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£59.99
It's a Sin
In the eighties the Pet Shop Boys produced hit after hit. It's a Sin originates from the same year as their largest selling record West End Girls and this brave arrangement by Klauss van der Woude now means your brass band can enjoy the simplicity of this great pop song.
Estimated dispatch 5-14 working days
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£24.95Sin, Death and the Devil - Jonathan Bates
DURATION: 6 minutes. DIFFICULTY: Advanced. Sin, Death and the Devil was composed for the Swiss baritone soloist Christian Gertschen, and uses text and the plot from Milton's cherished 'Paradise Lost' as the basis of the work.
In stock: Estimated dispatch 1-3 days
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£28.95La Chica sin Nombre (Trombone Solo with Brass Band - Score and Parts)
A vibrant, rhythmic solo for trombone and bandLa Chica sin Nombre was written in March 2020 at the request of Brett Baker. He wanted something in Latin style so I chose to go for a Mambo-type dance piece. In obtaining the right percussion sound I would always ask for Conga drums and Mambo Bell/Timbales rather than drum kit. The piece needs to be played with an appropriate feel for Latin music. It should sound light and easy to play but has a few tricky moments- especially the cadenza-like sections from F to H. The virtuosic section at letter G can be cut if required.- Rob WiffinDuration: 4.15
Estimated dispatch 7-14 working days
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£59.99It's a Sin (Brass Band - Score and Parts) - Woude, Klaas van der
In the eighties the Pet Shop Boys produced hit after hit. It's a Sin originates from the same year as their largest selling record West End Girls and this brave arrangement by Klaas van der Woude now means your brass band can enjoy the simplicity of this great pop song.Duration: 4:15
Estimated dispatch 7-14 working days
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£92.00Milonga Sin Palabras - Astor Piazzolla
Estimated dispatch 5-14 working days
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£17.50The Mansions of Glory (Score Only)
"A young, talented and tender-hearted actress was passing along the street of a large city. Seeing a pale, sick girl lying upon a couch just within the half-open door of a beautiful dwelling, she entered, with the thought that by her vivacity and pleasant conversation she might cheer the young invalid. The sick girl was a devoted Christian, and her words, her patience, her submission and heaven-lit countenance so demonstrated the spirit of her religion that the actress was led to give some earnest thought to the claims of Christianity, and was thoroughly converted and became a true follower of Christ. She told her father, the leader of a theatre troupe, of her conversion and of her desire to abandon the stage, stating that she could not live a consistent Christian life and follow the life of an actress. Her father was astonished beyond measure and told his daughter that their living would be lost to them and their business ruined if she persisted in her resolution.Loving her father dearly, she was shaken somewhat in her purpose and partially consented to fill the published engagement to be met in a few days. She was the star of the troupe, and a general favourite. Every preparation was made for the play in which she was to appear. The evening came and the father rejoiced that he had won back his daughter and that their living was not to be lost. The hour arrived; a large audience had assembled. The curtain rose and the young actress stepped forward firmly, amid the applause of the multitude. But an unwonted light beamed from her beautiful face. Amid the breathless silence of the audience, she repeated: 'My Jesus, I love thee, I know thou art mine,For thee all the pleasures of sin I resign;My gracious Redeemer, my Saviour art thou,If ever I loved thee, my Jesus, 'tis now.' This was all. Through Christ she had conquered and, leaving the audience in tears, she retired from the stage, never to appear upon it again. Through her influence her father was converted, and through their united evangelistic labours many were led to God." 1. My Jesus, I love thee, I know thou art mine,For thee all the pleasures of sin I resign;My gracious Redeemer, my Saviour art thou,If ever I loved thee, my Jesus, 'tis now.2. I love thee because thou hast first lovd me,And purchased my pardon on Calvary's tree;I love thee for wearing the thorns on thy brow,If ever I loved thee, my Jesus, 'tis now.3. I will love thee in life, I will love thee in death, And praise thee as long as thou lendest me breath; And say, when the death-dew lies cold on my brow; If ever I loved thee, my Jesus, 'tis now.4. In mansions of Glory and endless delight,I'll ever adore thee and dwell in thy sight; I'll sing with the glittering crown on my brow: If ever I loved thee, my Jesus, 'tis now. William Ralph Featherstone
