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  • £28.60

    TECHNIQUE AND SOUND! - Jarrige Nicolas

    Estimated delivery 10-12 days

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  • £35.60
  • £25.00

    30 Day Technical Challenge

    The 30 Day Technical Challenge This 30 day program is a step by step guide to improve your technique. Each practice session is laid out day by day, exercise by exercise for maximum technical improvement. During the next 30 days you will improve: Breathing Lip Flexibility Single Tonguing Finger Dexterity The Bootcamp will only require a small amount of extra time on top of your normal practice regiment. All you will need is a metronome and your instrument. It does not matter if you are grade 1 or grade 8+ this program will improve your technique. Practice Until Failure If you do not practice until you fail, you are not pushing your technique to its limit. Whether it be squeezing the last drop of air out of your lungs in a breathing exercise, or completing a tonguing exercise until your tongue is completely exhausted, the harder you push yourself the more progress you will see during the 30 days. Taking The Tests Take all 4 tests on day 1. Try to push yourself and reach the highest level possible. There over 20 levels that you can achieve on each test. Start each test from the beginning, playing each exercise at the stated tempo markings before moving on. Exercise 1 corresponds to levels 1 - 5, one level for each tempo written. Levels 6 - 10 are from Exercise 2, 11 - 15 Exercise 3 and 16 - 20 Exercise 4. If you reach level 20, continue changing the tempo on Exercise 4 until you reach failure. Add 1 level for every extra tempo marking completed. Make note of the level you achieve for each test, this will be needed for your comparison at the end of the 30 days. Once you have taken the tests simply follow the calendar and complete the set exercises each day. The weekend practice sessions ask you to repeat the exercises from earlier in the week. This gives you a second chance to push your technique further on each exercise. The Final Test Complete the 4 tests again on day 30 and compare your results. Good luck and enjoy the next 30 days!

    In stock: Estimated delivery 1-2 days
  • £29.95

    54 Studies and Duets - Lucy Pankhurst

    This collection of studies focusses on multiple aspects of brass technique. The studies themselves are set into three categories, allowing players to identify specific pieces that complement their current practice effectively.6 MELODIC PATTERN STUDIES:These studies use repetitive melodic and rhythmic configurations in a variety of keys and styles to help develop confident pattern recognition. There are intentionally no suggested dynamics or breath marks, so players are encouraged to incorporate their own.11 SLUR STUDIES:Flexibility is essential for effective brass technique. These studies specifically work on airflow and breath control to achieve effective slurs and lip slurs in performance.22 TECHNICAL STUDIES:Each of these studies focus on different aspects of brass performance technique, including digital dexterity, articulation, control, air support, flexibility, low range and optional pedal tones.15 DUETS:Covering a wide range of styles, these short duets incorporate technical elements that have been approached in the studies, giving the opportunity to put them into context with a fellow musician. Practising technical exercises individually is very different to performing with another player, so have fun putting these together!Lucy Pankhurst

    Estimated delivery 3-5 days
  • £12.50

    Chameleon - Thomas Doss

    Chameleon is a three-part solo piece for euphonium and brass band. The different styles within the piece provide lots of variety, requiring refined technique and a great deal of flexibility from the soloist. This composition was commissioned by Georg Pranger, to whom the piece is also dedicated. As a pioneer of the Austrian euphonium soloist scene, Pranger is committed to the 'unshackling' of this wonderful instrument and the creation of great musical momentum, as achieved by this commission.

    Estimated delivery 10-14 days

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  • £40.00

    Swingin' Kilts - John Blanken

    John Blanken has created a swinging arrangement of the famous Scottish traditional tune Scotland the Brave. The usual version with bagpipes is the best known and there is a similarity in Swingin' Kilts owing to its long, drone-like tones in the accompaniment. The theme has been rhythmically adapted but it is still easily recognisable. Swingin' Kilts holds a challenge for every brass band. It makes demands in terms of timing and technique which give this work the bravura feel that will keep the audience as well as the musicians swinging in their seats.

