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  • £72.99

    Fanfare For A Friend - Bert Appermont

    Fanfare for a Friend was originally composed as an introductory piece for the brass ensemble Musica Mosana and their conductor Mark Prils. The work begins with a brilliant brass fanfare that presents the main theme for the first time. This stately theme can be heard in counterpoints throughout the first 28 bars. This is followed by a contrasting and rapid part whereby a melodic theme can be heard against a more rhythmic accompaniment. A virtuoso and sweeping passage then leads to the grandioso in which both themes are played simultaneously in a grand finale.

    Estimated dispatch 5-14 working days

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  • £76.99

    Contrasten - Jan de Haan

    The source of inspiration for the composer was the nuclear disaster in Chernobyl in Russia. The first movement Ostinato expresses desperation, helplessness, fear and anger. The themes from the first movement are further exposed in the second movement Fantasia which has a spectacular finale. In 1989 this composition was the test-piece for the finals in the fourth section of the National Brassband Championships of Great Britain.

    Estimated dispatch 5-14 working days

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  • £69.99

    Suite Symetrique - Jacob de Haan - Menno Haantjes

    This playful three-part suite is largely based on symmetry. This of course is largely due to the relations of the arrangement of the themes; however, on the other hand, to the larger structures in form. The first part, (Prelude et Scherzo) has a solemn opening. Followed by it a related scherzo with many changes in time, this too is composed in a symmetrical form. In the second movement, Choral Dorian, the theme of the prelude is reversed and used in chorale in Dorian tonality. The suite comes to a close with Rondo d'Avignon. An annual theatre festival in a French city on the Rhone inspired this suite. It is a lively movement, symmetrically bought to a finish with a repeat of theprelude from the first movement.

    Estimated dispatch 5-14 working days
  • £76.99

    Prima Luce - Jan Van der Roost

    Prima Luce (First Light) was commisioned by the Holy Angels Elementary School located in Aurora (USA). The name of the town (which means dawn), the town's great religious history and the fact that this town was one of the first in the USA to have streetlights were the inspiration for this Gregorian influenced atmospheric composition

    Estimated dispatch 5-14 working days
  • £187.99

    UFO Concerto - Johan de Meij

    UFO Concerto is Johan De Meij's first solo work for euphonium and it consists of five movements that are thematically related. The opening chord and the first theme are based on those used in 'Extreme Makeover' and 'Planet Earth' in 2005. David Childs premiered this work with The Cory Band, conducted by his father Robert Childs at the 2012 RNCM Festival of Brass in Manchester.

    Estimated dispatch 5-14 working days

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  • £76.99

    Showtime ! - Sven Van Calster

    In this piece, which consists of four contrasting sections in which doubling of parts make it suitable for a wide range of bands. The first part is a kind of musical appetizer which has a heavy disco beat while the second part is a romantic ballad. The third part is inspired by an Irish dance and the last part is a variation of the first part with a spectacular ending. This work makes an ideal challenge for dynamic and young bands.

    Estimated dispatch 5-14 working days

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  • £109.99

    Modern Times - Etienne Crausaz

    Modern Times is a concert suite from the musical and theatrical show Le Temps de Lyre, written and directed by Nicolas Bussard. The work was commissioned for the 100th anniversary of the Lyre de La Roche, directed by Marc-Olivier Broillet, with the premiere taking place in July 2024 in front of an audience of over 2,000.This suite highlights three of the dozen tableaux in the show. After an introduction evoking a sort of journey back in time, the first tableau (bar 20) illustrates various disasters that have occurred in the village over the years. The sky darkens, the thunder rumbles, the rain lashes down, and violent gusts of wind are unleashed on this corner of the country. The storm finally calms down, giving way to great desolation.The second tableau (bar 117) describes the resilience of the villagers, who summon up all their courage to repair the damage. The music is soft, calm, and hopeful.On the strength of this new beginning, the village can embrace modernity: motor vehicles replace horses, a dam is built, and tourism develops, encouraging a society open to other cultures. The third tableau in this suite illustrates all these advances (bar 177). Musically, this final section pays tribute to George Gershwin and Leonard Bernstein, two of the 20th century's great musicians and composers, who worked during the fascinating period of modern times and well beyond.

