Results
-
£37.15The Glory of Christmas (Brass Band) William Gordon
Bring warmth, joy, and festive grandeur to your Christmas concert with The Glory of Christmas, arranged by William Gordon. Designed to be as versatile as it is engaging, this arrangement serves equally well as a standalone brass band concert item or as an interactive audience sing-along.Opening with a Maestoso e brillante fanfare, the arrangement weaves together six timeless favorite carols: Hark! The Herald Angels Sing, Angels We Have Heard on High, Away in a Manger, O Come, All Ye Faithful, Silent Night, and Joy to the World. The piece blends festive drive with expressive lyrical moments - including delicate solo and duet passages for Flugel horn, Horns, and Euphonium - before building to a majestic, full-band climax featuring sleigh bells and brilliant flourishes.To listen to a recording of The Illinois Brass Band performing this work, please visit https://www.youtube.com/watch?v=jUJSiKNUWFoDuration: approx. 5.45 minutesDifficulty Level: 3rd Section +This PDF download includes the full score and parts.Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)Instrumentation:Soprano Cornet Eb1st Cornet Bb2nd Cornet BbFlugel Horn Bb1st Horn Eb2nd Horn EbBaritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbPercussion 1-2
In Stock: Estimated dispatch 1-3 working days
-
£42.00Hymn at Sunrise (Score only) - Ray Steadman-Allen
The idea for this work was prompted by a poem - Hymn Before Sunrise - which describes the majesty of a mountain in darkness, the sounds of a nearby waterfall and so on. Nothing came of the exposure to these pictures except for general thoughts about the dawn of day and a series of movements expressing a personal response to the wonder of creation in an imaginary moment in time. The movement titles, which were added later, are intended to underline a prevailing sense of worship, wonder and exaltation. The music is pure, not pictoral, though listeners may conjure their own images. An actual hymn - Tallis' Cannon - is incorporated. There are five movements: 1. Thanksgiving: A short prelude in two parts. First a brief passage of 'dawn music' before things become more vigorous: fanfare-like music ushers in the trombone section's presentation of the Tallis tune. A broad band version concludes the movement. 2. De Profundis: A slow movement shot through with anxious questionings featuring flugel and trombone. The mood lightens a little in the centre where the soprano cornet is featured and the movement ends serenely. 3. Celebration is characterised by rhythmic drive, this is buoyant with plenty of incident pointed up by the percussion. 4. Invocation: Melodic in nature and sober in mood, the first section is a series of short solos mingled with chorale-like statements. Central to the movement is a chorale-prelude style presentation of the Tallis tune. The third section reintroduces the earlier solo music by the full ensemble. Dissolving, the music enters the last movement without a break. 5. Paean: Marked allegro con spirito there is, quite rightly, a fair amount of fun in the rejoicing. Snatches of Tallis are heard, then comes a gentle passage with a cornet solo leading to fanfare music and recapitulation. Two recitatives are succeeded by a coda which brings the work to a sonorous and exultant conclusion.
Estimated dispatch 7-9 working days
-
£52.00Hymn at Sunrise (Parts only) - Ray Steadman-Allen
The idea for this work was prompted by a poem - Hymn Before Sunrise - which describes the majesty of a mountain in darkness, the sounds of a nearby waterfall and so on. Nothing came of the exposure to these pictures except for general thoughts about the dawn of day and a series of movements expressing a personal response to the wonder of creation in an imaginary moment in time. The movement titles, which were added later, are intended to underline a prevailing sense of worship, wonder and exaltation. The music is pure, not pictoral, though listeners may conjure their own images. An actual hymn - Tallis' Cannon - is incorporated. There are five movements: 1. Thanksgiving: A short prelude in two parts. First a brief passage of 'dawn music' before things become more vigorous: fanfare-like music ushers in the trombone section's presentation of the Tallis tune. A broad band version concludes the movement. 2. De Profundis: A slow movement shot through with anxious questionings featuring flugel and trombone. The mood lightens a little in the centre where the soprano cornet is featured and the movement ends serenely. 3. Celebration is characterised by rhythmic drive, this is buoyant with plenty of incident pointed up by the percussion. 4. Invocation: Melodic in nature and sober in mood, the first section is a series of short solos mingled with chorale-like statements. Central to the movement is a chorale-prelude style presentation of the Tallis tune. The third section reintroduces the earlier solo music by the full ensemble. Dissolving, the music enters the last movement without a break. 5. Paean: Marked allegro con spirito there is, quite rightly, a fair amount of fun in the rejoicing. Snatches of Tallis are heard, then comes a gentle passage with a cornet solo leading to fanfare music and recapitulation. Two recitatives are succeeded by a coda which brings the work to a sonorous and exultant conclusion.
