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  • £15.00

    Symphony in Two Movements (Study Score Only)

    Selected as the Championship Section test piece for the National Brass Band Championships of Great Britain 2025This work was jointly commissioned by the National Youth Brass Band of Great Britain (NYBBGB) and the National Youth Brass Band of Wales (NYBBW), the latter with funding from T Cerdd (Music Centre Wales), to celebrate their 60th and 30th anniversaries respectively. The first performances were given at Cadogan Hall, London, in April 2012, by the NYBBGB, conducted by Bramwell Tovey; and at the Great Hall, Aberystwyth University, in July 2012, by the NYBBW, conducted by Nicholas Childs.When I was approached about a joint commission to write a new work to celebrate the anniversaries of these two outstanding youth bands I was delighted to accept, and decided to respond by writing a work apposite for the magnitude of these special occasions, namely a 'symphony for brass'.Through a long journey of writing music for brass band, which commenced with Connotations (1977), and continued with Dances and Arias (1984), Of Men and Mountains (1991), The Trumpets of the Angels (2000) and Rococo Variations (2008), I arrived at what I regard as the most important work of the cycle to date, combining as it does serious musical intent with considerable technical demands. It is perhaps my most abstract work for brass band, avoiding any programmatic content.The symphony lasts for some 19 minutes and is structured in two linked movements. The form is based on that used by Beethoven in his final piano sonata (Op.111), which is in two movements only: a compact sonata-form allegro, followed by a more expansive theme and four variations. Prokofiev also adopted this model in his 2nd Symphony of 1925.The opening Toccata of this Symphony is highly dramatic but compact, whilst still retaining the 'traditional' structural elements of exposition, development and recapitulation; indeed, it also has the 'traditional' element of a contrasting second subject - a gentle, lyrical modal melody first heard on solo cornets.In contrast, the longer and more substantial second movement Variations is built around a theme and four variations. The slowly unfolding chorale-like theme accumulates both added note harmony and increasing instrumentation, whilst the four variations which follow are by turn mercurial (fast, starting with all the instruments muted), march-like (menacing, with short rhythmic articulations underpinning an extended atonal melody), serene (a series of 'romances' for solo instruments alongside echoes of the chorale) with an emerging theme eventually bursting into a climax of passionate intent; whilst the final variation is a dynamic scherzo (concertante-like in its series of rapid-fire solos, duets, trios and quartets) with the music gradually incorporating elements of the main ideas from the first movement, thus acting as a recapitulation for the whole work. It reaches its peroration with a return to the very opening of the symphony, now in the 'home' tonality of F, and thus creating a truly symphonic dimension to the music.Most of the melodic material of the symphony is derived from the opening eleven-note 'row', which contains various intervallic sets, and although the work is not serially conceived it does use some typical quasi-serial procedures, such as canons, inversions, and retrogrades. The symphony uses somewhat limited percussion, in line with a 'classical' approach to the sound world of the brass band, alongside a use of multi-divisi instrumentation, whereby each player has an individual part rather than the traditional doubling within certain sections of the band.- Edward GregsonDuration: 19.00

    Estimated dispatch 7-14 working days
  • £94.99

    20,000 Leagues Under the Sea (Brass Band - Score and Parts)

    Frenchman Jules Verne was a pioneer in science fiction during the late 19th Century, penning some classic stories such as Journey to the Centre of the Earth and Around the World in 80 Days - both of which have already been the subject of brass band test-pieces. It was therefore natural for me to choose Verne's 1869 watery magnum opus as the subject for this piece to which there are five sections, as well as an introduction and a finale.THE NAUTILUS. After a mysterious introduction we are introduced to The Nautilus - a fantastical submarine.THE CORAL KINGDOM. We visit awe-inspiring underwater coral formations.SQUID ATTACK. The Nautilus is attacked by a school of giant squid, or 'devilfish'.CAPTAIN NEMO. Captain Nemo is a loner and an eccentric. Some say he is a madman. Soloists of the band help to uncover the character of this enigmatic but powerful figure.MAELSTROM. The Nautilus is dragged into the ocean's deadliest whirlpool but Captain Nemo lives to fight another day.Duration: 12.30

    Estimated dispatch 7-14 working days
  • £43.99

    20,000 Leagues Under the Sea (Brass Band - Score only)

