Results
-
£60.99Highlights from Planes - Mark Mancina - Michael Brown
For the Disney animated film Planes, composer Mark Mancina created an outstanding orchestral score filled with power and depth. Michael Brown's skillful adaptation for young band brings all the majestic qualities of the original to the concert stage.
Estimated dispatch 5-14 working days
-
£54.99Skyfall (arr. Sparke) (Score/Parts) - Paul Epworth - Philip Sparke
Skyfall, the title song for the latest Bond film, with its echoes of the original Bond theme, is perhaps the most archetypal Bond song of all. This up-to-the-minute arrangement by Philip Sparke makes it super easy to recreate on stage the exciting atmosphere of the most famous secret agent in the history of film.
Estimated dispatch 5-14 working days
-
£64.99Pirates of the Caribbean - Hans Zimmer - Michael Brown
Johnny Depp and company are back at it with the fourth installment of the blockbuster movie franchise. The soundtrack by Hans Zimmer (in collaboration with noted choral and band composer Eric Whitacre) features familiar swashbuckling melodies along with new flamenco-inspired themes performed by the guitar duo Rodrigo y Gabriela. Your concert stage will come alive with this exciting and well-paced medley by Michael Brown. Medley of: Guilty of Being Innocent of Being Jack Sparrow, Angelica, Mermaids, End Credits
Estimated dispatch 5-14 working days
-
£127.30Bonder i Byen (Fra Smabyskisser) - Sverre Bergh - Idar Torskangerpoll
Sverre Bergh (1915-1980) was a central character in the music scene in Bergen, both as a musical leader at "Den Nationale Scene" (theatre) and as a director for the "Festspillene" music festival. He was an arranger and pianist for the NorwegianBroadcasting Company (NRK), and wrote stage- and film scores as well as piano pieces. "Country-Folk in Town" is one movement from "Village Sketches". This small overture was written for the Bergen Philharmonic Orchestra.
Estimated dispatch 5-14 working days
-
£127.30
Dancing Trolls [Norwegian Dance] - Øystein Olsen Vadsten
"Dancing Trolls" is a sequel to "The Battle of the Hats", which was published in 2015. Like "The Battle of the Hats", "Dancing Trolls" is a piece of music based on Norwegian traditional dances. This time around,its the reinlender dance which takescentre stage.The music is composed by Oystein Olsen Vadsten who keeps the strong melodic and tempo, which is dear to this kind of dance. Admittedly given a make-over with a more rhythmic accompaniment and more exciting harmonization.Thismakes it a fun piece, both to Listen to and play. The reinlender dance derives from the Rhineland in Germany,and is also known as the German Polka.To the conductor:Because this is a dance form whichis dependent on the right "swing",it is of great importance to keep as close to the metronome mark as possible. A steady groove, primarily specified by the drum set, is also essential for a good result. Remember to keep a good balance between the melody carrying instruments and theaccompaniment. Good luck and have fun with this "crazy" little tune.
Estimated dispatch 5-14 working days
-
£105.20Daniels Joik - Jon-Henrik Fjâllgren - Idar Torskangerpoll
Jon Henrik Mario Fjallgren became instantly well-known after his appearance in Sweden's "Got Talent" where he performed "Daniels Joik" written for his recently passed best friend.Fjallgren was born in Cali, Columbia in 1987 but adopted by a Swedish Sami family and lives now as a reindeer herder, singer and composer. He debuted on stage in 2003, 14 years old and on record two years later.After the success with "Got Talent", he has also participated twice in the Swedish Eurovision Song Contest.This arrangement can be performed in a long or shorter version, for short version cut bars 58-78.
Estimated dispatch 5-14 working days
-
£106.50La Figlia del Reggimento - Gaetano Donizetti - Ray Farr
The Selection from La Figlia del Reggimento (The Daughter of the Regiment) by Gaetano Donizetti comes from the second of a series of works (No. 6 in the advertisement below) called Distin's Brass Band Scores published in 1855 by Henry Distin. These publications represent an important stage in the history of bands in Britain. The popular music of the day was mostly opera extracts, and the music of Donizetti was particularly popular.The purpose of this scholarly edition is to produce a performing version, clearing ambiguities and errors, that can be enjoyed by today's performers and listeners, bearing in mind the original function and context. At the same time the edition is an analytical, musicological study of one of the rare treasures of the brass band repertory.
