Results
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£30.25
Moto Perpetuo (after Paganini) - H. Snell
This is the version for Band (see also the soli version for two euphoniums)
Estimated dispatch 5-7 working days
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£35.00
Have Yourself a Merry Little Christmas - Blane, R & Martin, H - Griffiths, D
This cherished song first appeared in the 1944 MGM musical Meet me in St Louis, when Judy Garland's character sung the song to her five-year old sister to cheer her up. This new arrangement is a sumptuous slow jazz trombone solo, as played by Chris Thomas on Cory's latest Christmas CD4th section +Duration 4 mins
In Stock: Estimated dispatch 1-3 working days
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£33.00
Miss Marple Theme - Howard & Blaikley - Perry, H
The theme from the BBCs long running-series of Agatha Christie's Miss Marple.
In Stock: Estimated dispatch 1-3 working days
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£27.95
IN THE PINK - H.Mancini/M.Jackson
In Stock: Estimated dispatch 3-5 working days
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£99.00
Images of the Millennium - Suite H. Snell
In Stock: Estimated dispatch 3-5 working days
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£40.50
March to the Scaffold Berlioz, H.
In Stock: Estimated dispatch 3-5 working days
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£34.50
Old Chalet, The (Traditional Switzerland) H. Snell
In Stock: Estimated dispatch 3-5 working days
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£46.50
The Witches' Sabbath Berlioz, H.
In Stock: Estimated dispatch 3-5 working days
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£24.50Sospiri - Elgar - Max Stannard
Originally scored for string orchestra, harp and organ, this Adagio was composed by Sir Edward Elgar shortly before the outbreak of the First World War and you can perhaps hear the gathering storm clouds of war in the music which became a bleak adagio that would not be out of place as the slow movement of an Elgar symphony. The work was dedicated to the leader of the London Symphony orchestra W.H. (Billy) Reed.
In Stock: Estimated dispatch 1-3 working days
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£115.60Grevling i taket - Øystein Dolmen og Gustav Lorentzen - Reid Gilje
This is an arrangement which has to be performed a bit humorous in the spirit of the original.It starts with a kazoo-like opening, played on the mouthpieces. At C, baritones and euphoniums should stand up. Maybe the musicians can play it by heart?Two bars before D, the tempo increase. On E, the cornet players should stand (and play by heart)?New, even higher tempo two bars before F. The trombonists should stand up in bar 103 to prepare for a terrific tempo. But G will be played like a laidback reggae-version. Flugelhorn and horns can stand up simultaneous with the glissando in bar 120.The tempo at H should be high and fresh and with several sections standing. In bar 158 should almost all players sit. At bar 160 everyone should stand up.In bar 162, all players should turn to the audience during the crescendo.
Estimated dispatch 5-14 working days
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