Results
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£53.99Belle (Brass Band - Score and Parts) - Cocciante & Plamondon - Kraeydonck, Jan van
From the musical show Notre-Dame De Paris. Duration: 4.30
Estimated dispatch 7-14 working days
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£53.99I Dreamed a Dream (Brass Band - Score and Parts) - Boublil & Schonberg - Cortland, Steve
Theme from The Musical "Les Mis?rables". Performed by Rose Laurens. Duration: 04:00
Estimated dispatch 7-14 working days
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£53.99I Don't Know How to Love Him (Brass Band - Score and Parts) - Lloyd Webber, Andrew - Bernaerts, Frank
Theme from the musical "Jesus Christ Superstar". Performed by Yvonne Elliman and Andre Previn. Duration: 03:45
Estimated dispatch 7-14 working days
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£54.20AND ALL THAT JAZZ (Brass Band) - Morrison, Alan
from the musical Chicago. Grade: medium Duration: 3:06
Estimated dispatch 7-14 working days
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£50.90
I'VE NEVER BEEN IN LOVE BEFORE (Flugel, Horn and Baritone feature with Brass Band) - Loesser, Frank - Wormald, Christopher
From the Musical Guys and Dolls. Grade: Easy/Medium.
Estimated dispatch 7-14 working days
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£56.00Love Duet (Cornet and Euphonium Duet with Brass Band - Score and Parts) - Richards, Goff - Woodfield, Ray
Wenn Du Mich Liebst from the musical Jukebox
Estimated dispatch 7-14 working days
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£34.99Show Me (from My Fair Lady) (Brass Band - Score and Parts) - Lerner & Loewe - Freeh, Mark
The musical My Fair Lady (a book and lyrics by Alan Jay Lerner and music by Frederick Loewe), is based on George Bernard Shaw's Pygmalion. Show Me, arranged by Mark Freeh, is taken from Act II of My Fair Lady and is when Liza storms out of Higgins' house to stumble outside into Freddy. Freddy protests that he is in love with her, but Liza is sceptical and brushes him off.Suitable for Advanced Youth/3rd Section Bands and aboveDuration: 4.00
Estimated dispatch 7-14 working days
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£50.90
TIL I HEAR YOU SING (Brass Band) - Lloyd Webber & Slater - Wormald, Christopher
Easy - from the musical 'Love Never Dies'
Estimated dispatch 7-14 working days
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£50.90
YOU'LL NEVER WALK ALONE (Brass Band) - Wormald, Christopher
From the Musical Carousel. Grade: Easy.
Estimated dispatch 7-14 working days
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£30.00Russian Rag - George L Cobb, Sandy Coffin
Interpolating the world famous"Prelude" by RachmaninoffCommissioned by John Wallace, this arrangement of Russian Rag has been crafted by Sandy Coffin through close listening of the available recordings of the Harlem Hellfighters Band. Sandy had been heavily involved with the Historic Brass Society symposium 2017 held in New York and assisted John with his research on this fascinating band and the style of music it generated.Eye-witness accounts refer to the 369th band 'dancing' rather than 'marching'. Above all, in modern performance, finding a 'dancing beat' is crucial to a successful performance of this Ragtime march in order to do justice to the great pioneering work of James Reese Europe. Note the cheeky virtuosity and rubato!Look and Listen (courtesy of Tullis Russell Mills Band):Background to the Harlem HellfightersThe US Army 369th Regiment, made up largely of African-Americans from New York, became known as the Harlem Hellfighters because of the heroic reputation which accrued to them during the actions they engaged in during the First World War in Europe.James Reese Europe was one of the most active African-American composer/musical directors in the pre-war American music scene. The legendary Harlem Hellfighters Band, which he assembled in 1917 from African-American and Puerto Rican musicians, came at an important transitional point in musical history. A new form of music called jazz was emerging from Ragtime and the performing style of Europe's band was immersed in the flow of this new direction.Europe's Harlem Hellfighters influenced and inspired everyone who heard them, including the welcoming crowd when they disembarked in France, bowled over by their swinging rendition of La Marseillaise. Reese Europe became a war hero, commanding a machine-gun unit as well as the band.On return from War in 1919 the band led a ticker-tape parade along Fifth Avenue in New York and soon made about 30 shellac recordings. These recordings display some of the fingerprints of their performing style: ragging, improvising, muting, wailing, smearing (their word for glissando) - and from the evidence of their recordings they took the printed page as a blueprint for individuality.In May 1919 during the Hellfighters' triumphant coast-to-coast tour after their return, James Reese Europe was tragically murdered, bringing to premature close, at the age of 39, the work of a great musical innovator.
In Stock: Estimated dispatch 3-5 working days
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