    Estimated delivery 10-14 days
  • £115.80

    Festive Fireworks - Fredrick Schjelderup

    "Festive Fireworks" is written in three movements: I. Festivitas, II. Fantasia & III. Fireworks.The piece is based on two different tunes, both presented in the first movement, "Festivitas".II. Fantasia is written as a calm fantasy on the two themes. It includes melodic lines, percussion effects and finish off with cadenza's for Solo Cornet, Solo Horn, Euphonium and Eb Bass.III. Fireworks is a quick movement with lots of energy combined with technique and melodic lines. Elements of the first and second movement is presented and mixed together for a great finale.To the conductor:"I. Festivitas" can also be used as a concert opener or finale and has two different endings for concert use or contests (by using all the three movements).

    Estimated delivery 10-14 days

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  • £27.50

    Charivari 'A Latin Fantasy' - arr John Iveson

    Your solo cornet player will revel in the challenge this extended feature presents. Adapted from the original arrangement for James Watson and orchestral brass ensemble, the piece is an extended Latin-style fantasy, based on Granada and Dark Eyes. A wide range of moods and styles, from virtuoso technique to slow, lyrical playing. An exciting and challenging concert piece.

    Estimated delivery 5-7 days
  • £19.25

    Canzon duodecimi toni ?? 10 no 1 (1597) - Gabrieli: Eric Crees Performing Edition

    In florid and stunning counterpoint throughout, the one near rhythmic unison towards the middle comes as a real shock. A work showing extraordinary technique. Dur 2'45"Gabrieli is one of the truly great composers but sadly neglected. His compositions, moreover, are rarely of great technical difficulty, making them ideal for mixed ensembles and school use. We hope this edition will bring these magnificent pieces to a wider audience, especially the young.• Each set contains a score and parts for brass, woodwind and string instruments to allow performances by practically any combination as well as brass only.• This new Performing Edition of Gabrieli's Sacrae Symphoniae and Canzoni e Sonate was prepared for the recording by the LSO Brass on Naxos Records:Vol 1 - 8553609Vol 2 - 8553873Vol 3 - 8554129"...the playing is superb...three CDs which embody all of Gabrieli's instrumental ensemble works, the first such collection in the world".....'Musician'"...scrupulously prepared new edition".....'BBC Music Magazine'"...notes, both scholarly and informative...an exciting series".....'Guardian'

    Estimated delivery 5-7 days
  • £89.95

    Songs of Ascent - SCORE & PARTS - Jonathan Bates

    DURATION: 14 minutes. DIFFICULTY: Championship. 'Songs of Ascent' was composed for the Royal Northern College of Music Brass Band, as part of their programme for the 2019 RNCM Festival of Brass. In my view, the festival itself is the leading showcase for original contemporary music for the medium (in a concert setting) in the world and therefore an ideal place to explore new ideas and sounds, which was a notion fundamental to the construction of this work. The piece is subtitled 'Out of the Depths, I cry to you, O Lord'; the opening line of Psalm 130 (which forms part of a set of 15 psalsm, 120-134 known as the Songs of Ascent") which forms the main inspiration for much of the musical material. Following an extended opening for four individual tuba lines, there are a number of solos for members of the band off stage, with bleak and deep accompaniment lines, reflecting the words of Psalm 130. Amongst these 'songs of ascents', the most common and strong themes are repentance and redemption; with the central core of this work emerging 'from the depths' to reveal one of very few calming and reflective passages of the work utilising the tune of 'Guide Me O Thy Great Redeemer' in a new setting, featuring the Solo Horn and Bass Trombone, before returning to the ethereal and dark timbres that form much of the music up to this point. In terms of compositional technique, this work is solely based on a set of 4 9-note scales in their various unique transpositions (below). Each of these scales provide a set of 2 whole tone scales, 6 minor triads, 6 major triads and is built on 9 augmented triads. Whilst most of the music in this work is based melodically on the set of notes (heard right at the outset in the motif in the tuba line), the central section delves into the harmonic capabilities of these 'modes', using a number of the 7 'keys' which can be derived from the minor & major chords derived in each scale. All 4 scales are used independantly to each other, with whole sections of the work focussing on each mode. 'Songs of Ascent' was selected as the set work for the Championship Section at the Butlin's Mineworker's Championships in 2020.

    In stock: Estimated delivery 1-2 days