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  • £115.60

    Sorgemarsj (til minne om Rikard Nordraak) - Edvard Grieg - Torstein Aagaard-Nilsen

    Edvard Grieg composed this funeral march in memory of Rikard Nordraak who died i Berlin in 1866. The work present both pompous and magnificent thems as well as melancholic melodies.The solemn funeral march is a typical national romantic work.This instrumentation was written in 2018 in conjunction with the 175th Anniversary of Edvard Grieg's birth.

    Estimated dispatch 5-14 working days

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  • £45.00

    John Williams: Epic Themes - John Williams

    A medley of John Williams favourites including Star Wars (Main Theme), March (1941), Imperial March from Star Was Episode V: The Empire Strikes Back, Olympic Spirit, and Superaman (MainTheme). Arranged for Brass Band and Rercussion by Steve Sykes.

    Estimated dispatch 5-14 working days
  • £154.99

    Fraternity - Thierry Deleruyelle

    This piece by Thierry Deleruyelle is based on one of the most significant events in the history of coal mining; the catastrophe at Courrieres, Northern France. It took place on 10th March 1906 and is considered the most momentous mining accident in Europe and the second most significant in the world. This work is both emotional and spectacular and tells in 7 contrasting sections the catastrophe that occurred. Fraternity was the test piece in the "Champion" category at the European Brass Band Competition 2016 in Lille, thus commemorating 110 years since the disaster at Courrieres.

    Estimated dispatch 5-14 working days

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  • £76.99

    Let's Celebrate - Dagmar Kildevann

    Is there something to be celebrated? Then let's play 'Let's Celebrate'! This four-part suite has been based on two birthday songs: the world-famous 'Happy Birthday to you' (which is also sung in many other languages), and the Dutch song 'Lang zal hij/zij leven'. The Fanfare opens in grand style with the motif of 'Lang zal hij leven' and is followed by a cheerful March in which the motifs of both songs can be heard. The third part, Song, forms a moment of contemplation, and the birthday presents are unwrapped by the percussion section in the fourth part, Surprise Party. The yell may be adapted to the occasion. (the sleigh bells caused the composer to note down this somewhat peculiar yell). Of course everybody is expected to join in.

    Estimated dispatch 5-14 working days

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  • £105.20

    Marche pour la ceremonie des Turcs - Jean-Baptiste Lully - Haakon Esplo

    Jean-Baptiste Lully (1632-1687) moved from Italy to Paris and started as a kitchen boy. Alongside he also composed music and was a dancer and actor. He soon became leader of the court orchestra, and wrote music for the parties at the court. At aconcert in 1687 he hit his foot with his conductor pole, got gangrene in the wound and died three months later. Lully is the first known composer of French baroque operas and had great influence on the development of the European musictowards the end of the 1600s.Turkish march is used in the 1991 movie "All the mornings of the world" (Tous les matins du monde) starring Gerard Depardieu. The action takes place in France in seventeenthcentury where we follow the relationshipbetween the viol player Marin Marais and his mentor Sainte Colombe.

    Estimated dispatch 5-14 working days
  • £154.99

    Spiriti - Thomas Doss

    A Bach chorale stands at the centre of this work (Fur deinen Thron tret ich hiermit).Anton Bruckner was one of Johann Sebastian Bach's great admirers. His work is full of the spirit of that musical genius. For Thomas Doss, it was Bruckner's spirit that always seemed to be with him while working on Spiriti. Bruckner's spirit is captured in this composition by a quote from the chorale of his Fifth Symphony at the end of the piece.The introduction, written in the style of a funeral march, already displays the first fragments of the chorale. Like splinters they are strewn throughout the first Allegro, combining and recombining in turbulent, powerful tuttipassages. As the music becomes more rambunctious, the Bach-like fragments begin to swirl around each other, only to be scattered once more.The middle-section is of a more pensive nature. The Religioso character gives the audience time to reflect. The music is meditative and the quarter-note (or crotchet) elements mimic a soul that is yearning and crying out.The third part of the piece finally leads, by way of minimalist elements and the fragments mentioned earlier, to a magnificent presentation of the Bach chorale. As the church bells ring out, one can almost hear the great masters presiding at the organ.

    Estimated dispatch 5-14 working days

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  • £118.99

    Sinfonietta no. 1 - Johan de Meij

    Sinfonietta No. 1, written for brass band, was commissioned by the Dutch National Championships 2011 in Groningen. It also served as the test piece for the Swiss National Championships 2011 in Montreux, Switzerland. Unlike most of Johan de Meij's compositions, Sinfonietta No. 1 is an abstract, non-programmatic work. It consists of three movements, in which the thematic material of the opening measures - an upward fifth jump - returns in various shapes and forms throughout the piece. The slow middle section features solo passages by cello, English horn and bassoon, all starting with the same fifth jump. The final movement presents an Elgar-like march theme,interspersed with quotes from the second movement, and ending with the opening theme of movement I.

    Estimated dispatch 5-14 working days

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  • £59.99

    Land of Hope and Glory - Philip Sparke

    Elgar's five Pomp and Circumstance Marches were written between 1901 and 1930 with number 1 undoubtedly being the most popular of the five.King Edward VII told Elgar that the tune would 'go round the world' if words were fitted to it. Elgar took the hint and included it (with slight rhythmic changes) in his Coronation Ode of 1902, with words by A. C. Benson.Thus was born Land of Hope and Glory which is now, of course, an integral part of the annual Last Night of the Proms, when the audience (with varying degrees of success!) sing the words along to the original march. Now your brass band canenjoy all the pomp and ceremony of proms with this arrangement by Philip Sparke.

    Estimated dispatch 5-14 working days

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  • £54.99

    Images for Brass - Stephen Bulla

    Stephen Bullas highly descriptive work was written to commemorate the 50th anniversary of the Battle of Iwo Jima, which took place between the 19th February and 26th March 1945.Casualties on both the American and Japanese sides were horrendously high before the famous image of the raising of the flag on top of Mount Suribachi signalled the end of one of the most significant and terrifying Pacific conflicts of the SecondWorld War.The work received its first performance by the brass choir of the U.S. Marine Band at the National Cathedral in Washington D.C. and is divided into four programmatic sections.The first portrays the sense of anticipation before conflict (Prologue), before the arduous journey to the scene of the battle (Approach by Sea) is followed by introspection and prayer featuring the hymn tune Melita (Chorale Prayer), andfinally, the hostile confrontation itself (Engagement).There are frequent references to the Marines Hymn and the US National Anthem, particularly in the closing bars, depicting the ultimate raising of the American flag.

    Estimated dispatch 5-14 working days

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  • £54.99

    Hymnus Antverpiae - Jan Van der Roost

    This hymn was commissioned by "Antwerpen 93". And this city, on the banks of the river Schelde has been nominated "Cultural Capital of Europe" for 1993. The work-group "animatie" took the initiative and commissioned a hymn, which -as the finale to a grand open-air event on 27th March- was premiered by hundreds of musicians from all over Europe. Philippe Langlet (France) was the conductor at this majestic occasion.Musically speaking the piece can no doubt be labeled easy. Indeed it is meant to represent a hymn, playable by all in different instrumental combinations. Consequently a variable instrumentation was chosen and a type of music, which by native is easily accessible anduncomplicated.The conductor is free -in the instrumentation- to score this piece according to his own taste. It is perhaps advisable to use the sharp brass in the forte parts, in order to make the range in the sound of the orchestra as colouful as possible. The percussion parts are not absolutely essential, so that the hymn can also be performed without percussion.

    Estimated dispatch 5-14 working days