the New York Staff Band of The Salvation Army and can justifiably be termed a classic of brass band repertoire. It is best described as a symphonic medley of six songs focused on the name of Christ; The Saviour's Name; Jesus is the Sweetest Name I know; There's a Wonderful Name, 'tis Jesus; He's the Lily of the Valley; Jesus, the Very Thought of Thee (St. Agnes); All Hal the Power of Jesus' Name (Diadem).
Estimated dispatch 7-14 working days
£22.50

None Other Name (Brass Band - Score only) - Leidzen, Erik

None Other Name was written for the 1960 tour of England by the New York Staff Band of The Salvation Army and can justifiably be termed a classic of brass band repertoire. It is best described as a symphonic medley of six songs focused on the name of Christ; The Saviour's Name; Jesus is the Sweetest Name I know; There's a Wonderful Name, 'tis Jesus; He's the Lily of the Valley; Jesus, the Very Thought of Thee (St. Agnes); All Hal the Power of Jesus' Name (Diadem).
Estimated dispatch 7-14 working days
£59.95

Quintessence (Brass Band - Score and Parts) - Redhead, Robert

Originally written for the Melbourne Staff Band's tour of the UK in 1978 and, more specifically, their participation in The Salvation Army International Congress in London, the music expresses the quintessence of Australian Salvationism. The five sections are; 1. An original theme expressing the immensity of the Australian continent. 2. Australia's sons, let us rejoice representing the character of the people. 3. Glory, glory, glory hallelijah from the song The Christian Mission. 4. A meditative setting of At Thy feet I bow adoring, written by two Australian Salvationists. 5. A development of the previous themes bringing the work to its climactic conclusion.
Estimated dispatch 7-14 working days
£29.95

Quintessence (Brass Band - Score only) - Redhead, Robert

Originally written for the Melbourne Staff Band's tour of the UK in 1978 and, more specifically, their participation in The Salvation Army International Congress in London, the music expresses the quintessence of Australian Salvationism. The five sections are; 1. An original theme expressing the immensity of the Australian continent. 2. Australia's sons, let us rejoice representing the character of the people. 3. Glory, glory, glory hallelijah from the song The Christian Mission. 4. A meditative setting of At Thy feet I bow adoring, written by two Australian Salvationists. 5. A development of the previous themes bringing the work to its climactic conclusion.
Estimated dispatch 7-14 working days
£46.00

Hymns at Heaven's Gate (Score only) - Elgar Howarth

A flourish: a crowd assembles at the gate of Heaven, saints and sinners. As in a film the immensity of the crowd is illustrated, and the camera zooms to focus onparticular groups and individuals. Monks sing a 'medieval' hymn, interrupted by the fanfares of mischievous seraphim; gradually the whole crown join in. The fanfares grow wilder, and grubby, naughty children enter, singing mock fanfares, making jazzy gestures and trying to sing a chirldren's hymn. They are joined by roughnecks who take up the fanfare idea. The camera zooms again at the entrance of Jesus. A commanding flourish causes consternation. Separate groups react, interrupted by mysterious percussion effects. Then, as the whole panorama explodes in sound, William Booth (founder of the Salvation Army) approaches awestruck. A triple Alleluia is followed by the third hymnand further Alleluias. A dance finale begins using material from the whole piece. A tumultuous climax preceds sudden quiet Alleluias, and the crown exits into Heaven to the music of the monks, reharmonised and transformed. The camera shots extend to the heavens and the stars. Duration: 15:00
Estimated dispatch 7-9 working days
£58.00

Hymns at Heaven's Gate (Parts only) - Elgar Howarth

A flourish: a crowd assembles at the gate of Heaven, saints and sinners. As in a film the immensity of the crowd is illustrated, and the camera zooms to focus onparticular groups and individuals. Monks sing a 'medieval' hymn, interrupted by the fanfares of mischievous seraphim; gradually the whole crown join in. The fanfares grow wilder, and grubby, naughty children enter, singing mock fanfares, making jazzy gestures and trying to sing a chirldren's hymn. They are joined by roughnecks who take up the fanfare idea. The camera zooms again at the entrance of Jesus. A commanding flourish causes consternation. Separate groups react, interrupted by mysterious percussion effects. Then, as the whole panorama explodes in sound, William Booth (founder of the Salvation Army) approaches awestruck. A triple Alleluia is followed by the third hymnand further Alleluias. A dance finale begins using material from the whole piece. A tumultuous climax preceds sudden quiet Alleluias, and the crown exits into Heaven to the music of the monks, reharmonised and transformed. The camera shots extend to the heavens and the stars. Duration: 15:00
Estimated dispatch 7-9 working days
£77.00