    Frenchman Jules Verne was a pioneer in science fiction during the late 19th Century, penning some classic stories such as Journey to the Centre of the Earth and Around the World in 80 Days - both of which have already been the subject of brass band test-pieces. It was therefore natural for me to choose Verne's 1869 watery magnum opus as the subject for this piece to which there are five sections, as well as an introduction and a finale.THE NAUTILUS. After a mysterious introduction we are introduced to The Nautilus - a fantastical submarine.THE CORAL KINGDOM. We visit awe-inspiring underwater coral formations.SQUID ATTACK. The Nautilus is attacked by a school of giant squid, or 'devilfish'.CAPTAIN NEMO. Captain Nemo is a loner and an eccentric. Some say he is a madman. Soloists of the band help to uncover the character of this enigmatic but powerful figure.MAELSTROM. The Nautilus is dragged into the ocean's deadliest whirlpool but Captain Nemo lives to fight another day.Duration: 12.30

    Estimated dispatch 7-14 working days
  • £69.95

    Horn Concerto (Horn Solo with Brass Band)

    Horn in F/E flat with Brass BandComposed in 1971 for Ifor James, the Concerto for French Horn and Band revealed some of those elements that have made Gregson's music so popular with audiences (and not just brass band audiences) worldwide: the boldness of his melodies, with the interval of the fourth revealing his admiration for the music of Paul Hindemith; his incisive rhythms, betraying the influence of another favourite composer, Bla Bartk; an admirable economy of means; and the clarity of his scoring.Each of the Concerto's three movements displays a different facet of the French Horn's character. The first is serious, symphonic in impulse, the rising fourths of the opening gesture giving the music an almost Germanic weight. In the slow movement, the soloist becomes the first among equals, sharing with the cornet soloist some typically haunting melodies. The lyrical flow is interrupted at the mid-point by mysterious, fleet-of-foot cadenzas. A rondo finale brings the concerto to a lighthearted conclusion. The rising fourths here are the impulse for a jaunty theme which reveals another of Gregson's early influences - William Walton, and in particular that composer's Partita for orchestra.

    Estimated dispatch 7-14 working days
  • £89.99

    Penlee (Brass Band - Score and Parts)

    2013 Finals of the National Brass Band Championships of Great Britain - 3rd SectioTo some, the tragic story of the Penlee lifeboat, Solomon Browne, would need no introduction, and to some the pain felt is still very much a reality. The composer, born just a few weeks before that fateful night on the 19th December 1981, has created this work as a musical homage to the bravery of the souls who lost their lives and has dedicated it to their memory.Penlee was commissioned by the Cornwall Youth Brass Band using funds bequeathed by Michael Pickett. The first performance was given by the Cornish Youth Brass Band, conducted by Ian Porthouse, at St. Michael's Church, Newquay, on 30th December 2008.Penlee has been voted into the Classic FM Hall of Fame 2011 at No.106. Not only is it the first time a brass work has been featured in the Hall of Fame, but it was also the highest new entry.The work has subsequently been recorded by the Leyland Band, conducted by Jason Katsikaris, on the CD entitled Penlee.Suitable for Advanced Youth/3rd Section Bands and aboveDuration: 13:30

    Estimated dispatch 7-14 working days
  • £69.95

    Transformation (Brass Band - Score and Parts)

    I believe in transformation, God can change the hearts of men, And refine the evil nature, till it glows with grace again'. So wrote John Gowans in the second verse of his great hymn, 'I believe that God the Father, can be seen in God the Son', written specifically to affirm Salvationists' beliefs. It is sung to the tune Bethany and in seeking to explore this great subject at the heart of the Christian gospel in musical terms, the composer has used this fine tune as the basis. Although it never appears in its entirety, it is seldom out of the picture and much of the work is derived from it. The other main source of material is the lovely, simple chorus, 'Some day I shall be like him, changed to heavenly beauty, when his face I see'. This chorus is especially prominent in the middle section but there are important references to it throughout. There are also brief references to Charles Wesley's hymn, 'Love Divine' and, in particular, the telling lines, 'Changed from glory into glory, till in Heaven we take our place'. The work suggests that, at times, the process of being transformed is a struggle, portrayed with many passages of fraught and demanding music. Considerable reserves of stamina and technique are required while, in contrast, the chorus, 'Some day I shall be like him' provides the warm, gentle centre of the work. The premiere of the work was given by The International Staff Band of The Salvation Army in Cadogan Hall on Friday 3rd June 2011, as part of the band's 120th anniversary celebrations.

