Results
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£87.99Black Gold - Thierry Deleruyelle
Black Gold was commissioned by Musikverein 1891 "Harmonie" Saarwellingen e.V. (Germany) to mark its 130th anniversary. This composition pictures the history of the mining industry in the town of Saarwellingen and its surrounding region, where the life of the miners as well as their families revolved around coal, or black gold, for centuries on end. The piece is based on motifs from the famous song "Gluck auf, Gluck auf, der Steiger kommt..." ("Good luck, good luck, the mining foreman comes"), a veritable anthem for miners the world over.
Estimated dispatch 5-14 working days
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£105.20Viss eg var ein julekonge (Fra Julekongen) - Stray - Øystein Sjøvaag Heimdal
This is the theme song from the Advent-series "Julekongen" ("The Chiristmas King"), premiered at the Norwegian Broadcasting Coprporation (NRK) in 2012. The present arrangement tries to recreate a bit of the mood from the original recording and performance of the song. You may let other players perform as soloist(s). The arrangement is suitable to focus on sound quality at all grade levels. You may end the performance at bar 61.
Estimated dispatch 5-14 working days
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£60.99Latin Dance Party - William Vean
In 'Latin Dance Party' William Vean takes us along to sunny, seemingly care-free places. Happy faces, catchy music, delicious drinks are images that come to mind when listening to this 'feel good' music which will either get you in a dreamy mood or make you want to step out onto the dance floor. To start we hear the first dance of Cuban origin 'Cha Cha Cha', cheerful, romantic, playful dance . The Cha Cha Cha is probably the most popular dance. Then we have the slower 'Bossa Nova' (new wave), a dance developed from the Samba rhythms with strong syncopation. We end with the 'Samba'. Samba is party. The samba is a mix of polka, Cuban habanera and Africanrhythms, born around 1910 in the slums of Rio de Janeiro, and every year the leading dance during the exuberant carnival.
Estimated dispatch 5-14 working days
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£65.00Infernal Ride - Kenneth Hesketh
Infernal Ride is mercurial and virtuosic, reflecting the mad-cap chase of Ichabod Crane's final ride on his horse, Gunpowder, in the story by Washington Irving, namely The Legend of Sleepy Hollow.Often an atmosphere of driven fear pushes the music forward, only briefly stopping for breath. The work closes with flourishes in rapid succession, perhaps with the hapless Ichabod meeting his unfortunate end! BrassBand Grade 5: 1st Section Duration: 7 minutes.Infernal Ride has been recorded by the Leyland Band, conducted by Jason Katsikaris, and is available on theCDPenlee.
Estimated dispatch 5-14 working days
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£59.99Veni Immanuel - Philip Sparke
The Advent hymn we all know today as O Come, O Come, Immanuel was arranged in its modern form by Thomas Helmore and published in Hymnal Noted in 1856. Both the words and melody, however, predate this version by centuries. The words are based on a 9th century antiphon and the tune, Veni Immanuel, is taken from a 15th century processional of French Franciscan nuns, part of the setting for the funeral hymn Libera Me. This arrangement aims to expand on the power and mystery of the original tune and will be most effective if the solo Cornet at the start and end of the piece can be placed away from the band, maybe at the back of the auditorium.
Estimated dispatch 5-14 working days
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£59.99Veni Immanuel (Brass Band - Score and Parts) - Sparke, Philip
Meditation on O Come, O Come ImmanuelThe Advent hymn we all know today as O Come, O Come, Immanuel was arranged in its modern form by Thomas Helmore and published in Hymnal Noted in 1856. Both the words and melody, however, predate this version by centuries. The words are based on a 9th century antiphon and the tune, Veni Immanuel, is taken from a 15th century processional of French Franciscan nuns, part of the setting for the funeral hymn Libera Me. This arrangement aims to expand on the power and mystery of the original tune and will be most effective if the solo cornet at the start and end of the piece can be placed away from the band, maybe at the back of the auditorium.Duration: 6:00
Estimated dispatch 7-14 working days
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£106.99Portrait of a City (Brass Band - Score and Parts) - Sparke, Philip
Score and Parts. Suite in 3 movements: 1. Skyline. 2. Autumn. 3. Downtown.In this exciting suite Philip Sparke sets out to capture the essence of his hometown, London, with each of the three movements depicting one of the many characteristics of this fascinating city. Skyline shows the frantic lifestyles of Londoners with millions of diverse people with different hopes and needs. Autumn shows the changes that take place in London during the different seasons and Downtown portrays the exciting nightlife of the West End.Recorded on AR012-3 A Portrait in Brass.2011 National Championships Finals 2nd Section Test PieceAmerican Grade 4Duration 14:20
Estimated dispatch 7-14 working days
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£30.00Accolade (Brass Band - Score and Parts) - Littlemore, Phillip
Accolade, meaning an award, an honour or a laudatory notice. This fanfare for brass band literally builds from the bottom up - a battery of percussion leads to the lower band's statement of the theme before passing through the middle of the band that builds a series of interjections. The theme is then restated in the upper band before the battery of percussion returns to end. The fanfare was written for Regent Brass as the title track for their 1990 recording to celebrate both their 5th anniversary and to celebrate being crowned 3rd Section Champion Band of Great Britain in 1988 - an accolade indeed!?Duration: 1:00
Estimated dispatch 7-14 working days
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£80.00
As Night Falls - Geert Jan Kroon
As Night Falls is a solo for cornet. As the day comes to an end and the mind starts relaxing, the creative minds start working. Though upon though enter the mind and must be caught. Great ideas have sprung from these late endeavours. The excitement builds as this seed of creativity has been planted. This work is dedicated to all night owls.
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£40.00
Darkest Hour
A wonderfully dark and moody piece from the pen of Keiron Anderson. Low chords slowly spread out through the whole ensemble as the piece progresses and reaches it's climax before fading away to a resigned end. Minor keys predominate until the final section.