Estimated dispatch 7-9 working days
-
£37.15I was glad (Brass Band with optional Organ) Hubert Parry trs. Andrew Wainwright
I was glad was originally a choral introit which is a popular piece in the musical repertoire of the Anglican church. It is traditionally sung in the Church of England as an anthem at the coronation of the British monarch, most recently that of King Charles III in May 2023.This transcription for brass band combines the choral and accompaniment parts meaning it is playable as a standalone arrangement. An optional organ part is included to augment the brass. The cornet section is divided into two choirs to create an antiphonal effect.The 'Vivats' are included in this transcription but an optional cut is provided for that section.To view a follow-the-score video please visit https://www.youtube.com/watch?v=Vx95uSp1yU8PDF download includes score and parts.Sheet music available from:UK - www.brassband.co.ukUSA - www.solidbrassmusic.comDifficulty Level: 2nd Section +*Instrumentation:Soprano Cornet EbCornets 1-5 Bb (9 players required as a minimum)Flugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbTimpaniPercussion*Additional transposed parts are available here for Horns in F, and Baritones, Trombones, Euphoniums and Tubas in Bass Clef.
In Stock: Estimated dispatch 1-3 working days
-
£30.00Hot Gospel - Various
Tim Paton has creatively arranged for brass band this selection of familiar hymns/religious songs to create a 5-movement, gospel-styled work. With features for soloists across the band and a great mix of styles including swing, traditional jazz, blues, and calypso, this makes for a versatile concert feature either as a complete piece piece (9 minutes); using the alternative optional cuts (4.5 minutes); or simply by cherry-picking the individual movements in order to spotlight the different styles/melodies/soloists of your choice.With solo features in each section, the piece includes:The Church's One Foundation - Swing version with Tenor Horn soloNearer My God To Thee - Traditional jazz style with Cornet soloThe Old Rugged Cross - Bluesy with Flugel soloHow Great Thou Art - Calypso with Euphonium soloJust A Closer Walk With Thee - Finale with jazzy Trombone soloTim comments:The community gospel choir sound has become very popular in recent years. "Hot Gospel" is my attempt to capture this charismatic experience in a medley of well known sacred music. Each of the five songs chosen follows a similar pattern - a verse for full band followed by a solo, and all solos are intended to sound like improvisation.I've included Optional Cuts which would reduce the play length from c. 9 minutes, down to approximately 4.5 mintues, should your concert programming not allow for the full version. The optional cuts simply side-step the solo section of each song.However you wish to perform Hot Gospel, it will definitely bring variety to programme choice.Also available for wind/concert band.