Estimated dispatch 7-14 working days
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£113.00Guess What I Wanna Do - Bernard Trulsrud Seland
Pa den tiden da Guess what I wanna do ble til, tidlig i nittiarene, var jeg sa utrolig heldig a vaere medlem av Oslo Groove Company, et kruttsterkt storband fra miljoet rundt musikkhogskolen. Bandet vant en spellemanspris med sin forste utgivelse Anno 1990. Alt stoffet vi spilte skulle vaere egenprodusert, noe som gjorde at mange i bandet provde seg, meg selv inkludert. Jeg hadde fatt med lata Frontal Separese,(blanding av frontal lobotomi og cerebral parese), pa Anno 1992, noe som selvfolgelig ga meg blod pa tann! Jeg husker jeg var opptatt av a fa til en stilig bassgang, og sa hadde jeg hort om kvarter. Resultatet ble Guess what I wanna do. At jeg fikk spille baritonesax solo pa lata var ogsa stor stas!Bernhard Trulsrud SelandEn storbandinteressert kompis introduserte meg for CD-en Anno 1996 da jeg var tenaring pa slutten av nittitallet. Jeg ble umiddelbart veldig glad i Guess what I wanna do - en utrolig toff og fengende lat med en bassgang man ikke glemmer! I mitt seinere liv som arrangor har jeg alltid hatt denne laten i bakhodet, med en tanke om a gjore den for korps, slik at den saledes blir tilgjengelig for enda flere musikanter. Og da jeg lanserte tanken for Bertnes Brass i 2019 var de umiddelbart klare for utfordringen! Arrangementet er blitt til med stotte fra NOPA.Andreas Heier Roe
Estimated dispatch 5-14 working days
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£38.95Unity Series Band Journal - Numbers 526 - 529, February 2024
526: March - Summit Cross (Beat Hari)This exciting and energetic work introduces a new contributor to our journals. Beat Hari helps lead the band at Frutigen Corps, Switzerland. This march was composed with the intention of featuring it in an open-air concert beside the ski slopes. Members of the corps regularly join the band, instigating conversations with skiing guests by distributing bible verses and sweets. The composer has named this march because of the many Swiss mountains that have crosses on their summit as symbols of God's protection over the population living in the valleys below. The march follows a traditional format with a solid rhythmic construction built from the bass line.527: Christ is all (Olaf Ritman)The Salvation Army song, Christ is all (S.A.S.B. 588) is one that is cherished by the composer. The verses by Herbert Booth are both powerful and vulnerable and the melody by William A. Williams really touches the soul.528: My all to follow (David Edmonds)This piece pays tribute to all who have accepted the call to become Salvation Army officers and envoys. Such a calling involves significant change and can be difficult when leaving their comfort zone or moving away from family.529: We shall win (Alan Williams)William Hodgson's song We're a band that shall conquer the foe (S.A.S.B. 990) is one of confidence and encouragement in our daily fight against evil, sin and injustice, both in the world and in our lives. As such, this music should be full of that same confidence.
Estimated dispatch 7-14 working days
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£38.95Unity Series Band Journal - Numbers 510 - 513, October 2022
510: March - There is a fountain (Zachary Docter)This bright and cheerful march takes two songs as its basis; Jesus loves me! This I know (S.A.S.B. 807) and There is a fountain (S.A.S.B 202).511: Shine, Jesus, shine (Marcus Venables)While this piece was originally written for young people at a summer music camp in Canada, the piece is a light programme item suitable for smaller ensembles of any age.512: My Trust (Alan Williams)This setting is based on the simple chorus In thee, O Lord, do I put my trust (S.A.S.B 594). Ordinarily heard in 3/4 times, this 4/4 version of the tune has the space for reflection written into the notation.513: Power in the blood (Martyn Thomas)This is a blues/rock arrangement of the traditional hymn Would you be free from your burden of sin? (S.A.S.B 451). It can be used as a stand-alone piece or equally well as an accompaniment for congregational singing.
Estimated dispatch 7-14 working days
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