    Estimated dispatch 5-14 working days

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  • £131.00

    Magdalena Bay - Gauthier Dupertuis

    While admiring many masterpieces at the Louvre Museum in Paris, Gauthier Dupertuis' attention was drawn to a less famous painting: Magdalena Bay, by French painter Francois-Auguste Biard (1799-1882).The work depicts a magnificent snowy landscape on the Norwegian island of Spitsbergen. However, in the foreground, the presence of the wreckage of a ship, bodies covered in snow and a visibly dying character make us understand that tragic events took place there. Thus, a strong contrast is formed between death and the sublime, between the desolation of the survivors of the shipwreck and the magnificence of the landscape. When we look in more detail at the painting, we notice that footprints have been made in the snow: so, could someone have gone to get help? This little glimmer of hope makes the picture even more touching. In this work, Gauthier Dupertuis tried to describe the different elements of the painting, using contrasting sections and dissonances (in particular, the conflict between the minor and the major) to convey the duality between death and the sublime. The work also attempts to highlight a wide palette of orchestral colors, from the most shimmering lines to the darkest low brass colours. In 2024, Magdalena Bay was awarded the first Prize as well as the band Prize at the 9th European Composition Competition for Brass Band, which was held in Palanga (LT). It was premiered on May 2, 2024 by The Cory Band, conducted by Philip Harper.

    Estimated dispatch 5-14 working days
  • £159.99

    Omaggio - Philip Sparke

    Omaggio was commissioned by Steven Mead in celebration of his 60th birthday and in memory of his father, Rex. He gave the premiere of the brass band version in Rome in March 2022, accompanied by the Italian Brass Band conducted by Filippo Cangiamilla. The concert band premiere took place on 6th July that year as part of the 2022 Spanish International Tuba Euphonium Conference, accompanied by the Banda municipal de musica de Malaga. The concerto is set in 3 continuous movements, which are united by a recurring syncopated interval of a fifth. The first movement, FANTASIA, opens with this motive accompanying an extended monologue for the soloist. This is followed by a lengthy bridge passage by the band (piano), which is eventually joined by the soloist, who guides the music back to the opening soliloquy, leading to an energetic central section. This develops until the opening material again returns to introduce the second movement, BALLAD, which revolves around an expressive melody for the soloist, interspersed by accompanied cadenzas. The third movement, THE KING TRIUMPHANT, pays homage to Steven's late father, Rex, and its title alludes both to Rex's name ('Rex' being Latin for 'king') as well as his love of Eric Ball's Salvationist masterpiece, The Kingdom Triumphant. The finale is an energetic tour-de-force featuring an acrobatic 6/8 melody, which is interrupted twice by the magnificent hymn tune, Helmsley, which Ball uses so effectively in The Kingdom Triumphant. A galloping coda brings the work to a close.

    Estimated dispatch 5-14 working days

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  • £115.60

    Griffenfeldt - John Philip Hannevik

    Here we present "Griffenfeldt, a folk-dance in the style of a Norwegian reinlender.This arrangement can be used as the first item in a concert, or after an interval.The musicians can come on stage as they join in. That is why two of the measures are notated "repeat till ready", here you have to wait until everyone is in place! If everyone is ready from the start, the repetition can be omitted.Be sure to play with a bouncy but singing style, not with short and harsh articulations.Do the trills on the beat, but these can also be omitted if it makes it too difficult.To bring out the folk music style a little extra, you can ask the musicians to play on the "backbeat", i.e. emphasize the last half of each quarter-note.In addition, the music will really come to life if all "solo" places are done standing up.The musician Anon Egeland tells this story:This song got its name from a party where it all just got a bit too lively: one of the party-goers started shooting into the ceiling with a gun just as this reinlender was being played. The fiddler - or was it the man with the gun? - was called Griffenfeldt, and that gave the name for the song.

    Estimated dispatch 5-14 working days

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