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  • £29.95

    The Redcliffe March (Brass Band - Score and Parts) - Hollis, Daniel

    First published in 1929, this march was written when the composer was living in Redcliffe, Australia.

    Estimated dispatch 7-14 working days
  • £14.95

    The Redcliffe March (Brass Band - Score only) - Hollis, Daniel

    First published in 1929, this march was written when the composer was living in Redcliffe, Australia.

    Estimated dispatch 7-14 working days
  • £44.95

    Toccata, Oh the Blessed Lord (Brass Band - Score and Parts) - Heaton, Wilfred

    Originally written as a brass sextet, based on the American Spiritual 'Oh dem golden slippers', and eventually published for full band in 1973. It is hard to believe that this highly original and technically difficult composition could have first been conceived as long ago as 1938.

    Estimated dispatch 7-14 working days
  • £22.50

    Toccata, Oh The Blessed Lord (Brass Band - Score only) - Heaton, Wilfred

    Originally written as a brass sextet, based on the American Spiritual 'Oh dem golden slippers', and eventually published for full band in 1973. It is hard to believe that this highly original and technically difficult composition could have first been conceived as long ago as 1938.

    Estimated dispatch 7-14 working days
  • £54.99

    The Little Musician (Brass Band - Score and Parts) - Ares, Rob

    Comprising two sections (Tranquilo and Moderato) this flexible band piece is a great way of training your 'little musicians'. art of the Scherzando First Dialogue series this jaunty little piece will be popular with your players for many years to come.Duration: 4:30

    Estimated dispatch 7-14 working days
  • £29.95

    LAND OF THE LONG WHITE CLOUD, The - Aotearoa (Brass Band Extra Score) - Sparke, Philip

    Extra Score only. First Section - National Brass Band Championships of Great Britian Area Test Piece 2017. Recorded on Polyphonic QPRL069D Un Vie de Matelot, Polyphonic QPRL065D Double Champions

    Estimated dispatch 7-14 working days
  • £59.95

    LAND OF THE LONG WHITE CLOUD, The - Aotearoa (Brass Band Set - Score and Parts) - Sparke, Philip

    Score & Parts. First Section - National Brass Band Championships of Great Britian Area Test Piece 2017. Recorded on Polyphonic QPRL069D Un Vie de Matelot, Polyphonic QPRL065D Double Champions

    Estimated dispatch 7-14 working days
  • £42.95

    ONE AND OLNEY, The (March) (Brass Band) - Keeley, Ed

    Composed for Olney Town to commemorate the formation of Olney Brass on 1st April 2011. First performed on 15th July 2011.

    Estimated dispatch 7-14 working days
  • £54.99

    First Knight (Brass Band - Score and Parts) - Goldsmith, Jerry - Bernaerts, Frank

    Featuring the main themes "Arthur's Fanfare" & "Promise Me". Duration: 04:30

    Estimated dispatch 7-14 working days

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  • £54.95

    Sonata - Derek Bourgeois

    This work, composed in 1998, was commissioned by the American trombonist Don Lucas as a work for trombone and piano and first performed by him in Birmingham on 19th May 2000. Subsequently, I arranged the music for both solo trombone and brass band and solo trombone and wind band so that it now exists in three formats. The first movement, in B flat major, is brisk and energetic, and is cast in sonata form. The second subject is gentler and more lyrical. The second movement, a scherzo in C major, is the most complex of the four. Basically the structure is a rond. For a long time the music remains in the opening 5/8 time until a new theme introduces more broken rhythms in a more jazzy idiom. After a return of the opening theme the following episode is more tonally ambiguous. Finally, the main theme returns to round off the movement. The third movement, a lyrical adagio, is really one long extended melodic flow. The harmonies are lush and the textures simple and direct. The tonal center is A minor, but the music meanders through so many keys, that this key centre is heavily disguised. The finale is a fiery affair. G minor is really its home key, but throughout the movement the music moves about a lot and the second subject is first heard in A flat minor. The movement's underlying sonata structure is masked not only by its loose tonality but also by its frequently changing time signatures. Like the first movement the second subject is more lyrical in nature and for a while it seems that the music will end peacefully, but a final flurry heralds a triple forte unison on the home note of the first movement - B flat. Derek Bourgeois

    Estimated dispatch 5-14 working days