Results
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£87.99Sunday in the Park (Tenor Horn Solo with Brass Band - Score and Parts) - Sparke, Philip
Sunday in the Park was written for tenor horn virtuoso Sheona White, and commissioned by her partner, Matt Wade, as a Christmas present. Composer Philip Sparke had known and admired Sheona's playing for many years, having produced her first solo CD and written pieces for her previously. Both composer and performer are huge fans of the late Karen Carpenter, Sheona in part modelling her sound on the singer's sultry voice; so it was decided that this new solo would be a piece which, whilst not being a 'Carpenters' pastiche, paid tribute to their relaxed style and rich harmonic language. Sunday in the Park opens with an accompanied cadenza for the soloist, which leads to a gentle rhythmic melody with a laid-back feel. This is taken up by the band but the soloist sparks a change of mood by introducing a faster light rock interlude. This reaches a climax, at which point the music unwinds until the original mood returns. A variation on the original melody leads to a short cadenza from the soloist, which brings the work to a peaceful close.Duration: 7:00
Estimated dispatch 7-14 working days
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£94.95An Age of Kings (Mezzo-Soprano Solo with Brass Band and optional choir - Score and Parts) - Gregson, Edward
The origins of this work date back to 1988, when I was commissioned by the Royal Shakespeare Company to write the music for The Plantagenets trilogy, directed by Adrian Noble in Stratford-upon-Avon. These plays take us from the death of Henry V to the death of Richard III. Later, in 1991, I wrote the music for Henry IV parts 1 and 2, again in Stratford. All of these plays are concerned with the struggle for the throne, and they portray one of the most turbulent periods in the history of the British monarchy.Much of the music used in these productions was adapted into two large symphonic suites for wind band - The Sword and the Crown (1991) and The Kings Go Forth (1996). An Age of Kings is a new version for brass band incorporating music from both the symphonic suites for wind band. It was specially composed for a recording made by the Black Dyke Band, conducted by Nicholas Childs, in 2004.An Age of Kings is music on a large-scale canvas, scored for augmented brass band, with the addition of harp, piano, mezzo-soprano solo, male chorus, as well as two off-stage trumpets. The music is also organized on a large-scale structure, in three movements, which play without a break - "Church and State", "At the Welsh Court", and "Battle Music and Hymn of Thanksgiving".The first movement, "Church and State", opens with a brief fanfare for two antiphonal trumpets (off-stage), but this only acts as a preface to a Requiem aeternam (the death of Henry V) before changing mood to the English army on the march to France; this subsides into a French victory march, but with the English army music returning in counterpoint. A brief reminder of the Requiem music leads to the triumphal music for Richard Plantagenet, Duke of York, father of Edward IV and Richard III (the opening fanfare transformed). However, the mood changes dramatically once again, with the horrors of war being portrayed in the darkly-drawn Dies Irae and Dance of Death, leading to the final section of the first movement, a funeral march for Henry VI.The second movement, "At the Welsh Court", takes music from the Welsh Court in Henry IV part 1 with a simple Welsh folk tune sung by mezzo-soprano to the inevitable accompaniment of a harp. This love song is interrupted by distant fanfares, forewarning of battles to come. However, the folk song returns with variation in the musical fabric. The movement ends as it began with off-stage horn and gentle percussion.The final movement, "Battle Music and Hymn of Thanksgiving", starts with two sets of antiphonally placed timpani, drums and tam-tam, portraying the 'war machine' and savagery of battle. Trumpet fanfares and horn calls herald an heroic battle theme which, by the end of the movement, transforms itself into a triumphant hymn for Henry IV's defeat of the rebellious forces.- Edward GregsonDuration - 22'00"Optional TTBB available separately.
Estimated dispatch 7-14 working days
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£33.50We Wish You a Merry Christmas (Soprano Cornet Solo with Band) arr.Kenneth Downie
This light-hearted soprano cornet feature offers a fresh and entertaining take on the well-known Christmas carol We Wish You a Merry Christmas. Thought to date back to 16th-century England, the carol reflects a tradition of festive singing outside the homes of the well-to-do - often accompanied by requests for treats such as figgy pudding, a forerunner of today's Christmas pudding. Kenneth Downie's arrangement embraces the jovial spirit of the original, pairing nimble soprano cornet writing with bright, colourful scoring for brass band. The famous refrain, 'And we won't go until we've got some', sets the tone: cheerful, a touch cheeky, and full of seasonal good humour. To view a rolling score video of the work featuring Gary Fountain, please visit www.youtube.com/watch?v=3WCW9oBw-mY A version of this solo is available as part of the Sounds of the Season series, with both piano accompaniment and MP3 orchestral backing track, available here. Difficulty Level: 3rd Section + PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Soloist Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-4
In Stock: Estimated dispatch 1-3 working days
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£37.22Horn Concerto No.1 1st Movement (Tenor Horn Solo with Band) Haydn arr. Wilson
Franz Joseph Haydn's Horn Concerto No.1 in D major was composed in 1762, when he was new to the Esterhazy court. It is a virtuosic concerto that showcases the beauty and range of the horn. The concerto was originally scored for solo horn and orchestra, and is one of Haydn's most popular works. Here it has been arranged by Duncan Wilson for tenor horn with brass band. His arrangement of the concerto is a faithful and effective adaptation of the original work. The movement opens with a lively tutti introduction, followed by the entrance of the solo horn. The horn plays a series of melodies and passages that are both lyrical and virtuosic. The band provides accompaniment and contrast, and the two interact in a lively dialogue. The movement builds to a climax and then concludes with a triumphant coda. To view a follow-the-score video please visit https://www.youtube.com/watch?v=Uo2K5tge6Fs PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 2nd Section + Instrumentation: Tenor Horn Soloist Eb Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani
In Stock: Estimated dispatch 1-3 working days
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£37.22El Camino A Belen - Trumpet Solo with Brass Band (Nick Simmons-Smith)
VIEW SCORE PDF This trumpet solo was written by Nick Simmons-Smith at the request of Dallas Brass Band for a Christmas concert featuring Elmer Churampi, international trumpet soloist. The solo features three Christmas songs: i. Mi Burrito Sabanero voy camino de Belen (With my donkey of the Savannah, I'm going to Bethlehem) ii. Noche de paz (Silent night) iii. Campana Sobre Campana (Bell above bells, O bells of Bethlehem) These songs are all very popular in Central and South America - including Peru, where Elmer Churampi is originally from. Each tune has been given a different Latin treatment producing a fast-slow-fast festive concert solo. The solo is not long, but each movement could be played individually. To view a video of Elmer Churampi performing the solo with Dallas Brass Band, please visit: www.youtube.com/watch?v=cpQCFXReEJg PDF download includes score and full set of parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Instrumentation: Trumpet Soloist Bb Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£30.00Concerto for Two Trumpets & Brass Band - Bb or Eb Duet & Brass Band Sheet Music Full Score & Parts- LM601
COMPOSER: Antonio VivaldiTRANSCRIBED : Daniel S. AugustineThe great duet from Vivaldi is now available for two players with brass band accompanimentThe soloists can be two Eb soprano cornets, 2 Bb Cornets or one of each.A chance to let your soloists shine with authentic backing transcribed from Vivaldi original score.Definitely one for your next concert.Concerto for Two Trumpets in C Major, double concerto for trumpets and strings byAntonio Vivaldi, one of the few solo works of the early 1700s to feature brass instruments. It is the only such piece by Vivaldi.The rarity of Vivaldi'sConcerto for Two Trumpetsstems from the difficulties inherent in the Baroque trumpet. At the time, trumpets were natural, or valveless. The instrument's range was quite restricted, and much depended on the performer's lip control, as with the modern bugle.As with the great majority of Vivaldi's concertos, this one begins with a quick and sparkling movement to catch the attention of the audience and to showcase the bright tones of the solo trumpets. This is followed by a languid and very brief second movement, with fanfare-like passages from the soloists overlaying sustained string tones. For the final movement, Vivaldi returned to brilliant mode with quick energy and intricate passages for the soloists.
In Stock: Estimated dispatch 3-5 working days
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£29.95
JUST LIKE HIM (Cornet Solo with Brass Band Set) - Terry Camsey
This solo was written at the request of David Daws and The International Staff Band. David liked the solo 'Kim' by Allan Street and wanted a solo in similar style. It requires musicianship beyond mere technique and calls for keen interpretive skills. Built around 'He giveth more grace' and an arrangement of 'There is a name I love to hear', there is plenty of scope, in a variety of styles, for the soloist's artistry to show through.
Estimated dispatch 7-14 working days
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£29.95Just Like Him (Cornet Solo with Brass Band - Score and Parts) - Camsey, Terry
This solo was written at the request of David Daws and The International Staff Band. David liked the solo 'Kim' by Allan Street and wanted a solo in similar style. It requires musicianship beyond mere technique and calls for keen interpretive skills. Built around 'He giveth more grace' and an arrangement of 'There is a name I love to hear', there is plenty of scope, in a variety of styles, for the soloist's artistry to show through.
Estimated dispatch 7-14 working days
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£14.95Just Like Him (Cornet Solo with Brass Band - Score only) - Camsey, Terry
This solo was written at the request of David Daws and The International Staff Band. David liked the solo 'Kim' by Allan Street and wanted a solo in similar style. It requires musicianship beyond mere technique and calls for keen interpretive skills. Built around 'He giveth more grace' and an arrangement of 'There is a name I love to hear', there is plenty of scope, in a variety of styles, for the soloist's artistry to show through.
Estimated dispatch 7-14 working days
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£54.50Carnival of Venice (Bb Solo with Brass Band - Score and Parts) - Arban, Jean-Baptiste - Wilkinson, Keith M.
Bb Solo with Brass BandThe Carnival Of Venice is arguably everyone's favourite solo, especially the version by Arban (1820 - 1869), author of the famous brass-playing method book still in regular use today. Young soloists aspire to master the necessary techniques, accomplished soloists know that it is a "sure fire" winner with audiences and listeners love to be dazzled by a virtuoso display of variations on a theme they easily recognise.The theme is a traditional Italian song and has inspired variations for almost every possible instrument. Arban's famous variations were written in 1864. The arrangement remains faithful to the original while maintaining interest in the accompaniments by varying the orchestration. Although the arrangement is listed as featuring the euphonium as the solo instrument, it can also be used successfully as accompaniment for a cornet soloist.The arrangement has been recorded by Jeff Binns, euphonium, and St Louis Brass Band, musical director Keith M Wilkinson, on the CD Strike Up The Band and by Anthony Avitollo, euphonium, and Cuyahoga Valley Brass Band, musical director Keith M Wilkinson, on the CD Around The World.
Estimated dispatch 7-14 working days