Estimated dispatch 5-14 working days
-
£115.60The Hippodrome Galop - J. H. White - Ray Farr
The Hippodrome Galop by H. White is No. 5 in the first of a series of works called Distin's Brass Band Scores (see advertisement below), published in 1854 by Henry Distin. These publications represent an important stage in the history of bands in Britain.The purpose of this scholarly edition is to produce a performing version, clearing ambiguities and errors, that can be enjoyed by today's performers and listeners, bearing in mind the original function and context. At the same time the edition is an analytical, musicological study of one of the rare treasures of the brass band repertory.
Estimated dispatch 5-14 working days
-
£127.30Mahalageasca - Mahala Rai Banda - Reid Gilje
Mahalageasca is a piece that make you happy both to listen and perform.It's possible to play the piece as a stage entrance piece. Repeat bars 1 to 8 several times. You might let the Drum set and some Percussion start alone. After basses have played their first eight bars, move on to bar nine.It is also possible to perform is as an ancore where you might change positions for the brass players but use the same pattern with Percussion as above.Here's a suggestion for set-up:Backrow sits in front of the conductor (on horn chairs)Soprano and Solo Cornets standing behind them.Trombones sits at the conductors right (on Euphonium/Baritone-chairs)Basses sitting behind the TrombonesFlugelhorn and horns on the left (sitting on the solo cornet chairs)Euphoniums and Baritones behind the horns.Please do not play too loud on mf. A bit press on the start of the slurs often better the emphasis (some marcatos written as well)Bars 96 to 136 is challenging for mallet percussion. They can be played as solo, or two players might share it in a convenient way.
Estimated dispatch 5-14 working days
-
£39.95When Thunder Calls (Brass Band - Score and Parts)
When Thunder Calls was commissioned by Dr Nicholas Childs and the Black Dyke Band for their performance at the Gala Concert of the Swiss Open Championships in September 2011. When composing this piece, I decided to focus on both the music and the stage presentation. The way the piece has been composed and designed makes it a very effective way of starting a concert or a second half of a concert.At the start of the piece, the percussion enter the stage and take their positions in their usual place behind the band. They begin playing the piece without a conductor. They keep repeating the opening section while the Basses, Horns, Baritones and Euphoniums march onto the stage.This group of musicians take their seats with the Horns, Baritones and Euphoniums sitting where they usually sit in the band but the Basses sit where the solo cornets usually sit, forming an inner semi-circle of lower brass. When seated and when the music gets to the end of bar 4 the piece continues onto section A. All performers keep repeating this next 4-bar phrase until the trombones march onto stage and stand at the front of the stage with the Bass Trombone standing in between the other two trombones.All performers then play from figure B to C with the trombones taking the lead at the front. When the performers get to rehearsal figure C they repeat this section (the same as section A) while the trombones move from the front of the stage and take their positions where the Basses would normally sit (between the horns and the percussion) and remain standing. Meanwhile, the flugel enters the stage and stands at the front of the stage (standing where the trombones did). When in position the flugel soloist picks up into rehearsal figure D.When the flugel soloist finishes playing, just before rehearsal figure F they then move to their normal seat in the band. At figure F the cornets march onto the stage from either side, they turn and stand side by side each other facing outward towards the audience forming two 'fanfare' lines either side of the lower brass. The conductor follows the cornets on stage and on cue they lift their instruments at the same time and perform when the piece gets to figure G.There is no more moving around from this point on other than the solo cornet to move forward with the solo euphonium and perform their duet at letter H. Also the horns are required to stand and play at letter I and then sit just before J.When performed with all the choreography, this piece makes for an exciting addition to any concert repertoire both for the performer and the audience.Suitable for 3rd Section Bands and Above
Estimated dispatch 7-14 working days
View Music