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  • £85.00

    Oblivion (Flexible Solo with Brass Band - Score and Parts) - Piazzolla, Astor - Moren, Bertrand

    Solo for Cornet, Flugelhorn, Baritone, Trombone or EuphoniumDuration: 4.00

    Estimated dispatch 7-14 working days

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  • £44.95

    Rainforest (Eb Horn Solo with Brass Band - Score and Parts) - Graham, Peter

    Solo for Tenor Horn Eb. The Second movement from Windows of the World.

    Estimated dispatch 7-14 working days
  • £95.00

    Sunday Mood (Flexible Solo with Brass Band - Score and Parts) - Kadlec, Jirka - Moren, Bertrand

    Solo for Cornet, Eb Horn, Trombone, Euphonium, Violin, Viola or VioloncelloDuration: 3.00

    Estimated dispatch 7-14 working days

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  • £44.95

    The Name (Trombone or Euphonium Solo with Brass Band - Score and Parts) - Graham, Peter

    Solo for Trombone (or Euphonium Bb). Recorded by Brett Baker with the Black Dyke Band on Call of the Cossacks - Music of Peter Graham Vol II.

    Estimated dispatch 7-14 working days

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  • £29.95

    Laudate Dominum (Cornet Solo with Brass Band - Score and Parts) - Mozart, Wolfgang Amadeus - Norbury, Kevin

    Originally composed by Mozart in 1780 from the Vesperae ples de Confessore, this setting of the shortest of the psalms, Psalm 117, has an ethereal quality. It seems to express something of the beauty of God and of his love in creation. This work has been beautifully transcribed for brass and soloist by Kevin Norbury. Duration: 5.00

    Estimated dispatch 7-14 working days

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  • £60.99

    Lullaby of Birdland (Flugel Horn Solo with Brass Band - Score & Parts) - Tinner, Gilbert

    "I've been arguably credited with having written some 300 songs, 299 of which enjoyed a rather bumpy ride from relative obscurity to total oblivion. Here's the other one." These are the words of the great Jazz pianist and composer George Shearing about his hit of the century Lullaby of Birdland. The list of famous artists who performed this Jazz standard runs from From Ella Fitzgerald to Amy Winehouse. Gilbert Tinner wrote this arrangement for Brass Band preserving the distinctive George Shearing Sound.Duration: 3.00

    Estimated dispatch 7-14 working days

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  • £59.99

    Carnival of Venice (Cornet Solo with Brass Band - Score and Parts) - Freeh, Mark

    The jazz cornet legend Harry James was synonymous with taking classical works and crafting versions in his own inimitable style. Carnival of Venice was one of his most famous features and here you have a true-to-the-original arrangement to feature your cornet soloist created by one of the greatest arrangers of jazz for brass band, Mark Freeh. A brass band classic given the jazz treatment, will astound and amaze your audiences every time. Not to be missed.Duration: 3:00

    Estimated dispatch 7-14 working days

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  • £34.99

    Shackleton's Cross (Cornet Solo with Brass Band - Score and Parts)

    Shackleton's Cross was inspired by a painting created in 1957 by the English artist Edward Seago (1910 1974). The title refers to a cross which was erected to the memory of Sir Ernest Shackleton, who led a number of explorations to the Antarctic. Shackleton died in 1922 whilst on a Polar expedition, and the cross can be found on a promontory at the entrance to the bay at Grytviken Whaling Station in South Georgia. The painting is owned by HRH The Duke of Edinburgh, and was part of an exhibition at Buckingham Palace from October 2011 to April 2012. Originally scored for oboe, trumpet and small orchestra, Daniel Hall's sensitive arrangement for trumpet or cornet and brass band follows the composer's alternative version for solo trumpet and organ, created for Crispian Steele-Perkins (trumpet) and David Goode (organ). Duration: 5.00

    Estimated dispatch 7-14 working days
  • £45.00

    A Song for Bram (Piano Solo with Brass Band - Score and Parts)

    A Song for Bram is a short work, originally composed piano and brass band, and is dedicated to the memory of Bramwell Tovey, a close friend and colleague of the composer, and a conductor, composer, pianist and musician of huge talent, who sadly passed away before his time in the summer of 2022. In this short piece the composer has tried to imagine what kind of tune Bram would have improvised at the piano, something he frequently engaged in. No doubt it would have been a mixture of bluesy jazz, hymn tune, and love song, and this is how the solo piano takes off. In the middle section of a what is a simple tertiary structure, introduced are quotes from two hymn tunes Bram particularly loved, never having forgotten his Salvation Army roots. Bram's 'Song' returns, this time on a plaintive flugelhorn horn, and which reaches a climax with the full band before receding, literally, into the distance.....(to a new life beyond?).Duration: 6.00

    Estimated dispatch 7-14 working days
  • £95.00

    Concertante (Piano Solo with Brass Band - Score and Parts)

    This work was written in 1966, when I was a student at the Royal Academy of Music in London. It was the first major work to be written for this combination. The Concertante is unashamedly romantic in idiom and is cast in three movements: Prelude, Nocturne and Rondo.The Prelude is in sonata form with a contracted recapitulation. There are two main themes, the first announced after the opening flourish on piano. The second theme is lyrical in character and the interplay between these two themes forms the main focus of the movement.The pensive Nocturne opens with an introduction from the band which contains hints of the two main ideas to follow. The solo piano announces the main theme, which has a slightly 'blues' character in its flattened third and seventh notes of the scale. The band enters with the chorale theme already heard in the introduction. Eventually the first theme returns, this time from piano and band and building to a powerful climax before subsiding to a peaceful ending.The Rondo is full of energetic rhythms and changing time patterns. The main theme is 'giocoso' in character and in the first episode there is more than a hint of the tune 'Onward Christian Soldiers' in what amounts to a good humoured parody. Before the final coda there is a long piano cadenza underlying the virtuoso element of the work.The work had a number of public performances leading up to a memorable one in the Royal Albert Hall in 1989 as part of the Gala Concert that used to be held after the National Brass Band Championship in the Royal Albert Hall. That year, the 'centre band' in the massed bands concert were the GUS Band (then known for sponsorship reasons as 'Rigid Containers Group Band'!) conducted by my great friend and champion, Bramwell Tovey, with myself as the soloist.- Edward GregsonDuration: 18.00

    Estimated dispatch 7-14 working days