    Estimated dispatch 7-14 working days
  • £29.95

    Carol of the Bells

    Christmas time is my favourite time of year. I love the festive spirit and all the Christmas music both traditional and modern.This piece is based on the traditional Ukrainian Bell Carol that was composed by the Ukrainian composer Mykola Dmytrovych Leontovych. Throughout the piece you hear a four note ostinato that is the backbone to the music. I have taken those ideas and motifs and have mixed them with some of my own to create this piece of Christmas music.For something different I have given this piece two endings for the conductor to choose. The first ending is at bar 189 (page 18 in the score) where there is the repeated four bar ostinato section in the solo cornets and percussion that is marked "Keep repeating and fade to nothing". This is so the piece can either fade to nothing or for a bit of originality the piece can fade into the next piece during a concert programme.For ending number two you need to cut from bar 189 to 193 (bypassing ending one). And continue to the end. The choice of endings should bring some interesting performances of this wonderful traditional Christmas piece.Paul Lovatt-Cooper

    Estimated dispatch 7-14 working days
  • £64.99

    Oregon (Brass Band - Score and Parts)

    This fantasy tells the story of Oregon, one of America's north-western states. Traveling by train on the Northern Pacific Railroad, the listener is taken through the fascinating Oregon landscape. Indians, cowboys, golddiggers and hooded wagons will file past on this adventurous journey. The piece has some similarities with a soundtrack of a movie. Various melodies, which could be the main themes of a movie, pass the review.The piece begins in a slow movement, introducing the first theme in minor. Then we hear in the following fast movement the trombones imitate the train, whistling the steam-flute. We hear the characteristic minor theme again, but now in different variants (also in major). The rhythmic structure of "western" stile and rock succeed each other. This is leading to the slow movement, where the signals of horns and trumpets introduce a wonderful vocal melody. After this characteristic melody, the fast movement appears shortly again, the trombones whistling the steam-flute again (now in major). We hear also some musical elements, that plays a part in the following Presto. Barchanges, jazzy chords, interesting rhythmic patterns (with bongo) and an original theme are the characteristics of this Presto. After this, the horns announce the last section of the piece. Interesting is the fact that we hear in this Allegro section a variant of the vocal melody in the slow movement. Also the Presto theme returns shortly, followed by the Allargando, which is a grand characteristic end of a soundtrack. The movie of our travelling fantasy has come to an end.Duration: 9:10

    Estimated dispatch 7-14 working days
  • £22.50

    Petite Suite de Ballet (Score Only)

    This composition consists of four 'miniatures', simple in construction, yet not without technical demands upon the players.The music is for a ballet which so far exists only in the imagination! Like most ballet, it has a touch of the fantastic, and must be interpreted with a light, deft touch.The first movement, Parade, brings many characteristics on to the stage, marching perkily, leggily, with almost puppet-like movements.In the next movement, Pas Seul (Solo Dance), one lone figure holds the stage, with a mixture of grace and sauciness. At the end he (or she) runs off with a snap of the fingers.The third movement is a Minuet. A chosen few, richly garbed, perform this stately, courtly dance, while the rest of the company look on at some ritual in which they are not allowed to join.The final Ensemble commencing with the return of the lone figure, gradually brings the whole company to the stage. Various groups come forward for a few moments, and then rejoin the general pattern of the dancing. Towards the end a stately procession is formed, but this finally breaks up in a sudden flurry of leaping and capering, and in a moment, as though at some magic call, the dances have disappeared, whilst the sonorous tones of the final bars of music follow them with a rather disapproving air.Our little fantasy in over.

    Estimated dispatch 7-14 working days
  • £189.95

    'The New Christmas Collection' - Full Set March Card Size

    The new Christmas Collection carol books contain all the traditional Christmas Carols, with some new 'pop' music arrangements included to add more variety to your carolling this year.

     

    * Note, these are not compatible with the New Christmas Praise books.