General Series Brass Band Journal, Numbers 2242 - 2245, April 2024

2242: Fanfare Prelude - Faithful in every way (Simon Gash)Lord, I come before your throne of grace (S.A.S.B. 378) has become a popular song for Sunday worship. These words of great assurance are married to a strong tune which, unlike many contemporary worship songs, suits the brass band idiom well. Although this piece will work without Percussion, the Snare Drum part, which underpins a lot of the piece, will help drive the music forward.2243: The wonders of thy grace (Norman Bearcroft)Herbert Booth's song Within my heart, O Lord, fulfil (S.A.S.B. 211) was the inspiration behind Lieut-Colonel Norman Bearcroft's three-verse setting of the hymn tune Wareham, with the title being taken from the lyrics of verse two.2244: Trombone Solo - I will wait (Andrew Mackereth)Major Leonard Ballantine has an astonishing gift for contemporary song writing. This song is a brilliant example of this, taking the idea of Jesus waiting patiently for us to accept the fullness of his offer of love.This arrangement was made at the request of Andrew Justice, former Principal Trombonist of The International Staff Band. For many years, Andrew has used this song with piano accompaniment. In making this arrangement, the composers aim was to capture the transparency you can create in piano playing.2245: The battle cry! (David Edmonds)Inspired by Lorne Barry's Trinity (F.S. 599), this piece would be well suited as a concert opener but would work in many settings as a contribution to worship. Its main feature is the driving rhythmic pattern in the Bass and Percussion sections. The music needs to be played with confidence and purpose. As the title suggests, it is a strong, inspiring battle cry, corralling the troops. This is a setting of the song by Stuart Townend and Keith Getty, O Church, arise (S.A.S.B. 819), which has become popular in recent years, not only within The Salvation Army, but also the wider Christian church.
Estimated dispatch 7-14 working days
£70.00

General Series Band Journal August 2017 Numbers 2170-2173

Praise to the Lord! (Andreas Holmund)A joyful and exuberant setting of the tune 'Lobe den Herren' which will be popular amongst many groups looking for an exciting programme item.Carol of the bells (Warren Brookes)The 'Carol of the bells' is an extremely popular and much used carol. This setting will bring a useful addition to the Christmas repertoire and is arranged by a Salvationist from Australia.Breathe on me (Paul Drury)This work is based on the 'Sing to the Lord' setting by Mark Porter which has proved popular amongst many vocal groups. It is hoped that this developed setting will enhance its popularity.March Cedarlights (Norman Bearcroft)Lt. Colonel Norman Bearcroft provides a march with all his hallmarks of energy and rhythmic and melodic interest. The march was written as a tribute to the International College for Officers and features the tunes 'Joy, joy, joy there is joy in The Salvation Army', 'They shall come from the East' and 'The World for God' reflecting the internationalism of the College.
Estimated dispatch 7-14 working days
£29.95

Judd: A Joy Untold

This short, light-hearted solo has been described as The Salvation Army's answer to 'The flight of the bumble bee' and requires facility from the soloist and accurate accompaniment from the band. The solo opens and closes with whimsical references to Erik Leidzen's famous euphonium solo 'The Song of the Brother' and includes the tunes 'A robe of white' and 'I'll serve Thee'.
Estimated dispatch 7-14 working days
£44.95

Judd: Lyric Variations

This solo was written at the request of Stephen Cobb and was premiered by Derick Kane with The International Staff Band of The Salvation Army in 1999. It subsequently became the title track of the solo CD recorded by the same forces. The theme, commonly known as 'Lord of the Dance', is followed by four variations (waltz, soft shoe, brillante, lento) and a blistering finale! A piano accompaniment version is included in The Derick Kane Euphonium Album.
Estimated dispatch 7-14 working days