In Stock: Estimated dispatch 3-5 working days
-
£33.43Fanfare Prelude on 'Richmond' (Brass Band) Charles Wesley arr. Andrew Wainwright
Fanfare Prelude on 'Richmond' was written for the inaugural Texas Brass Fest, held at Round Top Festival Institute on 27 May 2023, for the four premier brass bands in Texas - Austin, Dallas, Houston and San Antonio Brass Bands. It is based on the much loved hymn of the church by Charles Wesley, which is also known as 'O For a Thousand Tongues to Sing', the first verse of which reads:O for a thousand tongues to singmy great Redeemer's praise,the glories of my God and King,the triumphs of his grace!For maximum effect it is suggested that cornets and trombones are staged stood around the band, although if this is not possible then traditional band formation will be acceptable.To view a video of the premiere performance featuring the massed bands of Austin, Dallas, Houston and San Antionio at Texas Brass Fest 2023, please visit www.youtube.com/watch?v=22GJM4A6mbM or the Chicago Staff Band at www.youtube.com/watch?v=Gjp8N_U9U2cPDF download includes score and full set of parts.Sheet music available from:UK - www.brassband.co.ukUSA - www.solidbrassmusic.comDifficulty Level: 2nd Section +Instrumentation:Soprano Cornet EbCornets 1-5 BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbTimpaniPercussion 1-3
In Stock: Estimated dispatch 1-3 working days
-
£45.00
British Beauties - Gilbourne, J
Includes a full band set (no score)'When you and I were young, Maggie' (Trombone Solo);'A Hundred Pipers';'Old Rustic Bridge by the Mill' (Cornet Solo);'The Poacher';'Vale of Llangollen (Euphonium Solo);'Rakes o' Mallow';'Bay of Biscay'
In Stock: Estimated dispatch 1-3 working days
-
£16.00
Three Famous Songs - Various
Includes a full band set (no score)Killarney (cornet solo) by BalfeLet Me Like A Soldier Fall (trombone solo) by WallaceBonnie Mary Of Argyle (euphonium solo) by Nelson
In Stock: Estimated dispatch 1-3 working days
-
£39.95When Thunder Calls (Brass Band - Score and Parts)
When Thunder Calls was commissioned by Dr Nicholas Childs and the Black Dyke Band for their performance at the Gala Concert of the Swiss Open Championships in September 2011. When composing this piece, I decided to focus on both the music and the stage presentation. The way the piece has been composed and designed makes it a very effective way of starting a concert or a second half of a concert.At the start of the piece, the percussion enter the stage and take their positions in their usual place behind the band. They begin playing the piece without a conductor. They keep repeating the opening section while the Basses, Horns, Baritones and Euphoniums march onto the stage.This group of musicians take their seats with the Horns, Baritones and Euphoniums sitting where they usually sit in the band but the Basses sit where the solo cornets usually sit, forming an inner semi-circle of lower brass. When seated and when the music gets to the end of bar 4 the piece continues onto section A. All performers keep repeating this next 4-bar phrase until the trombones march onto stage and stand at the front of the stage with the Bass Trombone standing in between the other two trombones.All performers then play from figure B to C with the trombones taking the lead at the front. When the performers get to rehearsal figure C they repeat this section (the same as section A) while the trombones move from the front of the stage and take their positions where the Basses would normally sit (between the horns and the percussion) and remain standing. Meanwhile, the flugel enters the stage and stands at the front of the stage (standing where the trombones did). When in position the flugel soloist picks up into rehearsal figure D.When the flugel soloist finishes playing, just before rehearsal figure F they then move to their normal seat in the band. At figure F the cornets march onto the stage from either side, they turn and stand side by side each other facing outward towards the audience forming two 'fanfare' lines either side of the lower brass. The conductor follows the cornets on stage and on cue they lift their instruments at the same time and perform when the piece gets to figure G.There is no more moving around from this point on other than the solo cornet to move forward with the solo euphonium and perform their duet at letter H. Also the horns are required to stand and play at letter I and then sit just before J.When performed with all the choreography, this piece makes for an exciting addition to any concert repertoire both for the performer and the audience.Suitable for 3rd Section Bands and Above
Estimated dispatch 7-14 working days
-
£72.00
Walk on By - Bacharach-David - Haakon Esplo
"Walk on By" is an American song written by Burt Bacharach and Hal David. It was written for Dionne Warwick. Her recording was released in April 1964 to great success.It reached a sixth place on the American Billboard Hot 100 list and a first place at Cashbox 'R & B. The song was a short time on Top 10 on the Billboard Easy Listening List. Warwick also recorded a German version entitled "Geh vorbei".Like many of Warwicks Bacharach-composed songs from the 1960s, many cover versions were made. Some of them with great success all over the world.Solo Options:Vocal | Flute/Oboe | Bb Clarinet | Altosax | Tenorsax | Trumpet/Cornet | Eb-horn | F-horn | Euphonium/Trombone BC | Euphonium/Trombone TC
Estimated dispatch 7-14 working days
View Music