    Full list of works in The Christmas Collection:-

    • A child this day is born
    • A Christmas lullaby
    • A great and mighty wonder
    • All I want for Christmas is you
    • All my heart this night rejoices
    • Angels, from the realms of Glory (Come and worship)
    • Angels, from the realms of Glory (Iris)
    • Angels we have heard on high
    • A starry night
    • As with gladness men of old
    • Auld lang syne
    • A virgin most pure
    • Away in a manger (The manger scene)
    • Away in a manger (Traditional)
    • A winter’s tale
    • Bethlehem
    • Brightest and best (Spean)
    • Brightest and best (Traditional)
    • Calypso Carol
    • Carol for the Nativity
    • Carol of the bells
    • Carol of the drum
    • Child of Mary
    • Christians Awake!
    • Christ is born (Il est né)
    • Christ was born on Christmas Day
    • Come and join the celebration
    • Come, children, come quickly
    • Coventry Carol
    • Deck the hall
    • Ding dong! merrily on high
    • Do you hear what I hear?
    • Frosty the snowman
    • Gabriel’s Message
    • Gaudete
    • Glory in the highest
    • Glory in the highest Heaven
    • God of God, the uncreated
    • God rest you merry, gentlemen
    • Good Christian men, rejoice
    • Good King Wenceslas
    • Go, tell it on the mountain!
    • Happy Christmas (War is over)
    • Hark the glad sound!
    • Hark! the herald angels sing
    • Have yourself a merry little Christmas
    • Here we come a-wassailing
    • How far is it to Bethlehem?
    • Huron Carol
    • Infant Holy
    • In the bleak midwinter (Cranham)
    • In the bleak midwinter (Darke)
    • I saw mommy kissing Santa Claus
    • I saw three ships come sailing in
    • It came upon a midnight clear (Traditional)
    • It came upon a midnight clear (Willis)
    • It’s beginning to look a lot like Christmas
    • It’s the most wonderful time of the year
    • I wish it could be Christmas everyday
    • I wonder as I wander
    • Jesus, good above all other
    • Jingle Bells
    • Jingle bell rock
    • Joy to the world!
    • Last Christmas
    • Let it snow!
    • Little baby Jesus
    • Little children, wake and listen
    • Little Donkey
    • Little Jesus, sweetly sleep
    • Lo! he comes with clouds descending
    • Long, long ago
    • Love came down at Christmas
    • Mary’s boy child
    • Mary’s Child
    • Masters in this hall
    • Merry Christmas everyone
    • Mistletoe and wine
    • Noel
    • O Christmas tree
    • O come, all ye faithful
    • O come, Immanuel
    • O Heaven-sent King
    • O holy night!
    • O little town of Bethlehem (Christmas Carol)
    • O little town of Bethlehem (Forest Green)
    • O little town of Bethlehem (St Louis)
    • Once in royal David’s city
    • Past three o’clock
    • Patapan
    • Personent Hodie
    • Praise ye the Lord
    • Ring the bells
    • Rise up, shepherd!
    • Rockin’ around the Christmas tree
    • Rudolph, the red-nosed reindeer
    • Sans day carol
    • Santa Claus is comin’ to town
    • Saviour’s Day
    • See, amid the winter’s snow
    • Silent Night!
    • Sleigh Ride
    • Softly the night is sleeping
    • So here it is, merry Christmas
    • Stars are shining
    • Still, still, still
    • Stop the cavalry
    • Sussex Carol
    • Sweet chiming bells
    • Sweet chiming Christmas bells
    • The candle song
    • The cherry tree carol
    • The Christmas song
    • The first Nowell
    • The holly and the ivy
    • The infant King
    • The light has come
    • The shepherds’ farewell
    • The stable door
    • The star in the east
    • The twelve days of Christmas
    • The virgin Mary had a baby boy
    • They all were looking for a king
    • Thou didst leave thy throne
    • Three kings’ march
    • Unto us a boy is born
    • Walking in the air
    • We gather round the manger-bed
    • We three kings of Orient are
    • We wish you a merry Christmas
    • What child is this?
    • When a child is born
    • When Santa got stuck up the chimney
    • Whence is that goodly fragrance flowing?
    • When wise men came seeking
    • While shepherds watched (Cranbrook)
    • While shepherds watched (Handel)
    • While shepherds watched (Winchester Old)
    • White Christmas
    • Who is he?
    • Winter Wonderland
    • Worldwide Christmas message
    • Zither Carol
    • A starry night
    • Christmas Joy
    • Christmas Praise
    • Coventry Carol
    • Infant Holy
    • Mid-winter
    • Rudolph, the red-nosed reindeer
    • The everlasting light
    • To celebrate his birth
    • Yuletide Rag

    Estimated dispatch 7-14 working days