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  • £39.99

    Come What May

    ABOUT THIS PIECE: Add a touch of romance and drama to your next programme with this beautiful arrangement of Come What May from Moulin Rouge. Written by David Baerwald and Kevin Gilbert, this emotional ballad became the standout love song of the 2001 film, performed by Nicole Kidman and Ewan McGregor. Its heartfelt lyrics and sweeping melody have made it a timeless classic, celebrated by audiences around the world. This arrangement brings the song's emotional depth and cinematic grandeur to the brass band stage, with solo opportunities for tenor horn, cornet and euphonium. With its soaring themes and tender undertones, Come What May is a fantastic showcase of the band's ability to convey both power and sensitivity. ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 2 LISTEN: Click here DURATION: 5 minutesEXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level

    Estimated dispatch 5-7 working days
  • £35.00

    April in Paris - E. Y. Harburg

    April In Paris, music by E. Y. (Yip) Harburg with words by Vernon Duke. This is a classic song given excellent treatment by Mark Freeh as a Flugel Horn solo with brass band accompaniment.Brass Band Grade 3/4: Youth and 4th Section/Advanced Youth and 3rd SectionDuration: 4 minutesScore & parts

    In Stock: Estimated dispatch 1-3 working days
  • £33.91

    Crowning Glory - Kevin Ackford

    Score & Parts Crowning Glory was written for Denton Brass as their march for the annual Whit Friday March Contests. This bright energetic march has all the hallmarks of Kevin's march writing with obbligatos for the Soprano Cornet and Solo Horn. A great concert opener for all standards of bands.

    Estimated dispatch 5-7 working days
  • £33.91

    Carnsmerry - Kevin Ackford

    Score & Parts Carnsmerry was written as the set march in the year 2000 for the 1st section at the West of England Bandsmen's Festival contest held in the village of Bugle in Cornwall. Snippets of both the Floral Dance as well as the May Dance can be heard in this vibrant march, finishing with an obbligato for both the Soprano Cornet and Solo Horn this is a must for your concert programme.

    Estimated dispatch 5-7 working days
  • £46.00

    Adagio (Soprano Cornet) - Kevin Ackford

    Score & Parts This Beautiful melody is a mixture of old and new. The solo starts in classical style before being brought up to date with the feel of a modern ballad then reverting to the classical style to finish. A great addition to your Soprano Cornet player's repertoire.

    Estimated dispatch 5-7 working days
  • £46.00

    Gimme A Minute (or so) Eb Tenor Horn - Kevin Ackford

    Score & Parts Best described as a Xylophone style solo written for Tenor Horn. Kevin wrote this as a finale to his guest soloist performance at his 50 Years A Bandsman concert and dedicated to the memory of John Holland his music teacher from his school days who passed away a few months before the concert took place. Also available with piano accompaniment.

    Estimated dispatch 5-7 working days
  • £46.00

    Solace (Eb Tenor Horn) - Kevin Ackford

    Score & Parts Another fine example of Kevin's skill as a melody writer. The full chording, subtle rhythm and beautiful melody pleases audiences of all ages. A fantastic addition to your Horn solo repertoire

    Estimated dispatch 5-7 working days
  • £54.00

    The Goodbye - Paul Voet

    We sail the ocean with stubborn, hardworking but weak hearted Flemish fishermen to the Northern parts of the Atlantic. A sailor is leaving his wife or girlfriend not knowing if he is going to come back soon. Leaving for good fishing grounds around Iceland. This sad song(the first line of the text says; The wind that blows from the east, my love, is not going to blow for ever) is a solo for flugelhorn accompanied by the whole lower brass section. In a certain way of counterpoint tenorhorns, baritones and euphoniums are woven around thesoloist. The warmth from these saxhorn section is coloured by some chords from trombones and a quite virtuosi marimba line.

    Estimated dispatch 10-14 working days

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  • £30.00

    Finale from Tosca, Act 1 (Te Deum)

    DescriptionPuccini's opera Tosca, one of his most successful and popular works is set in 1800 in Rome, as Napoleon's invading army is approaching. There are rebels in Rome who see Napoleon as a liberator from Neapolitan rule and are plotting secretly. One of those is the young firebrand artist Cavaradossi. He and his lover, the beautiful and tempestuous Tosca, are being pursued by the evil chief of the secret police, Scarpia. At the end of Act 1, Scarpia is revelling in his plot to capture Cavaradossi and trick Tosca into sleeping with him to buy her lover's freedom, all inside a church in Rome while a Te Deum service is being sung; in the background the bells are tolling and we hear distant cannonfire from the approaching army.In this arrangement the part of Scarpia is played mostly by the solo trombone. There is an optional organ part, although all of the organ part is covered in the band parts.This arrangement was first performed by the Harrogate Band conducted by Andrew Baker in 2022. Watch a video preview of the score below!

    Estimated dispatch 7-14 working days
  • £73.00

    Stealing Apples - Fats Waller - Reid Gilje

    "Stealing Apples" is an old swing-tune written by Fats Waller. Performances by Benny Goodman and his big band made the song very popular.In this arrangement for brass band, the mallet percussion is very essential. Mallet Percussion presents the melody from letter A and is also featured as soli-instruments from letter L to P. These parts can alternatively be played as vibraphone solo.Please be aware of the balance at letter A. Horn and Trombones must play piano but well articulated. Letter D must sound sparkling and fresh with articulated and powerful trombones and cornets (using straight-mute).Make shue that the 8th-notes are not played too dotted two bars before letter G. Almost even 8th-notes accentuated on the start of the slur is a good tip.Watch the balance at letter H. This part have to sound homogeniously.The soloistic Soprano Cornet at letter Q must be played in the style of Benny Goodan. The accompaniment must not be too powerful from letter R to S. Best of luck with the performance!

    Estimated dispatch 7-14 working days